• Category Archives Art and Culture
  • This Is Your Project Manager Speaking!

    22  78%  33%  0mph SSW bar29.74  windchill21  Winter

                Waxing Crescent of the  Winter Moon

    (Moon names this year from American Colonists)

    Wide awake at 5AM this morning.  Oh, man.  I really love that.

    Why?  Three things rolling around.  First, I want to improve my use of the inquiry method, so I’m focusing on the questions I’ve created for the Asia tours today.  At 5AM my inquiring mind wanted to know:  what are they?  Oh, brother.  Then, as these things go, another, bigger task, more fun, but more work trundled itself forward:  What ever happened to the influence of the Judaeo-Christian tradition in modern and contemporary art?  In March I have to present a discussion on this topic to the Docent Book Club.  What will I say, my mind wondered?  As if I could think clearly enough at 5AM to solve this riddle.  As I pushed it down to later in the day, when I can read and take notes, the third item leaped up to be noticed:  Ralph Waldo Emerson: A Transcendent Unitarian.  This is also a for March project, capsulizing transcendentalism, Emerson’s role relative to it and his influence on early Unitarianism.

    You might reasonably wonder why these other two projects were on my mind (in my mind?  on top of my mind?) on January 11th, 2008.  On February 6th, I leave for a retreat with my fellow Woolly Mammoths at the Dwelling in the Woods in northern Minnesota.  I leave from there for Hawai’i where I will stay until February 29th.  In my mental world that means I have a choice between finishing the Art and the Emerson projects before I leave for Hawai’i or trying to finish them as I return. 

    My mind keeps a project manager running at all times.  Most of the time it works in the background, following my work, assigning priorities and evaluating progress.  Some times it moves into the foreground, like at 5AM on January 11th.

    OK. OK.  I sleepily ran through the objects:  Jade Mountain, Shiva Nataraja, Gandhara Buddha, Mandala, Ceremonial Gate, Studio of Gratifying Discourse, Korean bronze Buddha, Amitbha Buddha. What were the questions for each one?  I dutiful recalled them.  When I finished, the project manager let go and slipped beneath the surface again, content to work in the background.  I went back to sleep.


  • The Buddhist After-Life and the Killing Fields

    25  93%  27%  omph NNW bar 29.77 windchill25  Winter

                      New Moon

    Had a summary of our gathering (Woollies) at the Istanbul Bistro, but lost in a multiple cascading of Internet Explorer browser pages.  Probably a sign I should go back to Firefox.  I used to use it, then I abandoned it, used it again, and abandoned it again.  Just like Darth Vader I keep coming back to the evil empire.

    Mark, Warren, Paul, Tom, Frank, Bill and Stefan showed up.  We spoke of politics and Rome, of Green Knights present and long dead. A brief comment was made about the Istanbul not being a sportsbar, a positive.  It’s quiet and it has a round table around which this latter day collection of Knights Errant can sit.  That does mean knights in error, doesn’t it?

    Mark has a gig in Bangkok designing teen sex exhibitions for Unesco/Thailand.  It’s a campaign to promote safe sex in a nation where AIDS among youngsters has become a problem again.  After that he will return to the US, then go back to Cambodia to construct an exhibit near the killing fields, one dealing with the Buddhist afterlife.  To continue the international theme Paul Strickland will host a trip to Syria in November and his organization will co-host a trip with the Hindu Temple of Maple Grove to Southern India.  Stefan chimed in with the fact that he’s taking his kids to Rome to visit a person he knows who works in the American Embassy there.  Makes for good dinner table conversation.  Those who’d been to Rome all agreed the most memorable moment was the first coffee. 

    We discussed the political scene.  All of us were happy with the real choices represented by the candidates.  Of course, SuperTuesday will eliminate any chance for us to pariticipate in candidate selection and after we will have 7 months of attack ads, but right now it is glorious.  Tom wondered if any of us had supported any candidates financially.  Frank said, yes, he and Mary had sent money to Obama.

    Warren reported good news about his mom and dad.    

     The retreat and a theme came up, but we put it off until Paul’s.  Mark will not attend since he’s got to be in Thailand the first week of February.  I’m leaving early for Hawai’i.  One of those years.

