Category Archives: Cinema and Television

Wish I’d Known the Son-of-a-Bitch Wanted to be a Millionaire.

Spring                                                                      Bee Hiving Moon

Kate and I saw Nebraska the other night.  This movie was pitch perfect for heartland small town dialogue.  The images it created of Billings, Montana, Hawthorne, Nebraska,  and Lincoln, Nebraska felt taken from my recent adventure driving between my surprise incursion point into Kansas and Highway 80 in mid-Nebraska.  Small rural towns in the midwest have suffered, a lot, over the last 50 years.  They’re run down and often sparsely settled though that trend has begun to ameliorate somewhat.

There were as well images of striking beauty, especially a wide-angle shot of a slightly rolling field with bales of rolled hay sprinkled throughout.  If not for the black and white, it could have been painted by Breughel.  The big sky and vast horizons of the drive from Billings to Lincoln are also beautiful, the stark aesthetic of the plains.

Not only because it was black and white, but because of its tight focus on family and strangeness (remember Mom lifting her skirt to the gravestone?), too, this film reminded me of Ingmar Bergman.  These were everyman characters dealing with everyday issues:  a desultory  job, American hucksterism and its unwitting victims, a long distanced father and son closing the gap, a slow revelation of Woody and David’s largeheartedness.

It will, unfortunately, only serve to convince bi-coastal sophisticates that the rural midwest is unredeemable, shabby and coarse, low-browed.  It cannot and does not try to show the agricultural culture that lies behind the small towns and cities and lives it portrays.  It also cannot show the slow but persistent erosion of rural life as farming has gone corporate and the kids leave home for Chicago, Minneapolis, Denver, even Lincoln and Omaha.

This is not a criticism of the movie, but a wistful longing for an artful representation of growing food, tending livestock, some way of showing the heartland as just that, the heart of a great nation and a food producer for the world.

Quirky. Colorful. Funny.

Imbolc                                                                           Hare Moon

The Grand Budapest Hotel.  A story told by a writer, an iconic writer for a faux eastern European country, as told to him by the former lobby boy of the Grand Budapest Hotel.  At the end Anderson credits Stefan Zwieg, an Austrian author of the early 20th century whom Wikipedia claims was “one of the most famous writers in the world.” (Zweig)

The Ralph Fiennes character, M. Gustave, bears a striking resemblance to Zweig.  M. Gustave, a hotel concierge extraordinaire, earns the affections of wealthy hotel patrons and runs the Hotel at its height, in the 1930’s.

The plot is full of Andersonian twists and madcap turns.  During a prison break a ladder is lowered and it keeps going and going and going.  One of the funniest scenes in the movie is a downhill chase on snow, Ralph Fiennes and the lobby boy on a sled schussing after the leather clad thug played by Willem Dafoe on skis.

Stars pop up everywhere.  Tilda Swinton,  F. Murray Abraham, Adrien Brody, Jeff Goldblum, Ed Norton, Jude Law as well as Anderson regulars like Bill Murray, Jason Schwartzman and Owen Wilson.  Each has a particular and zany role, but all carried off with the trademark Anderson seriousness with a smirk just behind.

Also like Anderson’s other films, this one is gorgeous in a unique way: vivid colors, grand architecture, picturesque mountains, rube goldberg like bridges and towers and walkways.

It is a movie made of meringue, but you notice that only after it’s over.  It wraps you up and coddles you along from the first scene to the last.  A delight.  Maybe, as Colin Covert said, a masterpiece.

Afterward we ate at the Hammer and Sickle, a Russian vodka bar.  With surprisingly good food.  I had a beet salad and a lamb skewer, Kate a vodka flight, borscht and pelminis (small balls of dough filled with a lamb, beef and pork mixture, much like a pot sticker).

Our waitress was a west Siberian transplant who went to school in Novosibirsk, married an American and is now studying computer science at home.  “But I’m not so well disciplined, so I’ll have to go to school.”  She’s headed back home for three weeks very soon.

A Plan

Imbolc                                                      Valentine Moon

Put together a plan.  I’m going to rest until the pain subsides and while it subsides I’m going to take nsaids and do some gentle exercises.  With a plan I don’t feel creaky; I feel proactive.  Knocking back the pain reduces the aversive conditioning, resting helps the injury heal as do the anti-inflammatories.  The gentle exercises keep the stiffness down and promote flexibility.  There.

