• Category Archives Art and Culture
  • A Liberal and a Conservative Walk into This Bar

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    There is a puzzle in me, one that come to light when I worked at Unity Unitarian in St. Paul for a brief time.  It was a difficult and painful time for me, but I liked Roy Smith, the minister, and admired his intellectual grasp of the liberal faith tradition.  We had many conversations about theology, especially the work of Henry Nelson Weiman.  As we talked, I realized I had twin intellectual/emotional currents, perhaps running in opposite directions.

    While my training in anthropology and philosophy made me sensitive to the plural and often conflicting belief and faith systems among the world’s many cultures, it also made me yearn for something with a center, a place to stand, as Martin Luther said.  An initial enchantment with the surprising (to the post-college me) intellectual rigor of Christian thought led me into a fruitful and often mystical 20+ years beginning in Seminary and ending when I left the Presbytery to write in late 1991.  As I pulled away from the institutional life of the Christian faith, my commitment to it weakened and finally broke.  In retrospect it’s more wonder I lasted so long. 

    Systems of thought with certainty and exclusive claims like Christianity, Judaism, Islam, Marxism, and Capitalism did not fare well when attacked at their base by philosophical analysis or the comparative method of anthropology, and I was only too happy to go at them.  The chief problem is the notion of permanent truth.  When looked at from, say, the Taoist living in X’ian none of these have any claim, with the possible exception of Marxism, but Marxism, looked at from the perspective of the American mainstreet, has no claim.   These universal claims, especially the religious ones with their cosmic implications, fail on the face when confronted by others who simply don’t agree. 

    Capitalism and Marxism compete in the political and economic arena, but their mutual demands for faith–the invisible hand and the rational allocation of capital on the one hand and the inevitably of class struggle on the other–rely on large blind spots, i.e. the victims of Capitalism whose boats not only don’t float, but get swamped; and, the victims of Marxism, the millions in the USSR, Cambodia, and China who died that class struggle might prove triumphant.

     This mode of thinking leads me into the liberal faith tradition which raises a question mark, a big question mark, whenever claims of certainty are made.  Extraordinary claims require extraordinary evidence, most often lacking.

    And I’m happy there.

    Yet.  There is this other river.  The classics inform my writing and my life.  Carl Jung, whose psychology I feel drawn to, looks within for the collective, archetypal elements shared across individuals and generations.   Classical music is the form of music I enjoy most.  My journey in the arts has led me back into the distance reaches of the human experience, not quite as far as the search for the origin of Homo sapiens, but at least as far back as Lascaux and the small stone amulets of big breasted, fertile women.  I love Dante, Ovid, Rembrandt, the bronze artisans of the Shang dynasty and the misty landscapes of the Southern Song. 

    This is a conservative flow, a search for permanent things in a world of impermanence and diverse cultural history.

    Both of these rivers, I’ve come to realize, are about equal in their pull on me.  It gives me a sense of two different people, perhaps one the German intellectual and the other a Celtic traditionalist; or, one the German Romantic and the other a feisty Celt ready to go a round or two with anyone over anything.  

    It may be that this last third of my life will find these two rivers finally join, creating an intellectual and spiritual and aesthetic place I do not yet know.  I hope so since this last third is all I have left.


  • A Magical Mythical Tour

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    Cooked a New England Boiled Dinner for supper tonight.  I cook the evening’s Kate works days, which are on weekends.  After my workout, as the corned beef burbled along on its 3 1/2 hours journey to fork done, I prepared four of my objects:  

    A bronze boss of Oceanus, God of the World River

    A red-figure Greek krater with Dionysus, Satyrs and Maenads cavorting

    A bronze sculpture of Icarus

    And Mauric Denis’ symbolist work, Orpheus and Eurydice

    At 9:30 I came down here and finished the other four:

    A painting of Calypso gazing off into the distance as Ulysses finally sets sail for Ithaca

    A bronze sculpture of Theseus killing a Centaur

    Rembrandt’s Lucretia

    A painting of Diana with her two dogs and the hapless Actaeon in the background being eaten by his own dogs.

    This is familiar turf for me.  Greek and Roman mythology works on and through us today, as it did all those years ago when Cicero and Caesar, Pericles and Leonidas were alive.  This is a high school group from Visitation High School. Don’t know why they’re going to be at the MIA on Sunday at 11:00 AM.  Maybe they caught the Saturday night folk mass.

    Anyhow. I finished.


