Birdman

Imbolc                              Black Mountain Moon

This is for Allison, who told me to see this movie two months before I got around to it. Kate and I just got back from seeing Birdman at the Denver West Cinema.

Still digesting, willing to see it again. Soon. First, it grabbed me emotionally like a stage production. It had me in the story the whole time. Its meta-nature, a film about a play taken from a short story and written by a used-to-be comic book action film hero, Birdman, who also stars in the play could have suffocated a lesser work, but the weaving in and out of these various artistic forms was done well, not jarring at the transition points.

The acting, especially Michael Keaton, Edward Norton and Emma Stone, was bravura, taken to the edge of emotional intensity over and over again.

This is a movie about passion, about love, about hope and dreams, about going as far with a project as possible. It is a movie about art and the fragile humans who create it.

Keaton deserves to win an academy award for his performance, as do Norton and Stone. Keaton’s weariness and wariness overlaid by his taking a huge artistic risk in bringing this show to Broadway comes across in so many scenes, but in none more clearly than the magical realism of the Birdman sequences. The tension between his Hollywood, movie star past and his dream of doing something worthwhile in live theater clash.

At one point he is in despair about his play (again) and throws himself off a building, an apparent suicide. Instead he flies along the streets of Manhattan, balding and wearing a Columbo wrinkled overcoat: in appearance he’s the middle-aged man who has put his life up for judgement on Broadway, in flight though he is once again Birdman.

Any of us who have put our dreams on paper, canvas, stage, film, or in digital media will find this film a fellow traveler with our own journey. My novel manuscripts, stacked in bankers boxes in the loft, traveled with Keaton as he paced the back halls of the theater.

If you’ve not seen this movie, see it. It’s a work of art.

Here. And Not.

Imbolc                                   Black Mountain Moon

IMAG0948

With the books in organized clumps, art still in boxes, files in the horizontal file, journals, dvds and novel notes stacked together in banker’s boxes, and the exercise area functional I’ve reached a stasis in terms of organizing the loft. Kate got back to sewing yesterday, making a table runner from a pattern both she and Annie bought this last week. Her sewing area has also begun to take shape with her table, cutting surfaces, stash, sewing machine and Matilda (the dress mannequin) in usable, if not permanent places.

We await now the new Stickley table we purchased for downstairs, which will make that space more flexible when entertaining or during family game nights. The reading room, the bedroom, the living room and the kitchen all have usable, if not permanent configurations. The garage and the homeoffice remain hangouts for the cardboard set, art in the latter and mostly gardening/beekeeping/tools in the former.

Over the next few weeks Jon will install built-in bookshelves up here, attach my pull-up bar and help us IMAG0950hang art in the house. He’ll also develop plans for linking the house and the garage, a current problem spot for us. Why? There’s no straight line into the house from the garage and no path that can be cleared. We have to move through the snow to get to the truck or upstairs to the loft. Not a big deal, but one that could be better.

Kate went in yesterday and had a day as grandma, doubled with Barb’s presence. They were at Barb’s apartment with Gabe and Ruth who were out of school for teacher’s conferences. In one of those mysterious moments we humans have from time to time, Kate went from Minnesota grandma to Conifer grandma, a change that began at the birthday cum house warming celebration on Saturday. She’s now fully here (as I sense it) and in the life she dreamed about as we prepared for and executed the move.

There’s a bit further for me to go. I got a very sweet book from Ruth as a birthday present, a compilation of IMAG0942poems and images about Grandpop plus comments from her. I feel completely here as Grandpop and did perhaps sooner than Kate, but the Self that has begun to grow here, a Colorado, Western Self has barely emerged. In part I need to get my old rhythms back, the ones I mentioned yesterday: Latin, writing, art history, exercise, sheepshead, perhaps some political work. But, too, I need new rhythms: exploring Colorado and the near West with Kate, hiking and snow-shoeing in the mountains, learning the history and the geology and the biology of the land we now call home. It will be the dialectic between the old, stable patterns and ones possible only because we live here that will finally get me all the way here. For now, I’m neither fully here nor fully gone from Minnesota. Liminal. Again, still.

 

Oliver Sacks

Imbolc                                         Black Mountain Moon

“A MONTH ago, I felt that I was in good health, even robust health. At 81, I still swim a mile a day. But my luck has run out — a few weeks ago I learned that I have multiple metastases in the liver. Nine years ago it was discovered that I had a rare tumor of the eye, an ocular melanoma. Although the radiation and lasering to remove the tumor ultimately left me blind in that eye, only in very rare cases do such tumors metastasize. I am among the unlucky 2 percent…

It is up to me now to choose how to live out the months that remain to me. I have to live in the richest, deepest, most productive way I can…

I feel a sudden clear focus and perspective. There is no time for anything inessential. I must focus on myself, my work and my friends. I shall no longer look at “NewsHour” every night. I shall no longer pay any attention to politics or arguments about global warming.

This is not indifference but detachment — I still care deeply about the Middle East, about global warming, about growing inequality, but these are no longer my business; they belong to the future. I rejoice when I meet gifted young people — even the one who biopsied and diagnosed my metastases. I feel the future is in good hands.”

Oliver Sacks, a professor of neurology at the New York University School of Medicine, is the author of many books, including “Awakenings” and “The Man Who Mistook His Wife for a Hat.”