Category Archives: Art and Culture

Art Years. Mountain Years.

Mabon and the Harvest Moon

Sunday gratefuls: Luke at 34. Bella Colibri. Rabbi Jamie’s Rosh Hashanah sermons. Shadow, the morning kisser. Artemis’ Cucumbers. Pizza and Burger plants in my son’s garden. Seoah’s half marathon. Mary’s political neighborhood. Mark and West Texas. From afar in Hafar. Ruth and Gabe, students. The Never Ending Story. Fourth Wing. Iron Flame.

Sparks of Joy and Awe: The Harvest

Year Kavannah: Wu Wei

Week Kavannah:  Malchut. Wonder.    “Wonder is the beginning of wisdom.”  Socrates.

Tarot: Five of Pentacles. (Druid Craft)

  • Focus on internal resources: For a querent, this version is a powerful reminder that sometimes the help we need is within us, but our focus on the problem prevents us from seeing the solution. It is a prompt to shift perspective, recognize internal resources, and understand that our perceived limitations may be an internal block rather than an external lack. 
Festival Theater, Stratford

One brief shining: Trumpets blaring we would file into our seats at the three-quarter round thrust stage of the Guthrie Theater when it stood attached to the wonderful Walker Art Center, find our seats, and wait as the Gospel of Colonus, or the Bacchae, or the Christmas Carol came to life, poor players strutting and fretting upon the stage until they were heard no more. Applause!

 

Minnesota: Though now a Coloradan, a Rocky Mountain guy, a Jew, a widower, I once was a Minnesotan and happily so. Especially when it came to the arts. Those trumpets I mentioned? Oddly, when my family vacationed in Stratford, Ontario I had encountered them years before. Why? Because Michael Langham, the director of the Guthrie when I first attended on a student discount, had been the director of the Stratford Shakespeare Festival during those long ago family vacations.

The Walker allowed all of us tucked into the rarely visited Upper Midwest of the Heartland access to the latest and the greatest of modern and contemporary art. What a gift. The MIA, an encyclopedic museum, covered art from ancient Chinese ceramics and bronzes through impressionists and abstract expressionists and had its own contemporary art exhibitions.

I spent twelve happy years guiding tour groups through the Asian galleries discussing the Jade Mountain(s), the Japanese Tea Ceremony, Song dynasty ceramics, and Korea’s amazing celadon glazed pottery. Yes I also led tours that included Goya and Rembrandt and Kandinsky, Chuck Close and Egon Schiele, but my heart remained always in the Asian collection.

It was a distinct privilege to immerse myself in the thousands of years of art in the MIA’s collection, to have my understandings of the modern world upended at the Walker, to have the Western world’s best playwright’s effort brought to life while I attended the Guthrie.

Too, there was and will always be for me: The Saint Paul Chamber Orchestra. Decades of attendance acquainted me with Mozart, Teleman, Bach, Ives, Copeland, Fauré. And, ta dah! Kate.

Today my chamber music is the golden swathes of Aspen Leaves on Black Mountain. My Guthrie is the rain swollen Maxwell Creek while the Arapaho National Forest recapitulates the MIA and the Walker. So be it.

Time softens

Lughnasa and the Cheshbon Nefesh Moon

Friday gratefuls: Kathy, who died. Tara and Eleanor. Cool morning. Shadow of the morning. Sit, down, touch, place. Wag tail. Jump up. Outside. The dark as friendly, fecund, mysterious, soothing. Jon. Who died three years ago yesterday. Ruth and Gabe. Kate, always Kate. Mussar on love and repulsion. Natalie. Her Dog needing stitches. Tom’s ISS photograph share of sprites during a Thunderstorm.

Sparks of Joy and Awe: Acceptance

Year Kavannah: Wu Wei

The concept is deeply connected to the natural world. A person practicing acts like water, which flows around obstacles rather than confronting them directly. It is the idea of working with the natural current of life, not against it.  Gemini

Week Kavannah: Ometz Lev. Strength of the heart. The inner strength to move forward.

Tarot: Eight of Wands, reversed. (Druid Craft Deck)

The card’s core message is to slow down and reassess your path. It often appears when you are feeling frustrated with a lack of forward movement, or when a flurry of chaotic activity is causing more harm than good.

