Category Archives: Writing

Working At Home

Summer                                                                      Solstice Moon

The revision of Missing has picked up some momentum.  The Loft class canceled and I’m not doing Latin in the late afternoon, so I can capture all that time.  Staying in the flow with it helps a lot, too, as does having gotten into the second half of the manuscript.  I have a clear vision now of what I want to change and how to guide the narrative, so it’s easier than at first where I decided on material to cut out, changes in certain characters and storylines.

Today is the beginning of the second phase of the gardening season, fall planting.  I’ll put in kale, chard, carrots and beets which we’ll harvest in September.   This has been a satisfying season already and appears likely to continue.  Foliar sprays and drenches tomorrow.

Theater

Summer                                                           Solstice Moon

Though slow to get there, we’ve now seen shows in the Wuertle thrust, Dowling studio and McGuire proscenium platforms at the new(er) Guthrie.  The Wuertle, of course, conserves the old Guthrie’s radical proscenium thrust stage which pushes the performing space out into the audience. (see picture)  This design the Guthrie shared with Tyron Guthrie’s other major theatrical location, Stratford, Ontario’s Festival Theatre.  It was, and is, a compromise between theatre in the round and the traditional proscenium stage, like the Guthrie’s McGuire.

The Dowling studio recapitulates the old lab theatre over on 1st avenue in the Warehouse district.  Even more so than the old lab and the thrust stage it puts performer(s) and audience in a very intimate space.  We saw the Iliad in the studio last month, a one person performance by Stephen Yoakam.

The proscenium presents a play up and far away from the audience, performances with a barrier to the audience, the “fourth wall.”  Each platform has its virtues and its drawbacks. The thrust and the lab try to break the fourth wall by enclosing the stage itself by seating, trying to place the audience almost in the action of the play.  And, if you attended any theater at the old Guthrie by the Walker Art Center, you may remember actors rushing up the aisles to get on stage, or actors at times stumbling off stage and apparently into the audience.

Live theater and live music share the ephemeral nature of their productions.  Finished, there is nothing that remains but a script or a score, neither alive as the performance just was.  Yet live music can now be reproduced in 5 or 7 speaker stereo in your home to a remarkable level of fidelity.  You cannot see the performers, no, nor can you hear some of the subtle harmonics (or so they tell me, but with only one good ear, I can no longer tell), but the experience is very close.

Not so with live theatre.  A play on television or filmed as a movie is a dead thing, a different event altogether from sitting with the actors, breathing the air they breathe and watching them, flesh and blood, as they transform themselves into something or someone else.

Surprise!

Summer                                                                   Solstice Moon

Several readers of my book have expressed surprise at its almost young adult focus and the fantasy elements.  I suppose this comes from two sources; that is,  people don’t know all of my interests or fascinations and there’s probably an expectation that my writing would be as cerebral as my public persona.

(The Musician and the Hermit – Moritz von Schwind)

Awhile back I read an interview with Phillip Pullman author of the fantasy trilogy, His Dark Materials.  In it he said he’d like to write serious, literary fare, but whatever subject matter comes to him, comes in the form of fantasy.  Same with me.  In a way I don’t think it’s surprising since the religious and philosophical and folk tale/fairy tale/folk lore world has been my constant companion since I came to a conscious awareness of myself.  That’s just the way the world makes sense to me, through the mythic and the archetypal.

The life of the mind, learning and knowledge, also captivates me, and I find a lot of fun there, too, but the core for me, the essence is in the world of the imagination.  So when I sit down to write, well that’s the clothing that drapes itself over my stories.

Lightening the Load

Summer                                                                                Solstice Moon

Well. It seems I keep discarding things for the sake of writing.  In my early 40’s, not long after marrying Kate, I gave up the ministry.  More recently I’ve set aside the Sierra Club work and docent responsibilities at the MIA.  Now I’ve taken a pause in the Latin until Labor Day.

A loft class starts in a little over a week, one I’m in, focused on revision of novels and getting them ready for marketing.  Though I’ve been working away at revising Missing, I still have a long way to go.  Following up the useful thoughts of my beta readers and my own critiques of the second draft, I stripped out about 35,000 words and made dramatic changes to point of view.  Both require line by line reworking, a process that takes the amount of time that it takes.

I’d very much like to have a finished revision by Labor Day and with the garden plus the bees, something had to give.  Latin was the only thing left.  I’ve had one long caesura with it during the cruise around South America, but this will only be the second one since I began in 2010.  Probably time for a rest anyhow.

Now I’m going to devote as much time as I can to the revision.  Pushing now.  I want to get this done and the book on the market.

When the heat is on

Summer                                                                                 Solstice Moon

Wandered out to the garden, picked a few hot strawberries, felt the Solstice sun on my bare head and retreated.  Dew point is down to 68, but the temperature was at 87 earlier.  Hot for us.

Working on Missing.  Still plugging my way through the revision.  Sometimes it’s fun; sometimes it’s work.  Sometimes it’s just something I’m doing.  Today was the last.  Having to add in some material I fail to expand will be more fun.  Gonna do that now.

 

5,464 entries since 2005

Summer                                                                             Solstice Moon

Just checked, out of curiosity, the number of posts on Ancientrails.  A somewhat mind boggling 5,500.  That’s rounding up from 5, 464, but not by much.  I have no idea what I’m doing here, why I’m doing it, yet I certainly seem to have kept at it.  At one level this is not surprising as my shelves of hand-written journals would attest, on the other hand that’s a lot of entries.

Quantity, of course, does not equal quality.  Hardly.  In fact you could argue a reverse correlation, but it certainly means that I’ve attended to this blog.

