• Tag Archives Humanities
  • Ghosts

    Imbolc                                                                          Valentine Moon

    Today, a bit tired due to early rising, moving books put a weight on my shoulders.  It was the past and its tangled feelings.  Found my first passport and saw a young man with a full head of dark brown hair and a beard that matched.  Surprised me, so long have I seen his gray descendant in the mirror.

    (arrestedmotion.com 2012 10 upcoming aron wiesenfeld new paintings arcadia-gallery)

    That was my passport for Colombia, the trip to check out a bank for the poorest of the poor.  Carolyn Levy was in my life at that point, between my divorce from Raeone and meeting Kate a year plus later.  A hard time, raising a 6 year old boy, working night and day between church meetings and organizing.  A hard time, too, since the future had grown unclear.  Something big had happened or was about to happen, but its outlines in my life were not yet clear.

    Then I moved out the books related to shifting my ordination to the Unitarian-Universalist movement.   Again, a time when the future had become unclear.  Writing had not shown the promise it offered when Kate and I agreed I should leave the Presbytery.  Frustrated there, I regressed, headed back to the trade that I knew.  More lack of clarity.

    Poor decisions.  I chose Unity UU over First Unitarian for my internship.  An error.   The humanist congregation would have fit me much better.  Then, at the end of an interesting year, I accepted a job as minister of development.  Chief fund raiser.   OMG.  One of the really boneheaded decisions in my life.  Not the only one, for sure, and not the worst one, but dumbest?  Probably.  Kate saw it coming. I ignored her.  Sigh.

    (Vincenzo Foppa The Young Cicero Reading 1464)

    Those books were the heaviest to move because I’ve traveled out of the UU circle, too.  A solo practitioner am I, as the Wiccans say.  In that vein though I retained many of my books on spirituality, works on natural theology and those commentaries I mentioned on the Torah and the book of Revelation.

    Heavy, especially with lack of sleep thrown in.  Ghosts.  They’re real and they live in the closets, basements and attics of our mind.


  • Higher Education Does Not Need The Humanities. But, We Do.

    Beltane                                                    Waning Last Frost Moon

    On a pile of essays, yet unread, sits one at the top, “The Great River of the Classics”, by Camille Paglia.  She is my heroine, an outspoken advocate for the content of the humanities, the deposit of art, music, literature and theater that flows from Western civilization’s beginnings in the fertile crescent, a river with a delta now rich with islands and streams, a fan of human experience at its most intense and intimate that nourishes the ocean that is Western humanity’s collective conscious and unconscious.

    Egypt’s splendor, the profundity and innovation of the Greeks, the ordered ambition of the Romans, the spirituality of the Celts, the deep feeling of the Russians and the Germans, the list is long and has depth.  Gilgamesh.  The Egyptian Book of the Dead.  The fragments of the Pre-Socratic.  Jewish texts.  Christian and Muslim texts.  The pyramids.  The parthenon.  Rome.  The pantheon. Fra Lippa.  Giorgio. Botticelli.  Michelangelo. Da Vinci.  Petrarch.  Erasmus.  Francis Bacon.  Titian.  Brueghel.  Boccaccio. Chaucer.  Beowulf.  The poetic eddas.  Ovid.  Turner.  Poussin.  Rembrandt.  Barye.   Tolstoy.  Dostoevsky.  Singer.  the Baal Shem Tov.  Racine.  Shakespeare.  Marlowe.  Haydn.  Mozart.  Beethoven.  Brahms.

    And the many, the very many left out of this brief evocation.

    Perhaps the humanities do not pass the test of occupational preparedness, a test now applied to departments in higher education.  Just yesterday an academic group released a study the dollar value of varying university degrees based on earnings over time and starting salaries.  In many colleges and universities humanities departments look like low hanging fruit when it comes to the budget ax.

    So.  If humanities degrees result in less earned income over a student’s life, does this make them, ipso facto, less valuable?  Obviously.  If, that is, the only yardstick is dollars.  No, I’m not going to make the argument that dollars are a grubby, undistinguished measure; each of us has to eat, reside somewhere, raise our children and nourish our dreams.

    Even the fact that the humanities stood at the very center of the project of higher learning at its inception does not privilege them now.  The needs and values of the middle ages were different from ours today.  No, the humanities must stand valuable by today’s standards more than they must reflect the values of past centuries.

    It may be that the university is no longer the place for the humanities.  It may be that higher education’s mission in contemporary life involves primarily occupational learning, a sort of advanced vocational training.  Institutions focuses change over time.  Their work must meet the needs of those whom they serve or they have no reason to exist.

    It does not bother me if higher education strips out the humanities.  Let the music department perish.  Banish the philosophers, the artists, the literati, the linguists and language crowd, let history go, too.  Leave the ivy covered walls with only economics, business, pre-law, pre-med, engineering, architecture, agriculture, veterinary science, family and child psychology.  Keep those subjects that inform the workers of today and tomorrow and let the fluff go.  Keep the hard stuff, abandon the soft disciplines.