One brief shining: Shadow stands beside her Mule Deer yearling friend, far enough away to not get kicked, close enough to offer companionship and receive it in return; this yearling has come several times over the last couple of weeks though I’ve not seen again the joyful race she and Shadow ran that first day she was here.

 

Dog journal: Shadow gets her Lepto booster today from Dr. Josy. Who thinks Shadow is “perfect.” Me, too. Most of the time.  Eleanor went to the vet last week to see about excessive licking. Findlay had to go to the emergency vet in Bangor because he yelped and yelped. Possibly a pinched nerve.

We care for our Dog companions as we would our children. Which unveils the relationship possible between this world of human artifice and the world of Wild Neighbors. No, not feeding nor domesticating them, but recognizing their inherent worth and dignity as fellow creatures of the One.

Why I give money to the Colorado Wildlife Sanctuary. Where maliciously kept Wild Animals go to live out their lives in a setting and with food as close as possible to their original home.

 

Bought this at last year’s show

Family time: Yesterday was the third Gregorian anniversary of Jon’s death. His yahrzeit was on the 1st since the Jewish calendar follows the moon, not the solar calendar of Pope Gregory XIII.

As time can do, the memory of Jon has softened. Letting the awful struggles of the divorce and his reaction to Kate’s death fall away, his difficult life now sad rather than frustrating.

I remember especially his approach to art over most of the time I knew him in Colorado. When riding his bike or driving his car, Jon looked for pieces of metal run over, sifted to the sided of the road like flotsam on a Maine beach. Things discarded or fallen off, then transformed by the weight of passing trucks and cars, Rain and often rust. A piece of a fender from a wreck. Beer cans. A piece of sheet metal.

He would stop and pick them up, take them home, clean them up, ink them in various colors, then run them through a manual print making press. I have several of these pieces and find them beautiful.

 

 

The Maker and the Made

Beltane and the Wu Wei Moon II

Tuesday gratefuls: Ginny and Janice. Annie and Luna. Luke and Leo. Shadow. Happy to be with Leo. Cool night. The last for a while. Tom and Rascal. That Lodgepole leaning. Rain. Possible Monsoons. Traveler’s Insurance. Ruby.

Sparks of Joy and Awe: Art Green

Week Kavannah: Zerizut. Enthusiasm. ?How do I reignite my enthusiasm for working out?

One brief shining: I went and got coffee; it’s cool to be independent in a place that is completely new says American Ruth on the streets of Songtan, Korea;  a spot I knew well from my time with my son and Seoah.

 

Ruth’s on day 2 of her Korean trip. Sleeping in the same bed I slept in two years ago. Probably jet lagged, but leaning way in to the new world, Asia, so different, yet fully human.

Travel expands the range of the possible. Nope, knives and forks and spoons? Not everyone uses them. The language. The way of writing it. The gene pool. Sloping tiled roofs in the Asian manner. Food with all the sides typical in Korea. A world of difference. What the MAGA folks miss in their cultural chauvinism.

Here’s to Ruth. Adventuress.

 

A conundrum. Me, too, and art. And thought. And friendships. Do you still watch Woody Allen films? How about Roman Polanski? Attend Catholic mass? Do you admire Bill Clinton? How about Picasso? Art Green? Believe Anita Hill? Weinstein? Kevin Spacey? Bill Cosby?

Here’s the conundrum. Do bad acts taint everything a person has done? Is Kevin Spacey less good in American Beauty because he’s a sexual predator? Is the Catholic church defiled in toto by its wayward priests? Does Picasso’s notorious philandering make his painting less than?

I come down with confidence on all sides of this issue. Woody Allen slept with, then married the adopted daughter of his former wife, Mia Farrow. Does this make his films less funny?

Can we separate the maker from the made? Yes. No. First of all, look at the long history of art now represented in museums. Most of the works in any museum come with little information about the artist’s private life. Especially those works from antiquity.

Since we admire these works without knowing the peccadillos of the sculptor of the Doryphoros  or the carver of the Jade Mountain, the potter who made the roku tea cups, it is possible, probably likely that some of them were miserable human beings.

