Cultural Appropriation

Beltane                                                                           Rushing Waters Moon

Transformation Mask, Richard Hunt, 1993
Transformation Mask, Richard Hunt, 1993

Cultural appropriation. I’m not sure I understand this argument, but this wikipedia entry contains a long summary. I get it when the issue is the Redskins as a football team name or Indians as the basketball team name in Anderson, Indiana with its related arena named the Wigwam. I understand it when the issue is blackface, Aunt Jemima, the wearing of war bonnets as fashion statements. I fully understand and appreciate, for example, the Northwest Coast First Nation’s desire to own their artistic heritage, a good example of which is the Transformation mask at the Minneapolis Institute of Art.

The argument begins to fray for me when I see complaints about using traditional cloth in new and different ways or even when others choose to reinterpret traditional art. Or, particularly, when I read books that create characters from different cultural traditions, gender perspectives, or ethnicities. I don’t understand how the life of art can go forward without all kinds of cultural appropriation.

culturalIf, as a Western white male, a U.S. citizen of mostly European genetics, I cannot create characters in my novels that are outside that narrow slice of the world’s reality, my work is restricted in ways that make no sense to me. Would I always get it right? No, of course not. But how do we understand other’s understanding of their others unless we can see it or read it or watch it? And is not the fraught interaction between and among cultures important to understand from all perspectives?

Of course intentionally stereotypical representations are abhorrent, but should not the critique of them be left up to the reader or the viewer? At least in the way I write self-censorship is the ultimate enemy, a foe to be fought off. This notion seems to introduce so large an element of self-censorship that an artist could find themselves crippled. This does not create cross-cultural understanding, it undermines it.

Minstrel_PosterBillyVanWare_editAs a former student of anthropology, I know that cultural diffusion is always happening. Look at pidgin languages. Look at the appreciation of art in the different departments of encyclopedic museums. Look at the cultural diversity within the fabric of our nation. Go to Singapore and see the merging of several South Asian cultures into one nation.

I’m interested in reactions to this piece since I’m sure I don’t have a complete understanding.

Baphomet Among the Hay Rides of Belle Plaine

Beltane                                                                      Rushing Waters Moon

On occasion I would drive on Mn. Hwy. 169, not often, but once in awhile. What I remember most about this exurban community to the south of the Twin Cities is Emma Krumbee’s Restaurant. It’s a country style dining experience cohabiting with an apple orchard, hayrides and lots of cute candles, apple related gifts and smiling waitresses. It always reminded me of Morristown, Indiana where my mother was raised. Downhome, rural comfort food.

Emma Krumbee’s is in Belle Plaine, not a place I expected to see in the New York Times and, in particular, not a place I expected to okay a Satanic Temple Veteran’s Memorial. Read some material* about if from the Satanic Temple’s website.

This is a photograph of the proposed memorial from the same website.

satanictemplemonumentcropped

I like it. It’s spare, a bit ominous, but so is war.

I’m not sure what to make of the Satanic Temple itself. It looks a bit tongue in cheek with its Shop Satan webstore. Here are a couple of items from their webpage.

Baphomet_Candle_The_Satanic_Temple_large

BaphometStatue2017_large
BaphometStatue2017_large

 

*”The path was paved for this historic event when Belle Plaine displayed a distinctly Christian veterans’ memorial in their ‘remembrance park.’ In response to claims that Belle Plaine was preferencing one religion over others, the 2-foot steel cross was removed. Some residents protested the removal and urged the City to find a legal means to bring back the statue. The City responded by opening the park as a “limited public forum” where anyone, including Satanists, are welcome to donate monuments of their own.”

 

“The Belle Plaine city council was professional at all times. They adopted a clear set of guidelines which they adhered to. There was no push-back,” Greaves explained, “unlike some other localities where public office holders have wasted public funds in losing lawsuits, trying to gain unconstitutional exclusive privilege for their own prefered religious viewpoint. Belle Plaine recognized the legitimacy of our request and followed the law as it applies to public forums.”

 

“The Satanic veterans’ monument, a black steel cube adorned on each side with a golden inverted pentagram and adorned at the top with an empty soldier’s helmet, is expected to be installed on park grounds within the next couple of months.”