    Why don’t these changes bother me?  Because an artist does not need an art department, she needs fellow artists and places to display and sell her goods, but art departments, no matter how good, no matter how well intentioned, are not necessary to artists.  Work is.  Literature, too.  Writers write because they must, because words and ideas matter to them.  No writer writes because there are good writing programs.  Of course, they can learn things in those programs, but writing does not depend on English departments.  Music, too, is part of the beating heart of culture.  Musicians, whether trained in universities or not, will make music.  Musicians will and do get trained in many other places than higher education.  Philosophers are stuck with the sort of minds that go to the root of things and they will dig deep without philosophy departments.  They need other philosophers, yes, but there are books and airplanes.

    The humanities are of, by and for humans.  Because they are of our essence, they will survive diminished or even eliminated university and college support.  Will they be poorer?  Probably.  For a while.  But not for long.  We need music to fill our souls.  We need literature to grasp the many ways there are to be human.  We need painting and sculpture and print making because beauty satisfies an essential yearning of the human spirit and because we need to experience the interior world of others as much as we can.  We need those among us who will ask the difficult, the unpopular questions and pursue them where they lead.

    We need all of these things; they do not need higher education.  It will be poorer without them, less reflective, more insular, more satisfied with apparently easy answers.

    What might happen is this.  After the humanities have been ejected from higher education, humanities practitioners and scholars will meet, find they still need each other.  An idea will occur to them.  Why not have a place where the humanities can be taught?  An institute, maybe.  A gymnasium.  An academy.  Or, maybe something new.  A virtual gathering space for artists and scholars, for writers and teachers.

    Out of these experiment might grow, what?  I don’t know.  Perhaps an educational institution with its primary mission immersing its students in the Great River of the Humanities, a baptism by art.  Could happen.


  • Humanities

    Fall                                   Waxing Harvest Moon

    With Latin, the Baroque and a sermon on the future of liberal thought all coming up this week and the next, plus the horticultural fall chores:  plant bulbs, clean up, harvest the last of the vegetable crop and care for the bees, I react strongly to the recent closing down of humanities classes in SUNY.

    There is hope, though, since the humanities are academic disciplines that can be done at home with little discernible drop in quality.  Yes, there’s the problem of training the next generation in how to do the work at home.  It may be time for the disintermediation of the University’s original core curriculum, putting it on the web and in personal relationships, mentoring.  It may be time for Western culture to imitate the Chinese literati, the Mandarin bureaucrats who ran the country while painting, writing poetry, playing the Qin, doing calligraphy and focusing on the Tao.

    Let’s get a dialogue going about how we can preserve the humanities one classic at a time, one work of fine art at a time, one poem at a time, one language at a time, one faith tradition at a time.  Like the Great Work, creating a benign human presence on the earth, we must also labor to produce a humane human presence.  It is no easy task and one that requires facility in a number of areas:  literature, history, language, art history, the history of faith traditions.  We must not let the sacred deposit that reflects on our common life wither into dusts.

    Perhaps we need a new renaissance, a new enlightenment, ones that focus no longer on the application of science and technology, but instead return to the big questions:  Why are we here?  What is justice?  What is beauty?  What is a nation?  Why do we fight?  Who was Ozymandias?  What is Baroque music?  How many administrators can dance on the head of the department of science?  What is life?  What does it mean to be human?

    This is not an anti-science rant, science is fine; let’s not, however, throw out teaching the question askers of culture, the critics of public life, the dancers, painters and poets.  We need them, too, to know what to do with what science produces, in part, yes, but more to remind us that we have a past and that our big questions are similar and often the same as the big questions of that past.  That thought and that art helps us today.  Right now.


  • Not Known To Self

    Imbolc                             Waning Cold Moon

    “It is clear Charles, you know where you are going, and knowledge is the fuel.”   a fellow Woolly

    Have you ever heard of the Johari window?  Here’s a graphic that illustrates it.  The white or open box represents common information shared between yourself and others who know you. The reddish brown box contains the stuff of which you are aware, but have shared with no one.  The third box is the one I’m interested in here, the green box.  It contains material not known to you, but known to others.  This is information to which you are blind for one reason or another, yet is apparent to at least one other.

    This comment from a Woolly falls in the blind box for me.  Or maybe not.  A bit hard to tell.

    It did make me reflect.  If someone else thinks where I’m going is clear, why would they think that?  Do I really know where I’m going?  Why is knowledge the fuel?

    Here’s what came to me, after rolling the idea around for a week or so.

    Long ago, perhaps in adolescence, the notion of a liberal arts education became central to my personal project.  How did it get there? It may have been my parents, could have been teachers, might even have been a minister, perhaps all of these plus things I read. The notion of a broad and deep education in the humanities, an education that began at least by the time of college.  There exposure to the great ideas, to the breadth of the human experience, to literature, art, music, theatre would open up a way of perception.  Perception that would inform life, even create a life.