Is that Greek athlete, a spear-bearer, any less magnificent if we would find his maker was a pedophile? Or, the potter a wife beater? Would the graceful and beautiful scenes on the Jade Mountain be less so if the maker were a thief?

In other words in cases where we have no idea about this information we find no impediment to our appreciation of the work on its own, distinct from the hands and the heart that created it.

This suggests to me that the work is independent of the maker, of the maker’s biography, whatever it includes.

On the other hand. Bill Cosby. I can’t see anything he’s made without carrying to it his drugging women for sexual predation. Even Woody Allen. Though less so for some reason. Picasso? I don’t consider his private life at all when I see his art.

What are the criteria we use? Do we condemn the bad act(s) and draw a clean line between, say, Polanski and The Fearless Vampire Killers, a favorite comedy?

I guess I come down on separating the made from the maker. Yet a taint on it, a principled revulsion, a pulling away from the work made also makes sense to me.

I do know this for sure. I would not want my work judged by the worst mistakes I’ve made in my life.

All. All of it. Sacred.

Spring and the Wu Wei Moon

Ramses II. By Djehouty – Own work, CC BY-SA 4.0

Tuesday gratefuls: Needles into my spine. 11 am. Paul in Salt Lake City. Mary in Eau Claire. The wide world. The newly opened Grand Egyptian Museum. The National Museum in Taipei. The Frick’s renovation. The Isabella Stewart Gardener museum. The Phillip Johnson. The MIA. The Walker. Being a dramaturg.

Sparks of Joy and Awe: All the art in all the world

Week Kavannah:  Sensibility. Daat.

One brief shining: So many museums, the quiet time early in the morning before the crowds come, walking into the Bruegel room at the Kunsthistorisches, or the Botticelli room at the Uffizi, even walking with the crowd into the Sistine Chapel, the Sistine Chapel!, my favorite moment to spend time with the Dr. Arrieta by Goya at the MIA, there are raptures and revelations there for those who can see what they are looking at.

 

Imagine a street in any major city. Bangkok. Kuala Lumpur. NYC. A busy street filled with pedestrians on their way. Somewhere. Vehicles in the street. Bicycles. Taxis. Private cars. Delivery trucks. Businesses fronted on the sidewalk. With offices above them.

All those vast inner worlds. As vast your own. Never to be known. Not by you. Not by anyone else. Unless. Perhaps. A lover or therapist. Or, if one of them is an artist. Doesn’t matter what kind. Painter. Writer. Musician. Dancer. Playwright. Sculptor. Artisan. Any.

Artists need to, have to reveal themselves, their inner worlds. Can’t help it. It’s not quite the same as conversation between lovers, but it can be pretty damned close.

That Goya above? That’s the painter himself being treated. For what was apparently a not very serious ailment. Did he know that at the time of his treatment? Doesn’t look like it, does it? Vulnerable. Needy. Confident doctor.

Or, that statue of Ramses II. The sculptors, I imagine there were many, knew they had to give this work all the power and majesty they could find within themselves. Only then could it meet the demands of their God-King.

Doryphoros

I cherish those times when I can be with an artist and their work. Why? Because then like speaks to like. Inner worlds connect. Oh, yes. Anguish. Despair. Shame. Grief. Joy. Celebration. Deep contemplation. Reacting to surface beauty. Or, the lithe musculature of a Panther, the mystery of time caught forever in the Doryphoros as he steps forward.

Reading. Listening. Seeing. Tasting. The artistry of a well-made meal. What a wonder, the world of the arts.

And even so. My Lodgepole companion. My friends at CBE. Black Mountain after a heavy Snow. Maxwell Creek filled with Snow Melt. A bull Elk in the rain. Yes. These, too. Reveal the inner world of the whole wide world. In those moments before a painting or listening to an orchestra or sitting on a Rocky overhang in the Arapaho National Forest. When a newborn Fawn looks up from its first meals of tender new Grass. We get that jolt, that moment of knowing. Oh. Yes. It’s all sacred. I remember. I’ve known this all along. The press of life sometimes makes me forget. But I know it. Again. Now.

