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  • Imagination

    Mid-Summer                                            New Honey Extraction Moon

    “Logic will get you from A to Z; imagination will get you everywhere.” – Albert Einstein

    Logic revealed itself to me in Symbolic Logic I at Wabash College.  Professor Larry Hackstaffe taught it and I struggled like a flopping fish for six weeks, right up to the first test.  I studied and studied, but it made no sense to me.  On the day of the first test I went in and Bam, it was there.  Locked into place and flowing.

    This anecdote shows a strange reality about logic.  You have to learn how to use it and when you do the learning curve is not necessarily progressive, moving from one logical step to another, rather it proceeds in the manner of insight and intuition.  After you get, logic will get you from A to Z and show you how you got there.  You can also show others how you got there.  You can use it suss out weaknesses in the arguments of others and in your own arguments.

    Here’s the rub, though.  Beginnings.  Assumptions.  What do you assume when you begin your logical journey?  If we accept the two ideas of mortality and Socrates, we can use the famous syllogism, if all men are mortal and Socrates is a man, then Socrates is mortal.  If, however, we believe in, say, reincarnation, then this syllogism cannot make sense.  Or, to take a more current example, if the debt ceiling is not a critical political issue to you, then all the arguments in the world about how to control it will be nonsense.

    Logic has a power in its crisp, repeatable steps and its ability to say whether one thing truly follows from another, but it has only limited use in the realm of the good, the true and the beautiful.  Truth, even.  Yes, truth lies outside logic’s realm.  Logical can tell whether you a conclusion follows from its argument, but it cannot tell you whether it is a good conclusion or a bad conclusion.  That is the realm of value.

    Imagination allows us, encourages us, to consider conclusions not dreamt of in your philosophy.  Or mine.  Imagination allows to go all non-Euclidean on geometry.  It pushed past Newton and into General and Special relativity.  Imagination flows into realms never conceived and into ideas never before entertained.  Our imagination may be the most wondrous organ of all.  The imaginal lobe, wherever it resides, dreams and schemes, rearranges and redesigns with no necessary allegiance to fact, truth, goodness or badness.

    Imagination is dangerous, yes, but also beautiful.  I’m with Einstein, I want to go every where.


  • Global Wealth in our Gilded Age: Currency

    Fall                                                  Waning Back to School Moon

    David Little has Embarrassment of Riches divided into three sections:  Currency, Space, Rituals and Style.

    Currency

    Abe Morrel makes pictures of currency.  In Embarrassment of Riches he has two photographs, one of gold bars and the other of Swiss Francs.  The photograph at the right has this title:  39 Gold Bar: $15,372,742 (11 AM/GMT-3/13/08): $988.25/oz Zurich, Switzerland.  The full title is important because Morrel, who likes the materiality of currency, also comments on value.  As the title suggests, value has an ephemeral quality, pegged to an exact moment, uncertain and socially determined.  Yesterday gold reached a new all time high of $1,300 an ounce.  Allison suggested an interesting addition to this photo:  a digital readout of the price of gold as it fluctuates.

    This ephemeral quality of value made me reconsider the meaning of currency.  Currency is just that, value at the current moment.

    Also in the currency section is a beautiful and initially puzzling image.  Amidst a north woods setting, pine trees and a gray sky, a glittering metal abstraction snakes just along the forest border, extending as if to infinity along with the edge it defines.  What is it?  An oil pipeline carrying oil from northern Alberta.  Ironically, and I suspect unintentionally, this image meshes with a current Sierra Club initiative aimed at bringing awareness to the very high proportion of Minnesota’s oil supply that comes from the Alberta Tar Sands, an oil source that combines wilderness despoliation with climate changing fossil fuel emissions.

    An inventory of lamps, members of the Kuwaiti stock exchange sitting in white robes on red leather couches arranged in conversational squares, two cars-a Ford and a Lexus with Chinese models draped sinuously over them and the Luc Delahaye image I talk about below complete the Currency section of the show.

    With one exception.  A sock.  That’s right, a man’s sock, displayed on a podium under a plastic vitrine, draped as if just taken off and perhaps thrown on the floor.  How does this fit in the currency section?

    Christian Jankowski works with video installation and performance art.  He is the artist behind the sock.  In Embarrassment, in the Rituals and Style section, a Jankowksi piece called, Strip the Auctioneer, shows over and over again.  It features a genuine Christie’s auctioneer, videotaped by Jankowski in the process of selling first his pocket handkerchief, then his suit coat, a shirt, two shoes and two, wait for it, socks!  The auction was a benefit for an arts school, so the bidding was genuine.

    David says he doesn’t know whether it is the right sock or the left.  It makes a difference in terms of value:  the right sock sold for $3,047 and the left for $3,324.  Of rituals associated with the life of wealth, an auction at Christies or Sothebys must be close to the top, perhaps after certain prestigious horse races.  Oh, by the way, this photograph shows the auctioneer offering the final item for sale in Jankowski’s piece, the hammer.