Beltane\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Waning Planting Moon<\/p>\n
A fine tribute to Michele Yates.\u00a0 Merritt did a tour of various galleries and played music appropriate to the era.\u00a0 Plain chant in the medieval and renaissance gallery, madrigals and recorder music in the Tudor Room, a movement from a Mozart concerto next to Ganymede and the Eagle, romantic music by Mendelssohn\u00a0 in the large gallery with Theseus and the Centaur, Delacroix’s Fanatics of Tangiers and Silenus, ending with Debussy in the impressionist gallery.<\/p>\n
Merritt is a musicologist by profession, now retired, and has a keen appreciation for the interplay between the musical and visual arts.<\/p>\n
Today’s a bit fragmented in that I took my nap at 11:00 am.\u00a0 Now I’m going to go work on some more Ovid.<\/p>\n","protected":false},"excerpt":{"rendered":"
Beltane\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Waning Planting Moon A fine tribute to Michele Yates.\u00a0 Merritt did a tour of various galleries and played music appropriate to the era.\u00a0 Plain chant in the medieval and renaissance gallery, madrigals and recorder music in the Tudor Room, a movement from a Mozart concerto next to Ganymede and the Eagle, romantic music by … Continue reading And some more misc.<\/span>