 

 

Morality Plays

Imbolc and the Snow Moon

Friday gratefuls: Alan. Marilyn and Irv. Snow. March, our big Snow month. Shadow. Difficult nights sleep. Ramadan. Elon Musk, a real Bond villain. Mussar. Hana Matsuri. Torah study. Men’s group. Smart phones. The internet. The cloud. Clouds. NOAA. National Weather Service. Critical government services.

Sparks of Joy and Awe: The sound of Shadow eating

Week kavannah: Netzach with zerizut and simcha

One brief shining: Driving up the hill Tuesday after lunch with Alan, Denver temperature 66 degrees, climbing on 285 past the Hogbacks, past Indian Hills, past Windy point, temperature in the low 50’s, by the time I reached Shadow Mountain Home the air was 47 degrees, 19 degrees cooler than Denver.

 

60 years ago I was a freshman at Wabash College in Crawfordsville, Indiana. In my first semester I joined the Scarlet Masque, a group of actors who put on plays for the town of Crawfordsville. Guerilla theatre had a moment in the mid-1960’s and we decided to perform medieval morality plays on the main commercial street of Crawfordsville.

Medieval morality plays convey straightforward messages about good and bad, sin and redemption. They present difficulties for actors because the lines rhyme. Here’s an example from the Castle of Perservance:

MANKIND:
What need I toil, or sweat, or strive?
Why should I labor, while I am alive?
Gold and silver will serve my will,
And I shall do what I like still!

BACKBITER:
Well spoken, my jovial lad!
Hold fast to pleasure, be never sad!
Why fret and fast, why should you care?
Eat, drink, and make good cheer,
For life is short, and death is near!

MANKIND:
Ha! By my soul, thy words are sweet,
And thus my heart shall take its seat.
A lordly life shall I pursue,
And bid those beggarly monks adieu!

This is, I admit, a long winded introduction to my real point. Over the last six months or so, I notice I’ve drifted in my reading and in my television watching to contemporary morality plays. I’ve read mysteries and thrillers. I’ve watched police procedurals, movies about assassins, the FBI, science fiction movies about alien invasions.

What do they share in common with the medieval morality plays? They present clear messages. Good Bond. Bad villain. Good police, bad criminals. Bad arms dealers, good assassins. Over the course of 45 minutes to an hour and a half, though the battle goes back and forth with the outcome often in doubt, in the end good triumphs. The vanquished bad actors get what’s coming to them.

Ah.

It took me until last week to realize why I felt soothed by these works. So much in the world and in the U.S. seems an inversion of values I hold close. US friends with Russia. Extorting Ukraine for precious metals. Gutting NOAA and the National Weather Service. Finding money for deficit increasing tax breaks in programs like Medicaid and food stamps. Not only are the bad guys not getting punished, they’re making front page news daily.

Not so in NCIS: New Orleans. That wife who poisoned her husband and brother with polonium. Behind bars. Or, FBI. The three terrorists who tried to bomb a baseball game in Central Park? Foiled and arrested.

BTW: Whose name could I have replaced Mankind’s with in the excerpt from Castle Perserveance?

Mondays at the Museum

Yule and the Quarter Century 4% crescent Moon

Monday gratefuls: Blackbird. Ginny. Janice. Annie. Vince. Diane, healing. Mark, teaching. Mary, waiting. My son, traveling. Cold night. Another full night’s sleep. Shrimp po’boy. Breaded catfish fillets. Chinese AI. Oh, my. Deepseek. Cousin Donald, America firsting. New computer. Ready to engage. Chiefs-Bills. Quite a game.

Sparks of Joy and Awe: Hawai’i

Kavannah 2025: Creativity

Kavannah this week: Chesed (loving kindness)

One brief shining: The Blackbird in Kittredge has an outside host, even in the winter, though yesterday I was glad to see she’d been given a tent in which she could work in her shirt-sleeved Blackbird t-shirt, a tent where those of us waiting for seats could rest on white metal chairs or wooden crates.

 

Got a little way laid yesterday on seeing. Important, yes. But I really intended to write about art, the Docent years. So.