     Forgot to mention here I watched Jean Cocteau’s Beauty and the Beast the other night. It’s one of the Janus Films collection I got for my 60th birthday, 50 films from 50 years of their distribution of foreign films in the US.  This movie floats across the mind like a dream, a fairy tale given form and substance.  It’s images have remained with me.  It sat in my DVD player for a long time because I didn’t want to watch it; but, like each one of the films from the collection I’ve watched it had its own unique charm.


  • Lovecraft Meets Sigurd Olson

    39  74%  29%  0mph NNW  bar29.59 steady 39windchill  Winter

                   New Moon

    New technology takes some time to absorb.  This setup has optical links, which I’ve never used before, and the cables I have don’t work with the receptacles situated on the DVD player, TV and audio receiver.  So, back to Ultimate Electronics.  Then, since I’m using an HDMI connector with the cable HD service the box Comcast has with the HDMI cable is the DVR which costs more.  Of course.  And so on into acronym chaos.

    As luck would have it, however, the Woollies meet in Minnetonka tonight at the Istanbul Bistro.  The route to there from here takes me both both Comcast and Ultimate so I should have all the supplies necessary to put this puppy to bed by tomorrow.  The speaker connections are all in place, the subwoofer is ready to woof and I’m ready to hear the damn raindrops.

    No joy on the Asia tour as a result though I do have a plan:  faith traditions of Asia.  I’ll hit the Ghandara Buddha, the Mandala (tour requested), Poet Contemplating the Waterfall, Confucius, Kuan Yin, Pocket Buddha, Jizo and the Divine Rainmaking Boy.  

    The Gunflint story progresses nicely.  Sort of HP Lovecraft meets Sigurd Olson.

    Kate’s off today.  Nice having her around.  She’s finishing up the second curtain for the living room, a red brocade with a pale gold dragon fly motif.


  • The Learning Curve(s)

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                Waning Crescent of the Cold Moon

    A day with two tours.  Nice kids from Island Elementary in Shoreview.  Once again my questions and preparation left me as I got on the floor.  Guess I’m gonna need to prepare cheat sheets for the questions–to review just before the tour.  I tend to remember the details about the piece, but not the questions I planned to ask. All part of the learning curve.

    Listening to Tom Wolfe’s new book, I Am Charlotte Simmons. It’s about college life today.  If it’s accurate, and I don’t have any reason to doubt it is, it must be an intimidating time to be a college student.  So much sex and pressure for grades.  Oh, wait.  Wasn’t that the same college I experienced?  All kidding aside the picture it presents is drastically different in some ways, yet so familiar in others.  I’m enjoying listening to it, but I liked the Alan Greenspan book, too.


  • Oh! Blessed Rage for Order, Pale Ramon

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                    Waning Gibbous Cold Moon

    “The most beautiful thing in the world is, of course, the world itself.” – Wallace Stevens

     excerpts from Wallace Stevens, “The Idea of Order at Key West”

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean…

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and fiery poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of the fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.

    A tour today with blue t-shirted Minnetonka Explorers:  Maddie, Kaly, Ashley, Harry, Ryan, Nelson and Sophia (twins), Katie, Ellie, Lucy.  When asked what grade they were, Maddie said, “We’re all kindergartners!  And Katie is my moustache.”  She went on to explain that, though Katie is her elder by some months, she only comes up to Maddie’s upper lip and is therefore her mustache.  Giggles.

    We had a great time looking at paintings and installations.  We sang Jacob’s song along the way.  When asked where it was from Maddie said, “It was Jacob’s Colorful Dreamcoat. And we got to sit on stage for the whole performance.”

    We found bunnies and boats and radishes and ghosts and monsters in the Yves Tanguy, marveled at how much the cords looked like both waves and mountains in the installation with children’s portraits (and wondered where they plugged it in.)

    In Van Dyck’s Betrayal of Christ conversation focused on the man choking the monster in the lower left.  A fun group.


