Mabon and the Harvest Moon
Monday gratefuls: The Ancient Brothers on Ode’s art. Art. Painting. Water color. Cut paper. Paper marbling. Computer aided. Charcoal and pastels. Oils. Acrylic. Sculpture. Furniture design. Architecture. Music. Chamber music. Jazz. Writing. Novels. Short stories. Poems. Poets. Writers. Painters. Sculptors. Musicians. Movies and television. Story and image.
Sparks of Joy and Awe: The Uffizi
Kavannah: Teshuvah
One brief shining: Today I’m pulling out the 3/4’s finished first draft of Jennie’s Dead, plan to read it, red pencil in hand, waiting to reinsert myself into its flow, the story as I started it so many years ago, wanting to reclaim my life as a creator of worlds, of characters, of ideas expressed in things that would never have been and never could be without the mysterious work of creation. And, it is work.
Probably time, too, to print out Ancientrails from the point where I stopped the last time. Not sure how long ago it was, but it was awhile. Easy to check since I have the plastic tubs filled with the first printing, some two million words, stored on wire racks in the loft. I want, so badly, to get my mojo back. My writing mojo. I let it slide as I let myself get overwhelmed by the world of illness, hers and mine. The long, slow process of Kate’s dying. Didn’t have to let it go, but I did and I’ve sunk a bit since then, a light in my heart dimmed.
Going through the outer world of friends and family, Mountains and Streams and Wild Neighbors, of Judaism and the pandemic, of wrestling with back pain, often with little success. None of this bad or shallow or wrong. No. Necessary, kind, fulfilling. Yet the stream from which I had drunk so giddily for 20 years, the Andover years, dried up. The aquifer that fed it drained and not renewed.
Writing and my current worst ailment, a back preventing me from walking more than short distances, making work around the house often more than I can do, fit well together. I can do it like I’m writing this. And, I can keep at it, like Ode, until I reach the end. Why would I do that? For the same reason my brother-in-law, Jerry the painter and maker, is in a spasm of creativity knowing his heart could give out at any time. For the same reason Ode believes his best art is ahead of him. And now, ta da, a sports metaphor! To leave it all on the field. To have held nothing back. To have gone as far as I can. Not sure I know why beyond that. Please wish me joy and persistence.
This is then, a matter for teshuvah, for a return to the land of my soul. Yes, there’s that word again. Soul. Where is it? Don’t know. Is it a metaphor for the whole of me, an ensouled body and lev? Yes, but more, I believe. The something more is that which links my ensouled body and lev to the other ensouled entities like my friends, family, my Lodgepole Companion, Great Sol, Elk and Mule Deer, Shadow Mountain. We are together, moving forward in constant creation, unique and separate, yet whole and infinitely connected. Perhaps that which is there to bond with all does not die, but rolls on, moving with the rest toward an unknown future, probably one bound tightly to a known past.