A person alone in an art museum looking at an earthenware coil built pot from China. In the style of Durer

Those Mondays at the Minneapolis Institute of Arts. Every Monday for a long time, years, I would drive in from Andover, listening to a Great Courses lecture while coming south past the ring road, crossing the Mississippi, eventually leaving the freeway. Parking in the parking lot near the museum.

Maybe the lecture would be on Chinese Silks. Or, the new Pre-Raphaelite exhibition. Could be Song Dynasty ceramics or the Armory Show. Whatever it was I filled a thick blue notebook with careful notes, soaking up the information, storing it away like a squirrel with acorns.

The Museum excited me, so many cultures, so many artistic disciplines, so many artists. From the early Mediterranean carvers of Venus Figurines to Van Gogh’s Olive Trees. The Chinese Jade Mountain to the Doryphoros. Three floors. Two buildings, connected.

No wonder that after the lecture many of us took full advantage of the museum on a day no outsiders were let in. Mondays were days when the registration department moved art from one gallery to another. Hung new art. Cleaned the art. I liked the scissor-jack platform in the lobby which carried a cleaner to the yellow horn like pieces of the Chihuly glass chandelier. They used small vacuums and feather dusters.

Mostly I wandered. I had my favorites. Goya’s Dr. Arrieta. The smooth, ancient Chinese pot, unglazed earthenware of perfect proportions. One Corner Ma’s painting of a Taoist scholar standing under a pine tree, admiring a waterfall. To have as I long as I wanted with a piece, no pressure to move a group along, no one to intrude on my, yes, I’ll call it reverie.

Each work that spoke to me was direct revelation from the artist’s inner world to mine. It was not like a spiritual experience. It was one.

Delicate works that had survived thousands of years after their creation. Some Chinese ceramicist built that beautiful earthenware pot over two thousand years ago.

The gratitude of the ailing Goya to his Doctor exposed in his vulnerable pose in the Doctor’s care. Kandinsky playing with color and form, moving away from representation.

I loved those Mondays and they remain precious in the memories of my life.

 

 

Seeing, not looking

Yule and the Quarter Century Moon

Sunday gratefuls: Ruth. Snow. More. Another full night’s sleep. In a row. Art Green’s Guide to the Zohar. Mysticism. Art. Lascaux. Venus figurines. Minoan. Grecian. Phoenician. Early Christian. Egyptian. Hittite. Babylonian. Roman. Celtic. Norse. Anglo-Saxon. Qin, Han, Tang, Song dynasties. Goryeon. Kang school in Japan. Ukiyo-e. Nayarit. Jalisco. Benin. Early Hindu. Nepalese. Tibetan. Nahuatl. Mayan.

Sparks of Joy and Awe: Art

Kavannah 2025: Creativity

Kavannah this week: Chesed (loving-kindness)

Rachamim practice: Listening for the melody of others

One brief shining: Love that kid, my now 43 year old son, seeing him across 9,000 miles, his hair a bit longer on top, a fade on the sides, talking about Seoah at the gym, Murdoch staying on base for their trip, Hawai’i-a mutual dream, his transition to command, the nod to the Vikings living up to expectations, a visit to Minnesota to see his mom, old friends, skiing and his racing turns, sore legs.

 

No. Got that out of my system yesterday. Mystical me. Today, let’s talk literature. Nah. How about art? Haven’t gone on that ancientrail for quite awhile. Chatbotgpt and I have had fun over the last few weeks co-operating on image making. I provide the idea, 4o provides the image. With wildly varying results, as you’ve already seen.

Here is the depiction of a 60-year-old version of you in a room filled with traditional Japanese teaware, capturing a serene and tranquil moment.

A bit of nostalgia. Trafficking in the past these days as I continue to write stories in the Storyworth app. 14 so far. Story is too grand a word for these 500 words or so excursions on roadways back into the last millennium. The last century. More like lightning flashbacks, brief illuminations of moments of a life.

Thinking this morning about those Monday mornings as a guide, a docent in training, then a docent when I could go in for a lecture in art history by an expert in the Minneapolis Institute of Arts lecture hall. After. I loved the in depth, detailed way of looking that art historians and curators brought to specific objects.

