• Tag Archives Japan
  • Fireman’s Robes and an Ugly Bureaucrat

    42  bar falls 2mph SSE dewpoint 26 Spring

              Waning Crescent Moon of Winds

    Two tours today, both Weber, but very different.  The first was a Shakopee Japanese language group who had some very sharp kids.  They were with Hotei, the Moon, the calligraphy, the tea ceremony, Genji, the Bull and the fireman’s robes.  The second group was from a city recreational center.  There were 11 kids.  They started out a bit disinterested, but I began with Shokei, the ugly man denied a job as a Chinese bureaucrat after passing the exam.  They liked that story and the fact that he rode a tiger.  They also liked the rice planting and harvesting screen, the rabbit looking at the moon, the tea bowls, the black bull and the cranes.  The fireman’s robes are a great hit with kids of all ages.  We ended by looking at Mickey Mouse on the kimono.  Good groups, engaged and interested.  Fun.


  • An Everything-0-Meter

    43  bar falls 30.27 0mph SSW dewpoint 12 Spring

              Last Quarter Moon of Winds

    Had a great time with the two Weber (Japanese special exhibit) tours.  Grace Googin was there for the first one and I had about 15 on the other tour.  Folks seemed to be into it and thanked me a lot after we were done.  This is the first tour in a long time where knowledge accumulated over time has begun to break through in the tours.  I know, for example, the linkage between Chan Buddhism from China and Zen in Japan.  Not like an expert of course, but certainly at a level that helps folks on the tours gain a deeper appreciation for both.

    After the tour I drove over to Interior Gardens where I picked up an everything-o-meter that will make the hydroponic part of the work so easy it will almost grow by itself.  Well, not quite.  It measures electrical conductance, ph and temperature, all three important data points for the reservoir of nutrient solution.  Also picked up 100 more pellets for starting seedlings and three bottoms for the other flats.  We’re in day three of the sprouting process.  Sometime in the next week we should see some shoots.  Fun.

    The woman at Interior Gardens I remembered because she had injured her leg in a running accident.  That was about ten months ago.  During surgery the orthopedist discovered that her cartilage had pulled a divot of bone out of the knee.  This made it difficult of reconnect everything and she’s still not fixed.  She’s a runner, too.  “Oh, well.  If they can’t fix it, I’ll get into biking!”  She has a cryogenic device she puts on it at night that takes the pain right away.

    On the way home I was, unfortunately, really hungry–back to back tours with no food in the middle–so I (you might want to cover your eyes for this part.) stopped at McDonald’s and got a McFish, which, also unfortunately, I like.  By the time I got home I was sleepy, no nap, and feeling guilty.  Guilt won and I just finished 40 minutes of aerobic workout on the treadmill. 


  • The Mourning Forest

    25  bar rises 30.14 0mph N dewpoint 10

              Waning Gibbous Moon of Winds

    Naomi Kawase is a 37 year old Japanese filmmaker.  This was the first film of hers that I have seen and it’s powerful.  It won the Grand Prix at Cannes this year.

    The film approaches the question of mourning with delicacy, but directness.  A young woman, newly hired as a caregiver at a nursing home, develops a relationship with a difficult man, Shigeki-san.  Their relationships proceeds through many levels, but reaches its climax after her car breaks down while she has him on a day trip.  She leaves to get help and he wanders off. 

    She finds him in a watermelon patch and he runs away from her into the forest.  He will not turn back and she becomes desparate, responsible for him, but unable to turn him back toward the car.  Over a day and a half he leads her on his quest to find his wife’s grave.  When he does find it, both have a revelation about their own mourning.  He digs a hole and says he is “going to sleep in the earth.”

    She lost her son not long before and has been enclosed in her grief, but her experience with Shigeki-san forces her out of her shell and back into the sensations of life. 

    Worth seeing if you can catch it.


  • Tea Master for a Day

    46  bar falls 29.96 3mph NNW dewpoint 25

              Waxing Gibbous Moon of Winds

    Last night the moon of winds cast shadows on our yard, elongated dogwoods, thick oak trunks and thin lines of multiple raspberry canes.  This point in the seasonal change is delicate.  Thin ice forms a lattice over the snow while tiny drops of water gather along the roof line ready to plummet the final distance to the earth.  Snow and grass play encirclement with grass spreading outward from trees and shrubs while the snow holds its own over the lawn, the hills and prairie grass.  Here there daubs of photosynthetic green have begun to appear.  Rosemary beneath the steps.  Tufts of grass up close to the house.  It is a gradual change for the moment, but soon the earth will leap and shout, fly flags of bright colors and clothe itself again in verdant splendor.

