A New Credo

      Hercules wrestling Thanatos

Driving to Lone Tree this morning. Spine injections. Struck by the notion of Israel Harari. The Mountain man who struggles with God. Of Jacob/Israel as an archetype. The trickster transformed into wounded man of faith. Peniel-where I saw God face to face.

I’ve focused on Israel, on the struggle, but not considered or not fully considered the after moment, when Israel, newly named, limps away having seen God. Who names this ford on the Jabbok river after his realization.

So I decided to do that. I’ve struggled with God since I was young. Too small. Too violent. Too obscure and ineffable. Dead. I don’t experience God. What good can God be? And this stupid, stupid idea of a seventy year life as a test for residing in Heaven or Hell for eternity? No.

Then, the last 30 years or so, pass. Focused on the Soil, the Seed, the growing miracle of Plants, Dogs, grandchildren, love. No need for God. I feel the sacred when I amend the Earth. Pluck Onions and Carrots from their hidden places and spray them off with a hose nozzle. Food. The true transubstantiation.

What if I felt my way into the Goddess? Her Earth. Me as part, yet not part. Unique, but not unique. A Wave above her Ocean, ready at all times to return. What if I admitted to myself that my  feeling of separateness is the original sin. The hubris of independence. Of individuality.

What if. The yetzer hara, the selfish inclination, speaks to us of separateness. Of our needs. Of our unique demands. While the yetzer hatov speaks to our interdependence, our awareness of the needs of others, of the World around us.

Could I find the sense of support, of sustenance, of forgiveness, of grace, of embeddedness in the whole, the One? Could I pray? I drove on, watching the Trees, the Hogback, remnants of the orogeny that preceded the rise of the Rocky Mountains. Striated. Weathered. Shrunken. But still there, millions upon millions of years after its emergence.

Was I really, truly part of it? Was all the artifice of highways and cars part of it? The houses and stores. Doctor Vu, the kind and careful man who inserted needles into the narrow spaces of my bulging spine. And all his tech? The rotating bed. The living x-ray. Michal, his variously adorned assistant. Even the steroids shot toward my nerves? All of it?

What difference might it make if I leaned into this most pushed away notion. Or, is it the embrace I’ve already made of the chi, of wu wei, of the mystical revealing the ordinary as the sacred? Do those feelings find me already in her arms?

You know, it does. I’m a man of this short moment, a Wave cresting on the Ocean of the whole, going only from emergence to absorption, not needing to understand how. Yet as that man I’m also in and of the Ocean, of the Goddess, her instrument in this troubled part of her cosmos.

 

 

 

 

 

 

 

All. All of it. Sacred.

Spring and the Wu Wei Moon

Ramses II. By Djehouty – Own work, CC BY-SA 4.0

Tuesday gratefuls: Needles into my spine. 11 am. Paul in Salt Lake City. Mary in Eau Claire. The wide world. The newly opened Grand Egyptian Museum. The National Museum in Taipei. The Frick’s renovation. The Isabella Stewart Gardener museum. The Phillip Johnson. The MIA. The Walker. Being a dramaturg.

Sparks of Joy and Awe: All the art in all the world

Week Kavannah:  Sensibility. Daat.

One brief shining: So many museums, the quiet time early in the morning before the crowds come, walking into the Bruegel room at the Kunsthistorisches, or the Botticelli room at the Uffizi, even walking with the crowd into the Sistine Chapel, the Sistine Chapel!, my favorite moment to spend time with the Dr. Arrieta by Goya at the MIA, there are raptures and revelations there for those who can see what they are looking at.

 

Imagine a street in any major city. Bangkok. Kuala Lumpur. NYC. A busy street filled with pedestrians on their way. Somewhere. Vehicles in the street. Bicycles. Taxis. Private cars. Delivery trucks. Businesses fronted on the sidewalk. With offices above them.

All those vast inner worlds. As vast your own. Never to be known. Not by you. Not by anyone else. Unless. Perhaps. A lover or therapist. Or, if one of them is an artist. Doesn’t matter what kind. Painter. Writer. Musician. Dancer. Playwright. Sculptor. Artisan. Any.

Artists need to, have to reveal themselves, their inner worlds. Can’t help it. It’s not quite the same as conversation between lovers, but it can be pretty damned close.

That Goya above? That’s the painter himself being treated. For what was apparently a not very serious ailment. Did he know that at the time of his treatment? Doesn’t look like it, does it? Vulnerable. Needy. Confident doctor.

Or, that statue of Ramses II. The sculptors, I imagine there were many, knew they had to give this work all the power and majesty they could find within themselves. Only then could it meet the demands of their God-King.

Doryphoros

I cherish those times when I can be with an artist and their work. Why? Because then like speaks to like. Inner worlds connect. Oh, yes. Anguish. Despair. Shame. Grief. Joy. Celebration. Deep contemplation. Reacting to surface beauty. Or, the lithe musculature of a Panther, the mystery of time caught forever in the Doryphoros as he steps forward.

Reading. Listening. Seeing. Tasting. The artistry of a well-made meal. What a wonder, the world of the arts.

And even so. My Lodgepole companion. My friends at CBE. Black Mountain after a heavy Snow. Maxwell Creek filled with Snow Melt. A bull Elk in the rain. Yes. These, too. Reveal the inner world of the whole wide world. In those moments before a painting or listening to an orchestra or sitting on a Rocky overhang in the Arapaho National Forest. When a newborn Fawn looks up from its first meals of tender new Grass. We get that jolt, that moment of knowing. Oh. Yes. It’s all sacred. I remember. I’ve known this all along. The press of life sometimes makes me forget. But I know it. Again. Now.