Never thought of it this way before but a lot of my life has been about seeing, really seeing, what was in front of me. Yesterday I discussed the revelation I find in each and every instance I encounter. Sometimes I see clearly, sometimes, most often, through a glass darkly. Perception clouded by bias, distraction, assumption, all those ills to which the human sensorium is heir to.

Anthropology offers a sort of x-ray vision into human behavior, how culture shapes us, defines us, supports and limits us. Philosophy sees questions where others see answers.

Here is the portrait inspired by our conversations, rendered in the dramatic and textured style of Francisco Goya, reflecting your life and connection to the Rocky Mountains.

Radical politics means looking into the truth of our economic and political relationships with one another and seeing the patterns, the flaws that create distortion, inequity. Gardening opened my eyes to the language of plants, how they express themselves, tell us what they need. Our long interrelationship with them. Having so many Dogs over the years opened my eyes to their distinctiveness, their majesty as fellow creatures, my deep love for them.

Living in the Mountains has turned me toward Wild Neighbors, toward Rock. Pines. Aspens. Fox and Moose. Beaver and Marmoset. Toward Mountain Streams in their dramatic seasonality.

Judaism has given me new lenses for viewing friendship, metaphysics, history, tradition, and myself.

Kate. In a true love affair which helped her understand herself in new ways, to see herself, not just her profession as she helped me see and be my whole self.

 

The Demon of Ignorance. In the long view

Yule and the Quarter Century Moon

Friday gratefuls: Alan. Jamie. Frederick Posner. Mindy. Ellen. Janet. Ginny. Janice. Luke. Findlay. Leo. Gracie. Murdoch. Warmer night. Still cool. My son. Rich. Seoah. Living will. Estate plan. Affairs. Light. Dark. Tao. Light in the dark. Dark in the light. Wu wei. Chi. Ohr. Shiva. Creation and destruction. In the long arcing spiral of existence.

Sparks of Joy and Awe: Shiva

Kavannah 2025:  Creativity

Kavannah week:   Appreciation of Opposition

One brief shining: Two brown paper bags at a time, crunching the snow on my driveway, I moved my Safeway pickup order from the back of Ruby, into the kitchen, yes you need to do these things, keep the muscles working, placing the bags on the  counter; after, I drove Ruby into her stall, gave her fresh oats and a quick rubdown, and returned to the house to put away my groceries.

 

Here is the Shiva Nataraja depicted in the style of the intricate bas reliefs at Angkor Wat

Hinduism helps me at a time like this. Tom reminded me of Shiva the other morning and I’ve stayed with that thought. Vishnu stabilizes the world; Shiva engages in constant acts of creation and destruction. Both acting over unimaginably long periods of time*, heading toward destruction, then renewal.

Seen in the context of a kalpa, what is the four year presence of an avatar of the id, guided by fear and lust and greed, not unusual attributes found in humanity. Especially in the Kali Yuga, a portion of the kalpa under the destructive, yet cleansing influence of Kali.

I suppose you could see this as the opposite of living in the moment. This way of understanding the cosmic cycle insists on embedding ourselves not in the here and now only, but also in the extended experience of kalpas and yugas. From this lofty perspective cousin Donald and his Clown Posse present as bit players, foils in a cyclic dance between chaos and order, a just world and an unjust world. Just as you and I do.

Here is the depiction of Shiva Nataraja dancing atop the demon of ignorance, styled in the intricate and symbolic manner of Hindu temple art.

In the Shiva Nataraja I have here at home Shiva dances on the demon of ignorance. We can imagine cousin Donald beneath Shiva’s feet. I’m even willing to imagine this demon of all thing’s petty as a cautionary tale in the oh so finite history of our United States. From the next century: Never again.

When we focus on the moment, we lose the breadth and depth of history, of time in the sense of kalpas and yugas. This can be a serious problem in that we may universalize what’s happening in the moment and fail to understand the much, much larger context in which all events occur. A French historian looks at the longue durée. The long duration of history. I prefer the Hindu version because of its cyclical nature, but my primary point this morning?  As bad as he has been and will be cousin Donald does not write the long arc of history. None of us do.