So many deaths recently.  Shirley Temple.  Sid Caesar.  Seymour Hoffman.  Maximilian Schell. Which of course is a nonsense statement.  So many deaths always.  What it means is so many deaths of people of whom I had awareness.  I remember Shirley Temple as Heidi, but I remember not her specifically from that film but her grandfather.  Sid Caesar I remember from television’s live black and white days, another generational divide I’d not realized I belonged on one side of.  Seymour Hoffman I remember in so many roles, always in the complexity of the character, often a character of ambiguous morality. Maximilian Schell, not for any movie, but for a square jawed Teutonic presence.

These are the generation ahead of me, with the exception of Hoffman, and as such are, in a sense, my parent’s generation though they’re younger than my parents would have been. What I mean is that I can still distance myself from them by saying, oh, was he still alive? But that gambit won’t work much longer.  Soon, I’ll say.  Oh, yes.  Of my generation.

Just noticed the segue here.  Probably not coincidental.

 

 

Guy Cred Lost

Imbolc                                                                         Valentine Moon

So much for solidarity with the grandkids.  The Broncos got broke by the Seahawks.  I missed it all.  May be slipping away from guy cred, I know. That’s Peyton Manning there on the ground next to that nasty hoss.

Instead, Kate and I finished the 10th episode of the 9th season of the British cold case series, the Waking Dead, the finish of the series. It took dedication, perseverance and stamina to watch them all, but we did it.  We’ll always have Waking the Dead.  But not Superbowl 48.

Oh. My.

Winter                                                                  Seed Catalog Moon

Discovered, thanks to my copy editor, Robert Klein, that I had named one of my characters in an unintentionally humorous way.  Two-arcas Merkin is a character who kills two arcas (bear-like creatures) and becomes known for it.  Turns out, you may know this but I didn’t, a merkin is a pubic wig.  First, I didn’t know there were such things.  Second, as a result, I didn’t know they had a name.  It’s the kind of thing I’m glad somebody caught.  Geez.

(Russian ambassador and President Merkin Muffley in Dr. Strangelove)

The weather outlook in Denver is consistent with what I’ve experienced several times over the Stock Show trips:  50’s, high 50’s.  Always seems weird, but northern moving Gulf air pressed east by the Rocky Mountains brings spring like temperatures to winter Denver often.  Jon likes it.  I don’t.  I like my seasons true to themselves.  Cold winters.  Warm, wet spring.  Hot summers.  Cool falls.

 

 

Flying High

Winter                                                             Seed Catalog Moon

Cool again, heading toward zero and minus land.

Just watched Aviator.  Maybe a bit late since it was 2004, but, hey.  It was still good.  Cate Blanchett as Katherine Hepburne.  Amazing.  Worth watching the whole movie just to see her.  She’s one of my favorite actresses and she was at top form in this role.

Leonardo DiCaprio, whom Kate and I saw in Wolf of Wall Street on Christmas Day, portrayed the enigmatic and chaotic brilliance of Howard Hughes, his obsessive-compulsive disorder eating into his effectiveness.  In fact, he ended up so secretive that when he died aboard a plane in 1976, the Federal Government had to use fingerprints to discern that it was actually Hughes who had died.

 

Hope

Winter                                                            Seed Catalog Moon

Saw a Masterpiece theatre movie last night: Endgame.  The beginning of the end of apartheid.  Michael Young, head of communications for Consolidated Goldfields, was the unlikely and successful convenor of talks between the African National Congress and the South African elite.  You could read a bit about him here.  His role was crucial and yet he managed, as one of the delegates to the talks said, “To keep himself invisible.”

This was a movie with little overt action, a modest movie for the most part, but it moved me.  There is something deep in my soul that gets touched when people struggle in an authentic way for justice.  It is not easy.  It has many traps.  But the results are so powerful.

The main characters, the ANC representative in the talks, Thabo Mbeki, (top) and an Afrikaner Professor of Philosophy, Willie Esterhuyser, (bottom) were played by Chiwetel Ejiofor and William Hurt.  Their understated acting made the change they wrought in their country, and in themselves, more poignant.  Mbeki replaced Nelson Mandela as President of South Africa and Esterhuyser became one of his principal advisers.

