Category Archives: Myth and Story

This and that

Fall                                                            Fallowturn Moon

Put my 500 word essay on a reducing diet and got it down to 350.

Spent much of the day trying–again–to reorganize my space so there’s room for all my books plus art plus travel souvenirs plus computers, desk and me.

Kate and I harvested greens today, the last of them, and Kate put up another large batch of low country greens.  We’ve got onions and tomatoes in the refrigerator plus carrots and leeks in the ground.

Looked out back today, south, up toward the poplars, the tallest trees on our property.  A big gust of wind blew threw them and a rain of yellow-orange leaves flew into the air.  As the air filled with dancing, falling leaves, a bird flew through them, headed west.  With the gray sky it was a perfect fall moment.

Jason and the Argonauts

Fall                                                                                   Harvest Moon

The Harvest Moon has waned almost to New.  Leaves have begun to disappear, going from haute couture to essentials during the Harvest Moon’s month.  The temperature has taken a turn toward the cool, too, welcome in this household though not necessarily in others.

Working out stalled for me when I felt an ouch beyond what I felt made good sense.  On Monday I have my post-op visit and should have better information then.  I walk and lift modest weight with no twinge now, so I imagine I’ll be back to working out as soon as next week.  My capacity to recover quickly from this operation reinforces the resistance work I’ve done over the years.

Spent this morning dipping myself in the waters of the Jason and Medea story, Book VII of the Metamorphoses.   It was hard.  Not sure what happens, but some days the translating flows, other times it comes as if clotted and running through a pipe with bends and twists.  Today was a clotted and twisted day.  This is where we get the story of the golden fleece among other narratives.

A bit more now in the afternoon, just to see if I can bounce past the morning’s grind.

I also have the week 3 quiz to do in the Greek and Roman Mythology class.  Probably tomorrow.  Without much effort beyond review of my notes I’m hitting about 92% and that’s fine.  I could pump it up, but I have no need.  Look for a post in the next few days about some interesting things I’ve learned about the Odyssey and about myth.  Interesting to me, anyhow.

How Raven Became Black

Fall                                                              Harvest Moon

Another brilliant blue day, with slashes of orange and red, sky filled with high white clouds. These northern fall days expand the mind, let it reach out beyond the horizon, taking the breadth and height of it all into the soul, the inner life growing proportionally.  No problem with this season growing longer.

Lights out at the MIA this morning.   I wasn’t there, but apparently security gates came wheeling down in the galleries and the place went dark for an hour or two.  Very dark in certain areas.  I imagine the Japanese galleries and the Pacific Islands and the Islamic and maybe Southeast Asia would pitch black.  They have no window light.  None.  Wonder which images came to life?

Our afternoon tour got delayed because the kids were at the Children’s Theatre, attached physically to the museum, and it went dark, too, delaying their show.  This was a big group, 153 kids altogether.

Since I’m taking a class on mythology, it’s worth recounting here a frequent occurrence at one of my favorite objects:  the Transformation Mask by Kwakwaka’wakw sculptor Richard Hunt. (both pictures from the MIA website)  I tell a story about Raven, who had white feathers, then met Gray Eagle’s daughter, fell in love and visited her father’s dwelling.  Raven finds the sun, the moon, the stars, water and fire inside Gray Eagle’s lodge, steals all of these things and gives them to the people who have been living in darkness.  In spreading fire he carries a brand in his beak and his feathers are burnt.  That’s how Raven became black.

I tell this story as it is and leave it.  Most of the time, some kid asked, “Is it real?”  In return I ask, “What do you think?”  Usually kids accept the story as “real.”  I don’t press this interpretation, but I happen to agree with them.  It’s true because it explains the birth of the Raven clan and its totemic animal.  In this sense, too, it is real.  As real it gets.

Back

Fall                                                               Harvest Moon

A morning with Ovid.  Back at it, even though this was a revision of a long sentence I translated a couple of weeks ago.  Greg suggested I redo it with attention to the way the main verb controls the tenses of the subordinate verbs.   This turns out to be trickier and easier than I thought, but it took the morning.

Feels good to have that done.  That means I can move on in Ovid to my next narrative, Jason and Medea.  I also have to translate some more of the Aeneid, too.

Then, back to Missing and the revision, a process that goes well.  At least so I think.

The Vikings have enough going for them for me, the typical fair weather fan, to watch them again, so I’ll take up the remote and assume the position later on today.  Maybe get some bulbs and hosta planted too, though tomorrow looks good as well.

Gettin’ Ready

Fall                                                                        Harvest Moon

A week plus past the operation and I feel almost no residual effect.  I’ve been lying low, slowing down and it felt good until yesterday, now I’m beginning to get that itch to put myself back in the harness.

I like that feeling because it means I’m still kickin’.

In particular.  Garden.  Bees. Latin.  Missing.  Week 3 of the Mythology class.

 

There is, too, that tour this week.  An Artist’s Choices tour for 5th graders.  That means, take’em to see whatever you think will keep their attention.  I’ll be glad to be back at the museum.  It’s been awhile and stuff’s been happening.  (john william waterhouse ulysses and the siren)

Head and Hands

Lugnasa                                                                      Autumn Moon

Worked my head into a fuzzy place today.  Just couldn’t go further, so I worked out.  That always helps.