 

*The Cyclical Nature of Time (Yugas and Kalpas)

  • Hinduism views time as cyclical rather than linear. It is divided into vast cosmic cycles called Kalpas, each lasting over 4.32 billion years.
  • Within each Kalpa are Maha Yugas (Great Ages), consisting of four Yugas (epochs):
    1. Satya Yuga (Age of Truth) – the golden age of righteousness.
    2. Treta Yuga – a slightly diminished moral and spiritual state.
    3. Dvapara Yuga – further decline in virtue and wisdom.
    4. Kali Yuga – the age of darkness and chaos, characterized by moral decay and ignorance.

The current era is believed to be Kali Yuga, considered the final and darkest age before renewal.

End of the Kali Yuga

  • At the end of Kali Yuga, it is believed that the world will undergo a period of destruction and renewal.
  • Kalki, the tenth and final avatar of Vishnu, will appear. Kalki is described as a warrior on a white horse, wielding a sword of divine justice. He will restore righteousness (Dharma) and end the cycle of Kali Yuga.

3. Pralaya (Dissolution)

  • After the end of a Kalpa, the universe undergoes Pralaya, or dissolution.
  • Pralaya can occur on different scales:
    • Naimittika Pralaya: The end of a day of Brahma (the creator deity), where the physical world is dissolved but the subtle world persists.
    • Prakritika Pralaya: The dissolution of the entire cosmos into its primordial state.
  • After Pralaya, Brahma begins the process of creation anew.

4. Shiva’s Role: Tandava Dance

  • Shiva, as the cosmic destroyer, plays a crucial role in the end-of-the-world concept. His Tandava dance symbolizes the cosmic cycles of creation, preservation, and destruction.
  • This dance is both destructive and regenerative, reflecting the cyclical nature of existence.

5. Philosophical Perspective

  • The “end of the world” is not feared but is seen as a necessary phase in the eternal cycle of creation and renewal.
  • From an Advaita (non-dualist) perspective, the physical universe is ultimately illusory (Maya), and the dissolution is a return to the unmanifest reality (Brahman).

Hindu eschatology emphasizes the impermanence of material existence and the eternal nature of the soul, offering a profound perspective on time, change, and cosmic renew

Herme’s Journey

Samain and the Moon of Growing Darkness

Sunday gratefuls: Tom’s safe trip. My son, Seoah, and Murdoch coming January. Then, a trip to Korea in May. Followed by the Jang family visit here in late summer. Snow. Whippets. Irish Wolfhounds. German Wirehairs. Akitas. Breeds I love. Asia. Korea. Malaysia. Australia. Thailand. Cambodia. Saudi Arabia.

Sparks of Joy and Awe: Leftist politics

Kavannah: Perserverance

One brief shining: A Mountain retreat, a home on granite, gneiss, and schist, raised above sea level by 8,800 feet, overlooking Black Mountain with its ski runs, Lodgepoles and Aspen colonies, in the Arapaho National Forest and drained by Maxwell Creek to the north and North Turkey Creek to the south, home to my day-to-day life in these middle years of the 2020’s.

 

On a lighter note today. Current TV favorites: Tracker, Sealteam, Fire Country. Reading anew Nexus by Harari. Also, Emily Wilson’s translation of the Iliad. Best movie I watched recently: hmm. None come to mind. Oh, Late Night with the Devil. Weird. I can no longer understand dialogue in movie theaters so I have to watch what’s available on streaming services with closed captions. Favorite meal last week, filet mignon with Tom at Evoke 1923 last Friday.

Herme’s Journey. Still on this path. I’ve finished another reading of Ovid. Also, the Odyssey. Am in the fourth book of the Iliad. I’m reading the parsha of the week most weeks along with commentaries. Also books that challenge me like Nexus. Keeping mental knives sharp.

My commitment to regular times with family and friends has increased. I zoom, breakfast, lunch, and on the rare occasion eat dinner with them. Also expanding my circle of friends, not by much, but adding Veronica for example.

The lunar calendar of Judaism meshes well with my pagan sensibilities and my focus on the Great Wheel. Trying to integrate the two in meaningful ways. An ongoing project.