A squib at the end of the movie noted that a similar process used in these talks had been pushed forward in Irish-British talks about the troubles and in the instance of Hammas and Israel.

How Much Is Enough?

Winter                                                   Winter Moon

Kate and I both read a zine called the Tablet.  It’s a hip Jew commentary on whatever.  It contained this today:  “The Hebrew year is 5774 and the Chinese year is 4710. That must mean, the joke goes, that against all odds the Jews went without Chinese food for 1,064 years.”  We follow, as I wrote before, Jewish tradition by going to movies and eating Chinese on Christmas.

Today we stayed close to home, eating lunch at the Mandarin Buffet, greeted by r challenged waiters and waitresses who greeted with holiday cheer anyhow.  After that we saw the Desolation of Smaug, the second of the Hobbit trilogy.  It’s a non-stop action flik with Evangeline Lilly as an action elfess, as beautiful here as she was all those seasons on Lost.  The time went fast as the dwarves escaped the Wood Elves in barrels, road coal and metal carriers to escape Smaug and Gandalf seemed to be defeated by Sauron.  If you haven’t seen it, it’s a lot of fun.

This was at the Andover Cinema and our second choice, Hunger Games II, had just ended its run and we didn’t know that.  So, we had to decide on a second movie on the spur of the moment.  We chose Wolf of Wall Street. This is a more difficult movie to parse.  First, it’s too long.  Could have stood 45 minutes worth of cutting.  It’s a Martin Scorsese movie so he apparently got the cut he wanted.  Second, I hope, as Kate imagines, it’s broadly drawn.  I’ll explain that in a bit.

Wolf’s great strength is its unflinching look at what happens to people who cannot answer the question, what is enough?  If you make money and power the focus of your life, they will become your center of value, what H. Richard Niebuhr called your God.   With them in the center of your ethical system your value choices will not be about people or beauty or justice or the natural world, but how about how you can get more.  More money.  More power.

You will not be able to answer the question, how much is enough, because the amount of money and power you need will always be just a bit more than you have.  This is ambition. This is greed.  This is eagerness to have positional authority.  This ultimate honey trap gets strokes by the culture.  We lionize billionaires and barely recognize the teachers, doctors, mechanics, nurses, clerks, postal workers who do the important work in our culture.

I’m not, this time, trying to make a political point, but a theological one.  What you place at your center, your center of value, shapes all the decisions that you make.  It’s a critical decision and it is just that, a decision.  You can choose to have other people, the natural world, beauty, health or justice as your center; you can also choose money and power.

In Wolf we see the terrible personal and social cost of choosing money and power.  Other people are tools.  Stocks are, as Matthew McConaughey’s character, Mark Hanna says, “Fairy dust…they exist for one reason.  To take money out of the clients pocket and put it our pocket.”  The only yardstick for success is money and the conspicuous consumption of luxury goods:  Armani suits, Ferrari’s, yachts, estates, drugs, whores, planes.

Kate saw it as drawn broadly.  That may be, but the motive force, the need for more and the sense that life has no moral limits characterize so many striving folks.  Not just Americans.  Chinese, too.  Singapore.  Mumbai.  This movie is, at bottom, about seduction and shows what few people ever realize.  We don’t need the devil.  We seduce ourselves.

 

Hannah Arendt

Winter                                                                       Winter Moon

Hannah Arendt.  Here’s a movie that will challenge you.  It takes a particular moment in the life of this famous philosopher, the moment when she reported on the trial of Adolf Eichmann for the New Yorker, and opens it out into the massive controversy that followed.

It was in her coverage of the Eichmann trial that she coined the term “the banality of evil” based on her observations of Eichmann as an ordinary man.  The controversy that embroiled her ensued with the publication of the New Yorker Article.  It contained 10 pages in which she points to Jewish leadership as implicated, by omission, in the Holocaust.  She was damned as a self-hating Jew and a blamer of victims.

This movie shows her as a courageous, thoughtful and brave intellectual, unafraid to speak her own truth and unflinching in her analysis.

A difficult movie in some ways and certainly not thrilling, but important.  I recommend it.