    Tour today with students, 6th graders, from a Muslim school in Fridley.  As near as I could tell, the kids were mostly Somalia, all born here, but there parents emigrated.  I had the boys, David Fortney had the girls.  We circled each other for half an hour in the Islamic gallery as these children drank in the physical objects of their cultures, linking themselves to the Seljuk Turks, the Safavid Persians and the Mughals of India.  After half an hour we went into the Weber Collection (Japanese traveling exhibition).  I asked them to become tea masters selecting objects for a tea ceremony for persons unfamiliar with Japanese art.

    We saw Hotei reach for the moon and a Zen monk’s ordination festival.  We learned wabi from the Negoro ware with its faded red lacquer, worn and used; we learned sabi from the tea wares, especially the lumpy and imperfect mizusashi.  I read them a Daoist poem and its conversion into a Buddhist poem by the extraction of only one line, spun downward in a flowing cursive script.  Time went fast and at the end they picked objects for their tea ceremony:  8 Views of Xiao and Xiang, the delicate miniature Song dynasty-like landscape, the Negoro spoon, the tea caddy with a silk cover, Oribe teaware and a few dishes for tea food.  Then we were done.

    Afterward I copied and copied and copied, even to the end of the toner cartridge, material on Chinese bronzes.  I have a tour on Saturday that will focus only on our Chinese bronzes.  I chose them because I wanted to go deeper into the world of early Chinese dynasties like the Shang and the Chou and the Han.


  • Up At 5AM and Hard At It

    33  bar steep fall 30.11  6mph N  windchill 33

        Waxing Gibbous Moon of Winds

    Boy is my sense of time screwed up.  Got up at 4:30AM for the bathroom.  Went back to bed.  No sleep.  Waited.  Still no sleep.  So at 5AM I got up, went downstairs, opened by John Weber collection catalogue and tried to figure out what to do next.  This was difficult because I had put my notes for the tour in the carrier I take when I go into the museum.  That location didn’t occur to me until ten sleepy minutes had gone by shuffling this paper and that trying to locate the item I needed to finish the tour.  Those notes.

    But I did find them.  As a quiet spring snow began to fall outside in the dark, I entered again the world of the Heian poets, the Shining Prince Genji and the floating world of courtesans, no theatre and elegant costume.  Japan and China are strange and distant cultures for most Westerners so entree into their world does not come without some struggle, some setting aside of preconceived notions. 

    Over the last three years in particular I have worked hard to get a handle on the historical context in both Japan and China.  I’ve worked harder on China, but Japan has had some time from me, too.  As so often happens in the life of the mind, eventually the heart begins to follow and somewhere along the line I went from interested to captivated. 

    It was easy then to begin comparing poems used in the poetry competitions, mythical contests in which cultured Japanese matched poets from different eras, then matched two of their poems that seem to have resonance.  The competition was not between the two poets in question of course, but among the Japanese who created the matches.  It would be like, say, putting Robert Frost’s “Snowy Evening” against one of Emily Dickinson’s darker pieces, Wallace Stevens and Coleridge. 

    So it went for two hours until the dogs began to whine and I let them out of their crates, fed them and began my own breakfast.

    After breakfast I caught another hour and a half or so of sleep, then drove into the Common Roots Cafe where the docent book club gathered to discuss the (apparent) lack of religion/spirituality in contemporary art.  I guided this discussion, but I’m afraid I didn’t conceive a way to do it fruitfully.  We had a lot of conversation, though, and I think we may have gotten greater clarity from it than was immediately obvious. 

    It was Tom Blyfeld’s 80th birthday.  He celebrates his 56th wedding anniversary on Friday.  He mentioned the doctor who delivered two of his children, a man 90 something who has great-great grandchildren. Amazing.  He will celebrate his 65th wedding anniversary.  These are numbers unattainable by most of us in the divorce generation.

    Tonight is the celebration of St. Patrick’s day at Frank Broderick’s.  He bought the meat last Friday.  His table always groans with meat and potatoes and cabbage.  I look forward to it each year.


  • A Tea Master Selects Objects

    44 bar steady 29.83 2mph WSW windchill 43

         Waxing Crescent Moon of Winds

    The snow mass has begun to recede.  Our north facing property retains snow longer than our neighbors, but the snow over the firepit area has shrunk below the top rail of the fence.  The temperature today gives us the general trend, though we may have a “major snow event” next week.  These late snows don’t last.

    The gardening season will begin soon and I’m ready to go to work.  Check on my baby trees, finish the firepit, begin the permaculture planning. 

    Had a break through on the Weber Collection tour.  I will use the notion of a tea-master preparing a tea ceremony for guests unfamiliar with Japanese art and its long traditions.  Together we will choose items that will give each of us a once in a lifetime experience together.  Let’s wander through our collection of possible tea objects and decide what will work best.

    The Great Work is many small works.