  • Art and Snow at the Beginning of Winter

                                jjwsolstice250-0.jpg 

    A Winter Solstice shot by Jim Johnson from the plains near Hecla, South Dakota

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                              Winter began at 12:08 AM this morning

    A bit of refinement on the arts and literature ideas from yesterday. The overarching idea is this:  some works of art included literature, usually poetry but not always.  In those instances it is clear that for the artist the written material had critical importance to the piece, otherwise, why include it?  In other instances, the image or sculpture gives form in print, painting or three-dimensions to a specific moment, either in story or in history.  Again, for the artist the textual base for the piece has to inform the work, so knowing the work, especially as it was known in the artist’s time and to the artist seems as important as understanding the piece itself.  Also, painting and sculpture and prints were never the only art form of their day; insteady they existed in an artistic milieux that not included fellow workers in the plastic arts but also poets, novelists, musicians, architects.  We often see reference to architecture in art history books, but very little reference to literature.  This last point becomes even more important as we move into the impressionist era and beyond when artists often wrote proclamations, began to intentionally blend their work with poetry and some moved into performance.

    These are ways in which literature is important to the field of art history and therefore our job as docents.  The use of other books, about artists and movements and particular works, is another intersection between art and literature.

    A light snow.  The snowblower moved out of the garage with its usual growl and eagerness to eat snow, then throw it.  Temperatures have begun to trend down again after a brief warmup.  I’ve done some additional moving, but I think today, certainly tomorrow will see the end of the bookcase/exercise equipment reshuffle.  That means I’m ready to move onto learning about hydrponic gardening and planning the vegetable gardens for next year.  Looking forward to it.


  • China With Elementary School Kids

    Two tours today.   I went through China with fourth graders and 6th graders from Lincoln Elementary School for the Arts in Anoka.   They were bright, receptive kids though they had a rigid teacher who had given them a booklet to fill in with information about objects in the museum.  This would have been ok if we’d known about it, but we plan our tours in advance and of the objects she wanted them to see only a few were in on our tours.   It would have been easy enough to include each object on a tour, but with no information in advance, it makes the situation difficult, not the kids fault, of course.    The kids enjoyed learning about the literati and the court aesthetics.  They were good at comparing and contrasting the two art forms.  Give me hope for the future of American education.

    When I came home, Kate had sorted out all the Nutrisystem foods and stalked them in neat rows.  Tomorrow morning we’re going to start two months of nutrisystem.  I’ll report here on what I think of the food.

    After a nap, with little Hilo snuggled in close, I worked out.  The endurance part of the program I’m using right now I like a lot, but the resistance work doesn’t seem to fit.  I’ll probably go back to one of the other resistance programs next week. 


  • A Liberal and a Conservative Walk into This Bar

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    There is a puzzle in me, one that come to light when I worked at Unity Unitarian in St. Paul for a brief time.  It was a difficult and painful time for me, but I liked Roy Smith, the minister, and admired his intellectual grasp of the liberal faith tradition.  We had many conversations about theology, especially the work of Henry Nelson Weiman.  As we talked, I realized I had twin intellectual/emotional currents, perhaps running in opposite directions.

    While my training in anthropology and philosophy made me sensitive to the plural and often conflicting belief and faith systems among the world’s many cultures, it also made me yearn for something with a center, a place to stand, as Martin Luther said.  An initial enchantment with the surprising (to the post-college me) intellectual rigor of Christian thought led me into a fruitful and often mystical 20+ years beginning in Seminary and ending when I left the Presbytery to write in late 1991.  As I pulled away from the institutional life of the Christian faith, my commitment to it weakened and finally broke.  In retrospect it’s more wonder I lasted so long. 

    Systems of thought with certainty and exclusive claims like Christianity, Judaism, Islam, Marxism, and Capitalism did not fare well when attacked at their base by philosophical analysis or the comparative method of anthropology, and I was only too happy to go at them.  The chief problem is the notion of permanent truth.  When looked at from, say, the Taoist living in X’ian none of these have any claim, with the possible exception of Marxism, but Marxism, looked at from the perspective of the American mainstreet, has no claim.   These universal claims, especially the religious ones with their cosmic implications, fail on the face when confronted by others who simply don’t agree. 