Am working on a new meditative practice, focusing on a work of art for ten minutes or more, then reading art historical material about it. An NYT idea.

And more. All this is to stimulate, reinforce my lifelong journey. See what bubbles up.

 

Just a moment: Talked with my son and Seoah yesterday. There is a sweetness, a visceral joy in seeing them, hearing them. My heart lifts and my sense of well-being, already good, increases. Murdoch hears my voice, but does nothing. Nothing to smell here, so meh.

That sense of well-being. I’ve noticed Luke and Jamie initiate hugs when we see each other. There’s something about that that fills my soul, too. Ron and Rich. Tom. Ruth, Gabe. I hope the others feel the same way about my participation. Hugs are a way of claiming intimacy and saying yes to it.

Will not know for some time what the most abhorrent of adventures will look like, feel like. Cabinet picks? An unserious man taking an unserious approach to the job in the whole world that has the most economic and military power.

Committed to the seeds of decency, honesty, love for the other. Still and always.

 

Seed-Keepers

Samain and the Moon of Growing Darkness

Friday gratefuls: Tom. Mussar. Rabbi Jamie. Luke. Ginny. Rick. Great Sol. A blue Colorado Sky. The West. The Rocky Mountains. No Bike Park. The Mountain Meadow remains. Colorado. Livin’ in a Blue State. Mark. Mary. Diane. Riley. Richard. Cut Throat Cafe. Happy Camper.

Sparks of Joy and Awe: The Eagle at Tom and Roxann’s

Kavannah: Friendship

One brief shining: Why did you put on what you’re wearing today, Mindy asked, and we went around the room, learning one wanted to cover her stomach, another takes a shower on Mondays, Wednesdays, and Fridays so she had on what she had on Wednesday, another wore brown jeans and a green t-shirt to look like a tree, and when it came to me I said, I bought a pair of Keens, a lot of white socks, a bunch of jeans, and several plaid flannel shirts so I don’t have to think about it.

 

BTW: I asked chatbotgtp to create An American themed image of a group called the Seed-Keepers whose role is to honor the spirit of liberal America. Anti-racist, anti-misogynist, and anti-homophobic. I’m more interested in the Seed-Keeper theme than anything else

Seed Keepers, Chatbotgt at my request

Seed-Keepers. Who among you might become a Seed-Keeper? If you take on this role, expect it to last at least four years, perhaps longer. You can be a solitary Seed-Keeper, dedicated to remembering and speaking who we are as a country and as a people when not driven by fear and demagoguery. One of our Seeds, there are so many, lies in our history. Perhaps you will be the one who goes back to the beginning of our nation and learns in even more depth how we came to be. Warts and all. 3/5ths clause and fugitive slave clause and white, propertied men as voters, the electoral college and all. Enslavement, too. Jim Crow. The Indian Wars. Yet, too, the Civil War. Checks and balances. Federalism. The Federalist Papers. How we became a city on a hill attracting new citizens from afar.

Or, you might choose to have a Seed-Keeper group. Perhaps one interested in the American Renaissance (as I am) when American thinkers and artists began to tease out the distinctive features of living on this amazing land. Reading together the works of Emerson, Thoreau, Parker, Whitman, Poe, Melville, Hawthorne, Mary Fuller. Frederick Douglas, Sojourner Truth, Harriet Jacobs, Emily Dickinson, Louisa May Alcott, Harriet Beecher Stowe. Not to ignore either painters and sculptors like Mary Cassatt, Bierstadt, Henry Tanner, Church.

Seed-Keepers #2

What might you do as a Seed-Keeper? You might gather those close to you for story evenings, perhaps around the fireplace to discuss questions like what does it mean to be an American? What has it meant? What does it mean in a time dominated by reactionaries and autocrats? You might write essays, letters to the editor about how the other half of the 2024 electorate sees things.

You might locate yourself in the work of a state Humanities council and help them introduce American Seeds through their speakers and book groups.

I’m sure you have more and better ideas than these. A Seed-Keepers primary role is to hold the liberal to radical ideas that make America a nation in which all want to live and to pass those ideas along to family, friends, and others in a digestible manner.

I’m gonna keep spinning up this idea, see if it can gain traction. No where near done with it.