    There’s a lot more to this, but I’m tired.  Later.


  • A Bit More on the Humanities. OK, Maybe a Lot More

     Winter    Waxing Wild Moon

    I reproduce part of a David Brooks column here because it relates to the humanities thread I began a few posts ago.  He seems to counterpoise the liberal education as defined by Harvard against the institutional life devoted to what I would call a vocation.  This seems wrong-headed to me on a number of fronts, not least that the liberal arts education received its birth within the church and there is not much more institutional a creature than the church.

    Vocation and its fit within an institution has been part of my life.  Ministry qualifies as one of the oldest professions, vocations, that exists.  Ordination confers upon you a responsibility to a particular institution, a responsibility defined by my Presbyterian vows to uphold the peace, unity and purity of the church.  The role of clergy specifically demands nurture of the institution and the tradition which it serves.  While in the Presbyterian church, I followed that vow with energy.

    Brooks does not speak of the demand within any vocation and the institution they support:  law, medicine, education, even journalism for the prophetic voice.  This voice recognizes that traditions, in order to survive, must live and in living they must be constantly weighed in the crucible of every day practice.  Sometimes they fall short; the rote learning of the nineteenth century has given way to  learner centered education.  The church’s ministry, previously open only to men now has women in equal to greater numbers.  Continue reading  Post ID 18494


  • What Does It Mean to Be Human?

    85  bar falls 29.79  3mph NE dew-point 55  Summer, hot and unpleasant

    Waxing Gibbous Thunder Moon

    The Woodrow Wilson Quarterly has an interesting article titled, The Burden of the Humanities.   I want to add a cadenza, a riff of my own to this Big Band music of the intellectual sort.

    The first part of this article that caught my attention was the question of definition.  What are the humanities?  An obvious follow-on question, and the thrust of the article, is: Why the humanities?

    I come to this topic from some hours now of researching the growth of Unitarianism and Universalism in Minnesota.  The connection is not obvious, but it is real.  In Minnesota Unitarianism, at First Unitarian Society, the general topic of religious or secular humanism got its launching pad into public debate and debate within the Unitarian-Universalist Association. This came from the powerful preaching of the Reverend John Dietrich who regularly filled the Garrick Theatre with over a thousand attendees.  A former Reformed Church clergy he experienced a gradual evolution of his views away from Reformed Calvinist doctrine.  In a heresy trial in that denomination in 1911 he was found guilty and defrocked.

    Dietrich lifted the term humanism from an essay by Frederick Gould, published in the pamphlets of the British Ethical Society.  In that essay Gould proposed a new definition of humanism, one not rooted in the Renaissance understanding.  He proposed humanism as the “belief and trust in the efforts humans make.”

    This new definition of humanism tried to put itself on the same intellectual path as science.  Here is a snippet from one of Dietrich’s sermons, one defining his own religion:

    “So I take for my authority in religion the actual facts that have been discovered by science.  Beyond these facts which have actually been observed and verified, we really know nothing; and I make no assumptions which are not warranted by these facts.”      My Religion, John Dietrich, FUS 1929, p. 5  Published in the Humanist Pulpit, Vol. 3

    The Humanist Manifesto of 1933, influenced by Dietrich in content, reinforces this apparent marriage of humanist thought and the then triumphal march of science and reason.

    I’ve gone on a bit here about this because it is important to separate this now common understanding of humanism from the question, What are the humanities?  The answer to this question, I believe, turns the definition and the defining of humanism away from science and toward those realms of knowledge found in the classics of East and West, the artistic output of both East and West, and the philosophical and religious systems of both East and West.  That is, the question of what it means to be human can be answered only in a very narrow way within the science of say, physical anthropology or gross anatomy or human evolution.  Here the human is a physical entity shaped by the process of natural selection.  This is not wrong, it is right and necessary; but, it is not sufficient.

    What it means to be human is found in the lived experience of humans.  That is, we are what we have been and what we have been shapes without defining what we can become.   How do we know what we have been?  We read the Grand Historian on the Qin and Han dynasties.  We listen to karnatic music.  The plays of William Shakespeare come to life before our  eyes.  Tolstoy helps us understand humans in War and Peace.  The cave paintings in Lascaux and the Cycladic figurines of the Cyclades both reveal aspects of a human response to lived reality.  The Winter Count of the Lakota and the great urban areas of London, Istanbul, or Rio De Janiero do the same.

    The knowledge base of the humanities is broad and deep; it requires years to become fluent in even a small part of its study, yet it is precisely among the paintings and plays, the music and the poetry that we can rethink the human project and find old resources for new questions.

    Thus, if I were to redefine humanism, I would say:  “an appreciation for what it has meant and what it now means to be human, an appreciation gained best from the cultural products of humankind over the millennia of our existence.”