  • Groceries and Bauhaus

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    Spent an hour in the Modern design galleries discussing the Frankfurt kitchen, Tatra, arts and crafts, bauhaus and art moderne with people from Supervalu. 

    The event started at 5:30 PM and I showed up at 4:45PM.  Went up in the gallery, 3rd floor, new wing to check out my objects.  The museum announced closing and a guard checked to see why I was still there.  Supervalu.  Oh, OK.

    That gave me a half an hour after the museum closed to the public and before the Supervalu folks began to trickle into the galleries.  It was strange, like being in a store after closing.  The feeling is intimate, as if for a suspended moment the museum, or at least these galleries, had only me to appreciate them.  

    To carry the store analogy a bit further, as I walked the two galleries of my assignment, I had to engage people ad hoc, as they looked at an object.  At first it felt intrusive, then a long ago memory floated into consciousness, working the floors at the WT Grant company when I was in managment training.  It was the walking back and forth, seeking moments to engage people that resonated, partly aimless, partly repetitive, partly hopeful.  The only difference was that at WT Grant I had pets and toys while here I had a hundred years of skilled design.

    The time went fast, only an hour, then I was away, back into a blustery November night with a cloudy sky, headed home.


  • Diffusion or Delusion?

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    Sheila lectured this morning on divination and origin stories among African nations.  The morning felt long.  Maybe it was me; maybe it was a conflict I keep having bewteen the art historical approach and the anthropological.  In art history the appearance of similarity is often taken as evidence of diffusion, that is, one culture influences another.  In fact, diffusion often does not explain similarities.  A classic example is pyramid forms in Mayan cities.  Early antiquarians felt the pronounced similarities with Egyptian pyramids sealed a  relationship.  They did not, however, explain how Egyptians got to Central America or the Central Americans got to Egypty.  No contact, no diffusion.  Even though Thor Heyerdahl showed that trans-oceanic travel could occur given simple technologies, that is not the same as providing evidence that it happened.  The anthropological approach demands broader evidence than stylistic simliarity or similarity between one set of stories and another. Why?  Because, as humans, we often follow similar paths to problem solving–you might call them AncienTrails.

    After, I wandered the galleries, always happy to have the museum to myself.  Ran into John, a guard, whose father has some industrial design work on display in the Don Harley exhibition.  Since I’m assigned to the Modern Design galleries for a SuperValu event this Wednesday, I’ll show off his Dad’s work which includes a plastic flyswatter, a metal flask and plastic ribbon dispensers.  All high concept design.

    The other project was a magic of myth tour I’ve got coming up on Sunday.  This one wants Roman and Greek mythology.  A lot more objects than I’d thought.  I wrote them down and will do some research, consider a theme.

    The museum speaks to me.  When I’m alone there, the art begins to accumulate, put layers on my heart.  Later, perhaps days or months later, my heart will work through what I learned.


  • Korean soap operas and the Silk Road

    Back from a night at the U of M’s Institute for Advanced Studies.  The occasion was a lecture on Chang’an, the capital of the Tang empire and site of the present day city of Xi’an.  The lecture, as well as a pipa concert on Sunday at 3 PM at Kaufman, celebrates the 25th anniversary of a relationship between Minnesota and Shaanxi province as sister states.

    A supper preceded the event, paid for by somebody, and had a variety of Chinese dishes, whether indigenous to Shaanxi or not, I do not know.  Over supper I met a Korean woman, a Catholic, who is a professor of history at the Catholic University of Seoul.  She’s here on a one year research fellowship to study Asian history.  Why Minnesota?  We have a good Asian history contigent here at the U.  Her name was Seon-Hye.  Next to me was a graduate student in history, a Chinese woman, who has as her dissertation project women’s writing in China from the 18thC on.  Seems women wrote poems to celebrate their locality.  Beside her was Yoshimi, a Japanese graduate student.  We got to talking about Korean soap operas.  Yoshimi said they were very popular in Japan, so much so that Japanese young women take tours to Korea to see sites where their favorite soap operas happen.   The Chinese woman, whose name I didn’t learn, agreed, saying the Korean dramas were very popular in China, too.  

    Huang, a young Mandarin man, is a student of the Qin dynasty.

    The lecture that followed supper was on Chang’an and its cosmopolitan nature, demonstrated through art and a mini-history of the silk road.  The lecturer was Kathy Ryor, a professor from Carleton College. 

    Also picked up a pair of new sunglasses today.  Snazzy and gray/blue in tint.  Gives the world a slight wintry cast.