Yule and the Quarter Century 4% crescent Moon
Monday gratefuls: Blackbird. Ginny. Janice. Annie. Vince. Diane, healing. Mark, teaching. Mary, waiting. My son, traveling. Cold night. Another full night’s sleep. Shrimp po’boy. Breaded catfish fillets. Chinese AI. Oh, my. Deepseek. Cousin Donald, America firsting. New computer. Ready to engage. Chiefs-Bills. Quite a game.
Sparks of Joy and Awe: Hawai’i
Kavannah 2025: Creativity
Kavannah this week: Chesed (loving kindness)
One brief shining: The Blackbird in Kittredge has an outside host, even in the winter, though yesterday I was glad to see she’d been given a tent in which she could work in her shirt-sleeved Blackbird t-shirt, a tent where those of us waiting for seats could rest on white metal chairs or wooden crates.
Got a little way laid yesterday on seeing. Important, yes. But I really intended to write about art, the Docent years. So.
Those Mondays at the Minneapolis Institute of Arts. Every Monday for a long time, years, I would drive in from Andover, listening to a Great Courses lecture while coming south past the ring road, crossing the Mississippi, eventually leaving the freeway. Parking in the parking lot near the museum.
Maybe the lecture would be on Chinese Silks. Or, the new Pre-Raphaelite exhibition. Could be Song Dynasty ceramics or the Armory Show. Whatever it was I filled a thick blue notebook with careful notes, soaking up the information, storing it away like a squirrel with acorns.
The Museum excited me, so many cultures, so many artistic disciplines, so many artists. From the early Mediterranean carvers of Venus Figurines to Van Gogh’s Olive Trees. The Chinese Jade Mountain to the Doryphoros. Three floors. Two buildings, connected.
No wonder that after the lecture many of us took full advantage of the museum on a day no outsiders were let in. Mondays were days when the registration department moved art from one gallery to another. Hung new art. Cleaned the art. I liked the scissor-jack platform in the lobby which carried a cleaner to the yellow horn like pieces of the Chihuly glass chandelier. They used small vacuums and feather dusters.
Mostly I wandered. I had my favorites. Goya’s Dr. Arrieta. The smooth, ancient Chinese pot, unglazed earthenware of perfect proportions. One Corner Ma’s painting of a Taoist scholar standing under a pine tree, admiring a waterfall. To have as I long as I wanted with a piece, no pressure to move a group along, no one to intrude on my, yes, I’ll call it reverie.
Each work that spoke to me was direct revelation from the artist’s inner world to mine. It was not like a spiritual experience. It was one.
Delicate works that had survived thousands of years after their creation. Some Chinese ceramicist built that beautiful earthenware pot over two thousand years ago.
The gratitude of the ailing Goya to his Doctor exposed in his vulnerable pose in the Doctor’s care. Kandinsky playing with color and form, moving away from representation.
I loved those Mondays and they remain precious in the memories of my life.