    Capitalism and Marxism compete in the political and economic arena, but their mutual demands for faith–the invisible hand and the rational allocation of capital on the one hand and the inevitably of class struggle on the other–rely on large blind spots, i.e. the victims of Capitalism whose boats not only don’t float, but get swamped; and, the victims of Marxism, the millions in the USSR, Cambodia, and China who died that class struggle might prove triumphant.

     This mode of thinking leads me into the liberal faith tradition which raises a question mark, a big question mark, whenever claims of certainty are made.  Extraordinary claims require extraordinary evidence, most often lacking.

    And I’m happy there.

    Yet.  There is this other river.  The classics inform my writing and my life.  Carl Jung, whose psychology I feel drawn to, looks within for the collective, archetypal elements shared across individuals and generations.   Classical music is the form of music I enjoy most.  My journey in the arts has led me back into the distance reaches of the human experience, not quite as far as the search for the origin of Homo sapiens, but at least as far back as Lascaux and the small stone amulets of big breasted, fertile women.  I love Dante, Ovid, Rembrandt, the bronze artisans of the Shang dynasty and the misty landscapes of the Southern Song. 

    This is a conservative flow, a search for permanent things in a world of impermanence and diverse cultural history.

    Both of these rivers, I’ve come to realize, are about equal in their pull on me.  It gives me a sense of two different people, perhaps one the German intellectual and the other a Celtic traditionalist; or, one the German Romantic and the other a feisty Celt ready to go a round or two with anyone over anything.  

    It may be that this last third of my life will find these two rivers finally join, creating an intellectual and spiritual and aesthetic place I do not yet know.  I hope so since this last third is all I have left.


  • A Magical Mythical Tour

    31  59%  35%  4mph windroseNNE bar steady dewpoint18  First Quarter of the Snow Moon  Holiseason

    Cooked a New England Boiled Dinner for supper tonight.  I cook the evening’s Kate works days, which are on weekends.  After my workout, as the corned beef burbled along on its 3 1/2 hours journey to fork done, I prepared four of my objects:  

    A bronze boss of Oceanus, God of the World River

    A red-figure Greek krater with Dionysus, Satyrs and Maenads cavorting

    A bronze sculpture of Icarus

    And Mauric Denis’ symbolist work, Orpheus and Eurydice

    At 9:30 I came down here and finished the other four:

    A painting of Calypso gazing off into the distance as Ulysses finally sets sail for Ithaca

    A bronze sculpture of Theseus killing a Centaur

    Rembrandt’s Lucretia

    A painting of Diana with her two dogs and the hapless Actaeon in the background being eaten by his own dogs.

    This is familiar turf for me.  Greek and Roman mythology works on and through us today, as it did all those years ago when Cicero and Caesar, Pericles and Leonidas were alive.  This is a high school group from Visitation High School. Don’t know why they’re going to be at the MIA on Sunday at 11:00 AM.  Maybe they caught the Saturday night folk mass.

    Anyhow. I finished.


  • Groceries and Bauhaus

    34  57%  37%  5mph  windrose WNW  bar steep rise  dewpoint20  Waxing Crescent of the Snow Moon   Holiseason

    Spent an hour in the Modern design galleries discussing the Frankfurt kitchen, Tatra, arts and crafts, bauhaus and art moderne with people from Supervalu. 

    The event started at 5:30 PM and I showed up at 4:45PM.  Went up in the gallery, 3rd floor, new wing to check out my objects.  The museum announced closing and a guard checked to see why I was still there.  Supervalu.  Oh, OK.

    That gave me a half an hour after the museum closed to the public and before the Supervalu folks began to trickle into the galleries.  It was strange, like being in a store after closing.  The feeling is intimate, as if for a suspended moment the museum, or at least these galleries, had only me to appreciate them.  

    To carry the store analogy a bit further, as I walked the two galleries of my assignment, I had to engage people ad hoc, as they looked at an object.  At first it felt intrusive, then a long ago memory floated into consciousness, working the floors at the WT Grant company when I was in managment training.  It was the walking back and forth, seeking moments to engage people that resonated, partly aimless, partly repetitive, partly hopeful.  The only difference was that at WT Grant I had pets and toys while here I had a hundred years of skilled design.

    The time went fast, only an hour, then I was away, back into a blustery November night with a cloudy sky, headed home.