If you’re a reader, I appreciate your following along on this erratic journey, one guided by inner winds more than anything else.  Thanks.

Getting Good

Beltane                                                                        Solstice Moon

I’ve let the creative writing business slide for a couple of weeks, just got out of the rhythm with garden and other matters.  That Loft class starts in three weeks and I want to get further along in my revision before then.

Been reading information about learning plateaus, as I wrote below and I’m certainly on a plateau in both the writing and the Latin right now.  Just plugging away.  Read a piece drawing on work in David Foster Wallace’s Infinite Jest that suggested embracing the struggle, the sameness, the lack of progress or even the regression.  Makes sense to me.  When I can remember it.

It’s easy for me to fall into the despair trap.  The one where lack of progress proves lack of talent, lack of smarts, lack.  I fell into it for several years with the writing.  I had this mindset, either you’re doing it or you’re not.  Obviously not true.  Learning anything takes time, often lots of time.  That 10,000 hours stuff, I don’t know about that, but it does take a long time to get good at anything.

(Dreamer of Dreams, Edmund Dulac)

 

What Comes First?

Beltane                                                                                       Solstice Moon

Still trying to work out a way to give the garden what it needs and my other work what it needs.  Right now, this week, I’ve decided to work outside in the morning (my best work hours) until I’m caught up on critical garden chores:  broadcasting and transplant aids, bagging the apple trees and laying down leaves for mulch for example.

(Reinier Willem Kennedy – The source of life)

I’m done with the broadcasting and transplant aids.  I have the honeycrisp done and will move on to the other two trees tomorrow.  They have fewer fruit sets so they’ll probably be roughly the equivalent of the honeycrisp.  When that’s done, I’ll use the leaves from last fall to mulch the vegetables.  Probably finish on Wednesday.

Then I’ll focus back in on the writing and translating.  Getting a regular rhythm down was a primary reason I set aside the Sierra Club work and the MIA, but this interruption comes from decisions we made long ago to grow as much of our own food as we can and to do it in a way that improves our property over time.  So it may be that the real rhythm lies in recognizing the horticultural imperatives gardening brings during the growing season, making them number one during that time and fitting the other in around them.  Probably the sensible way to go.

Any ideas a reader might have would be welcome.

Rejecting Ariadne’s Gift

Beltane                                                               Early Growth Moon

I skipped some steps in my life education.  And I did that post-college when I was hungry for intellectual stimulation and found the cheapest source for it in seminary.  Instead of noticing what had my full attention, studying scripture with the tools of higher criticism, I followed my radical political passions into the ordained ministry.

Following the 60’s slogan, if you’re not part of the solution, you’re part of the problem, I embarked on a decades long immersion in political work.  I believed and still do believe that political work is important and necessary, a responsibility  of a citizenry that would remain free as well as a corrective to social injustice cooked into the current culture.

But.  I also believe that when the creative life, the one where the Self you have been granted by the random, but highly particular thrownness you have experienced, finds its highest and best purpose, it equals the level of urgency of political action.  Why?  Because each of us are precious, unusual, unique and as a result need to offer the world what only we can provide.

This is at best a dilemma, at worst it can create paralysis or misdirection.  In my case I followed one path, political action, from college through my early 40’s.  That I did this through the church is only a happenstance, a function of the odd synchronicity of my time in Appleton, Wisconsin and a minister there, Curtis Herron, who knew United was, at the time, a politically engaged seminary.

My rationale for being in seminary, drenched in the zeitgeist of the 60’s, led me to pick up on all the threads that led through the labyrinth toward a political minotaur.  They were bright threads in those years, the early 70’s, and had the additional compelling flavor of righteousness, a dangerous route to follow, but one I pursued anyhow.

The threads I left lying on the ground, less bright and flavored not with righteousness but with tradition and imagination, came to me as I soaked up literary criticism, the history of the Pentateuch, the redactions of the gospels, the tradition criticism and form criticism so useful in the Hebrew scriptures, even the brief exposures to Hebrew and Greek.  Had I stuck with them, followed the literary and creative impulses they roused in me, I might have neglected some political work, but found my way to writing much sooner.

But I didn’t.  Now I’m in my late 60’s and, thanks to another lesson I’ve simply refused out of stubbornness and fear to learn, how to sell my finished work, have nothing to show for having finally picked up the threads less bright, yet the ones more in touch with my full Self.  Although it may sound like it, I’m not whining here, just observing the length of time I spent on one section of the labyrinth, not because I didn’t have help, but because I couldn’t discern the true help I did need.

Now, finally, I have all the threads in my hand, I’m following them to the end, aware that there is still ahead the Minotaur, a last battle.  When will it come?  I don’t know.  The labyrinth still has turns ahead and the way, the ancientrail, is dimly lit.

 

Work Around the House

Beltane                                                                                 Early Growth Moon

Today has been a Missing day.  I’m focusing on it now, trying to get most of the way through the third revision before the Loft class.  I’ll make substantial progress by then and I might finish.

Javier and his crew removed the ash tree, cut up its trunk and branches, put down a gravel and sand like mixture in the fire pit, centered the fire ring and reset all the granite pavers.  Right now they’re finishing up the edging and trimming the river birch.

Having people do work around the house both pleases me and sets me on edge.  I know they are getting work done that I either cannot do or will not do.  In that sense they make our home more pleasant.  The on edge part comes from a part of me that is uncomfortable asking others to do things for me, even they get paid.  This comes from a myth of self-sufficiency, a part of patriarchy that would, on the one hand, dominate and on the other do everything.  This is a contradiction of a sexist world view, rooted in my past and not entirely dislodged.