Vanitas

Spring                                    Waxing Awakening Moon

A Woolly brother goes in for knee surgery on Monday.  He’s a bright guy who will select a surgeon with care.  He’s also good at taking care of himself so I’m sure the surgery and the recovery will go well.

These are the years when retirement income and the upcoming procedure can fill a lot of conversation.  The body degenerates, the centre does not hold, things fall apart.  The way of it, this human, animal, mammal, finite life.

I had planned to check on my bees tomorrow, see if they pollen patty needed replacing and put on a syrup feeder, but the weather guy says cloudy, cool and wet.  Not a good bee day.  Like many of us, bees stay home when the weathers inclement and they don’t like uninvited guests.  Really don’t like them.  Sunday or Monday look better.  I’ll wait.

Kate and I are through Chapter 9 in Wheelock, closing in this week on Chapter 10.  We also got a book of readings and now do sight reading in each session in addition to the readings in the book.  This last reading was from Seneca about slaves and masters.  It’s moving.  The issues of slaves and slavery is old, very old and the issues of freedom and the injustice of slavery is also old, very old.

The more we work with the Latin the more I become committed to classical scholarship and the doors it opens into human thought, human thought not in dialogue with Christianity, but with the world of Athens.  This is a world both intimately connected to us, yet very foreign, too.  It is pagan, though that’s an anachronism, since before Christian dogma, there were other religions, not paganism.

I’m still pumped about the health care reform even if it fell short of single-payer.  That’s for later.  Right now, let’s party.

Why Is This Art?

Spring                                       Waxing Awakening Moon

Two interesting tours with third graders this morning.  In the first tour two different kids asked why is this art questions?  One wanted to know why the George Morrison was art and the other wanted to know why a piece in the modern gallery, one with parallel lines on a white background qualified as art.  We had significant discussions on both pieces.  On the first we discussed Morrison’s fascination with horizon lines.  Could they see the horizon line?  Could they imagine a beach?  Yes?  Well, that can make it art.  On the second piece we had a long discussion about blank canvas and a canvas with parallel lines.  One boy offered that it looked like notebook paper.  I mentioned parallel lines.  Had they studied them?  Yes.  Do parallel lines ever meet?  No.  Might have something to do with this piece.

On both tours I took them to foot-in-the-door and suggested they might start thinking now about entering in 2020.  Plenty of time to prepare.  They found many things that interested them.  On the second tour when I told them Frank had only two tablespoons of ink on the  whole canvas, Annie, a small girl, said, “Yeah. Right.  If the tablespoon was this big.” spreading her hands wide.  I enjoyed their skepticism.

After that I settled into a familiar role as a future field instructor for a Unitarian student intern.  Church meetings have a tendency to be unfocused, like gangly children, going this way and that.  It was a feeling I had experienced often, but I have little patience for it now.  I’ll have a chance to have my own meetings with Leslie, the student, provided they ever get the details of their contract worked out.  Thank God I have no role in the details of that.

Off to home.  A nap.  Now some treadmill time.