Tomorrow is a Latin morning with my tutor at 11:00 AM.  Before I meet with him, I have to review my Ovid, the last of the Philemon and Baucis, 14 verses.  I reviewed the Aeneid this afternoon, 9 verses there.  This crop, in both authors, was difficult.

This weekend is a garden weekend.  The orchard, shoring up a leaning apple tree.  It’s a Zestar and we had two apples from it today.  Boy, are they good.  I plan to harvest the tree before we begin the shoring up.  These are mostly bagged and, for some reason, the squirrels have left them alone.  Maybe they’re honeycrisp connoiseurs?

We’re going to prepare for winter pruning, decide the remaining tasks before the cold and get on the priority ones.

There’s one more soup to make, a winter vegetable that will use our onions, leeks, carrots and tomatoes at least.  Our frozen soups. pot pies and vegetables have begun to use up the available space in our freezer so one task is to clean out the old and the no longer desirable to make room.  That will happen over the weekend, too.

Finishing.

Lugnasa                                                                     New (Autumn) Moon

Finished Philemon and Baucis this morning.  Now I have to decide where I want to go in the Metamorphoses next.  Not sure I want to start at the beginning just yet. When I do, I want to produce idiomatic English and English as beautiful as I can render it.  I’m not there yet.  Maybe I’ll do the Medea cycle, she’s pretty interesting.  I plan over this next week or two to start some Tacitus, too.  Just to keep myself guessing.

(Medea.  Sandys.)

It feels good to have gotten this far, but there is plenty more of the trail yet ahead.

 

A Tip of the Glass to Hermes

Lugnasa                                                          Garlic Planting Moon

I’m within 5 verses of completing Philemon and Baucis.  I will complete it before the Rembrandt exhibition leaves town with its painting of this story from Ovid.  That was my goal though I’ve come up several weeks short because I wanted to circulate my transmission among the docents, but all public tours stopped last week.

When I finish it tonight or tomorrow, I’ll have translated three complete stories from the Metamorphoses:  Diana and Actaeon (Titian exhibit), Philemon and Baucis (Rembrandt exhibit) and Pentheus, one I chose because the story is retold in the Bacchae.  None of my translations are worth sharing much of, if any.  I’m still clumsy and not always accurate, but I moved through 10 verses today, so my speed has improved.

Speed is a goal because the Metamorphoses is long and if I ever hope to translate it, I’ll have to go faster than I have.  It’s divided into 15 books and at some point I’ll shift from a focus only on learning to a focus on translating and learning.  The difference probably being that I’ll work on a long chunk, say a book, then hire Greg or somebody to go through my translation with me.

A commentary useful for advanced students is still a goal, too, and as I translate I plan to do so in a way that will facilitate a commentary.  Pharr’s commentary on Virgil is a good model and one I will have in view the whole time.  BTW I also did another 10 verses in the Aeneid, too.  More practice.  The more I read, the better I get.

 

Audacity

Beltane                                                Garlic Moon

Here there be giants.  Fin de siecle Europe.  We’ve not recovered yet from the explosion of ideas that erupted there:  quantum mechanics, relativity, Marxism, symbolists, dada, surrealism, the airplane, electricity, lights, antibiotics, cubism, expressionism, fauvism, psychoanalysis, world war.

Just finished watching A Dangerous Method with Vigo Mortennsen as Freud, Michael Fassbender as Jung and Keira Knightley as Sabina Spielrein.  To my taste Cronenberg’s focus on Jung’s mistress tilted the film away from the revolutionary work Freud and Jung had created.  But, perhaps my approach would lead more to documentary.

Still, what I got was a clear sense of the frisson between them and the astonishing, breath-taking really, courage it took to think the thoughts and engage in the work they did.  That’s what led me back to the fin de siecle.

There were radicals alive.  It must have been in the water.  Seeing visions.  Looking inside the mind.  Down inside the atom.  How to lift humankind into the air.  How to cure disease.

The audacity and daring inspires me, makes me want to tread as far out on the pier as I can go, to risk falling into the void, the abyss.  To see.  To feel.  To embrace.

Fated?

Beltane                                                         Beltane Moon

“Life’s single lesson: that there is more accident to it than a man (sic) can ever admit to in a lifetime and stay sane.”

Thomas Pynchon

In a sense, of course, the fates represent the exact opposite of the Pynchon quote.  That is, nothing happens by accident; perhaps they are the ancient and  mythic equivalent of the strange folks in cognitive science these days who say we have no free will.

On the other hand, all those accidents looked at retrospectively can have a fated feel.  What Pynchon does is remind us of the true randomness of events that in the rear view mirror seem to have happened with sequential causation.

Caprice might seem to have a chilling affect on the notion of a life, especially a life lived with purpose, according to a plan, headed toward a goal.  Yet.  It could free us from the burden of pressing our life forward, having to be at the wheel every moment attentive to the other drivers, no nodding off.

The old theological joke, which I never liked, is, “Man plans; God laughs.”  Take God out of the equation and we can see what is meant.  Life has too many unforseens, too many dips and twists, too many accidents.

Does this mean we shouldn’t plan?  I suppose not, but it does suggest a realistic humility about accounting for all the variables ahead.