Samain Stent Moon
Jon, Ruth, and Gabe came up Saturday evening. The Instapot proved capable of turning a rump roast into a more tender cut of meat. Using a pressure cooker at elevation makes a lot of sense. Almost of all the roast plus potatoes, carrots and parsnip disappeared down mostly functional gastro-intestinal tracts. The gi tract with difficulty got help from Maryjane. (Grandma took 3 hits on a prerolled joint.) That went well.
We passed out Hanukkah gifts, lit the candles, said the prayers, then Ruth, Kate, and I sat around the table and talked while the candles burned down. Ruth has a piercing plan. When she’s 13, she’s adding a third stud to both ears, then, when she’s 14, a nose stud. After that? Lots of body parts available. Why? I don’t really know. I’m going to ask her next time she’s up.
Jon and Ruth took off early Sunday morning for A-basin. Good powder there. Snow in the mountains has been good, but across the divide to the east, where we are, much less so. So much less so that Denver is about to have its 12th year of under 30 inches. 2 of those 12 will be last year and this one unless a big storm arrives before Jan. 1. Not in the forecasts right now. 1/6 of the driest snow years in all weather records for Denver in the last two years!
Gabe made pinch hitter pizzas for lunch. This from a recipe in a Hanukkah gift, Boys Can Cook! The pizzas were on English muffin slices with red sauce, soppressata slices, and cheese. Not bad.
After a nap we drove over to Evergreen High School for a Jazzy Yule holiday concert by the Evergreen Chorale. My friend Alan Rubin sings in the chorale and is on the board of Ovation West, the company that includes the Evergreen Chorale and Ovation West Musical Theater. The quality of both the chorale and the theater are good, high for amateur performing arts with skilled musicians and talented actors.
The first half of the concert took me by surprise. Alan had told me that the first half was music from Duke Ellington’s Sacred Concerts songbook, but I had expected something more beboppy, more holiday jingly. Uh-huh. This was serious music, jazzy with a little bebop in there, but music with an edge, especially the last piece, “Freedom.” I’ve included a full you-tube video of a performance of it below. If you have time, and like complex choral pieces, you may find it interesting. I found it compelling, a work of art that challenges what that word means in the American context, today in particular.
In Kate news we’re going to press for a date for Kate’s procedure. Wanting to get on with it for obvious reasons.
Mercury retrograde. Elisa said this would be a time when I would remember my dreams. I have recalled some, definitely more than usual. I’d also reassess my life, letting new things in, chucking the no longer useful.
You might say, oh, the power of suggestion. Could be a bit, I suppose. But recalling dreams when I haven’t been is big for me. Years of Jungian analysis, you know. Running toward something like astrology is a definite change in mindset. And, oil painting? I mean, come on.
Holiseason underlies and inflects all of this, creating moments of reflection and quiet, reinforcing attention to the Great Wheel. Feeling as positive about life as I have in a long, long time.
My friends Stefan and Lonnie have devoted the last three years to a traditional painting education. The atelier in Florence where they’ve studied makes the usual atelier argument that representational painting is real painting, the sharp turn taken by Cezanne, Monet, Van Gogh and later DuChamp, ManRay, Bacon, Pollock, Rothko a mistake.
We knew people in the cast, saw folks we knew in the lobby, and were greeted by the costumer as we left. He remembered us from our visit to the tech rehearsal. In other words this was also a moment of immersion in community, our community. That’s not the same as a visit to the Guthrie or to Broadway, but has lots of other, ancillary benefits.
Just before getting up this morning a strange, but somehow obvious thought occurred to me. While on the backstage tour we visited the dresser, an energetic guy who made or altered 490 costumes for the women in this performance. !. We saw the multiple props, a day bed, a drinks trolley, several doors with wheels, a set of steps for musical numbers, a kitchen table, a dressing table. Downstairs we saw the storage areas for costumes and prop making materials. We spoke with the dresser, the stage manager, the director, the actors, several of them, the lighting and sound people. All, to a person, warm and friendly.
Here’s the thought. Going backstage, seeing all the accoutrements for staging a play, especially going into the basement area, made me think of id, ego and superego. Of the masks and personas we wear. Of our brain as backstage, where we store props, costume changes, makeup, where we put together the elements of the show that is our lives. The show itself, and its superego, the director, is the life others see, the one we present as we strut and fret our hour upon the stage, then are heard no more.
The strange things that come to me before I drop off to sleep. Thinking about Lycaon, the anti-hero protagonist of Superior Wolf. He sacrifices his own son, Nyctimus, at a once every four year festival, the Lykaia, to Zeus Lycaeus (Wolf Zeus). Stray thought then. Sounds like Abraham and Isaac. Oh. Wait. Abraham was a polytheist before his covenant with G-d.
Why are we so reluctant to recognize that racism, sexism, homelessness, income inequality, white fear are the result of decisions we’ve made collectively and individually? I think the answer lies in ideas Arthur Brooks identifies as the bedrocks of conservative thought. Below is a portion of that article, 
But, to sacralize that unique reality, “…conservatives have always placed tremendous emphasis on the sacred space where individuals are formed.” says Brooks, serves to deny its perniciousness, its damning of so many to lives of desperation, marginalized from both economic and cultural blessings. Once we emerge in the era, the family, the town or neighborhood or rural place, the religious or areligious space gifted to us, the nation of our birth, once we are over being thrown into circumstances beyond our volition, we gain the power of choice.
Back in the day, the now further and further away day, I always went to class. I might have missed a few, but it was rare. I enjoyed learning from lectures, getting in the mix of dialogue, thinking out loud. Last night I was the only student in the qabbalah class on Time.
Being human is a daunting task, steeped in misdirection, existential isolation, perception clouded by tradition, by language, even by our body. Qabbalists and taoists and ch’an buddhists have worked, hard, to peel the onion of our awareness. They are subtle, in their own way as subtle as particle physics or genetics or neuroscience, attempts to understand this task, the one none of us can jettison, save through suicide. They differentiate from the narrowing tendency of science by insisting on a full, a comprehensive positioning of this strange creature that we are in the wild.
Thought experiments like taoism, qabbala, ch’an or zen buddhism try to shock us out of our stupor, the life lived without seeing the wilderness for what it is, the life lived within the conventions of a particular time, a particular language, a particular place, a life lived without knowing what life is. Most people find little reason to peak behind the curtain of this emerald city that we think is what is. The apparent life, the one with family and money and the NFL and food and houses and sunlight and night, seems to be all that could be. We do not question, we try to paddle the little barque of our body on this river (life) often using only our hands over the edge of the boat.
And yet there is more, not more in the sense of more layers or more depth, for those layers and depths, the wilderness, always surround us, are the water to which we are the fish, but more in terms of what we can know, what we can access, what we can use to help us become awake. Woke, in the current vernacular, not woke to racism and sexism and oppression in this instance, but woke to the true majesty and wonder of life itself, of this wilderness journey, this most ancient of ancientrails.
