Milestones

Fall                                                                                Falling Leaves Moon

Explanatory signs along the way west. This is the meeting with the realtors and their stager. In this meeting the homeowner learns the best way to present their home, a symbol of their uniqueness, in as bland a way as possible so that others can project their own uniqueness upon it. When imagined as one’s own, a home is sold.

Tomorrow we get guidance on the interior work from a person whose expertise lies in arranging homes for sale. We’ve now done as much as we intend to do with the outside, have packed maybe 60% of the things that will go with us, decumulated (yes, that’s a word. Surprisingly, I rediscovered in a much older post, one from October 2005) multiple items of furniture, art and objets d’art, books, files through sale, discarding and donating.

There are, too, the many other matters, financial and insurance matters in particular, that need attention, some of which we can do now and some of which have to wait until we change residence.

Each one of these milestones could have its own little sign, like the text next to an art object in a museum or a plant in an arboretum. Here the mover learns the art of letting go. Here the mover often tears out individual hairs one by one. Or, here a look of glee often passes over the mover.

What Lies Beneath

Fall                                                                          Falling Leaves Moon

100008 28 10_late summer 2010_0180So. After we hired Charles Dehn and his bobcat to fill in the holes made by Rigel and Vega over the years, we put up fencing around the newly filled in areas. We used silt fencing, since it’s cheap, $20 for a hundred foot run with stakes included. Why? Because Rigel would have found the new, soft soil even better for digging. And I would have given a strangled sound when she did.

Does this solve the digging? No. After all, there’s still all that property outside of the fence. But we waited as long as we could into the fall. Eventually the ground freezes here. Then, but only then, does Rigel stop exploring what lies beneath. Once the ground freezes we’ll remove the fence. We plan to be out of here before it thaws next spring.

Something’s Happening Here

Fall                                                                                       Falling Leaves Moon

50008 28 10_late summer 2010_0199I’m having these flashes of insight, as if some larger realization lies not far from view, but still below the horizon of awareness.

Raspberries have something to do with it: wading into the thorny brambles, canes curved low with hanging fruit and picking off the sweetness. So do those blue skies and the chill in the air while I engage in the oldest human method of obtaining food-gathering it from plants.  That symbiotic trade between the food value of the fruit and our inadvertent willingness to bear its seeds to a new place places me there, so firmly there. No where else but picking raspberries.

I will say it with caution, because I don’t want to be confused for a transcendentalist, but I do look into the raspberry when I pick it. But, I also look into myself. When I look into the raspberry, I see water siphoned up from the soil, having fallen in rain or come sprinkled in from the aquifer below our property. I see colors, beautiful and rich, each fruit a miniature, reminding me of those Persian paintings. The seed is evident there, encased in a small cell filled with water and nutrients, so that when it hits the ground it will have what’s necessary for a healthy transition from top of the plant to the soil which is its natural home.

The raspberry itself is the Great Wheel, all of it. It comes on the plant after Mabon, after Michaelmas and left on its own will fall to the ground, probably before Samain, where it will lie on or just under the soil through the cold months of Winter and the days of Imbolc. Sometime in Spring it will begin to move, to thrust a small green stalk toward the sky and another, darker filament into the ground, seeking stability and food for its above ground presence. Over the course of Spring and Beltane the stalk will grow and the root deepen and strength its grip on mother earth. In the heat of Summer the stalk will grow into a cane, thorns will pop out and leaves, all moving fast toward the sky, the sun. Then it will reach Lughnasa and the strength of the cane and the roots will be at their optimum, ready to press out on tiny branches, flimsy and delicate, heavy dark-red fruits which will, once Mabon is past, once again droop toward the ground.

And so in the raspberry is millions of years of evolution, an evolutionary path older even than the one we humans have made, an ancientrail indeed. When I see the raspberry, this is what I see. When I look through the raspberry, I do not find revealed another metaphysical layer, a layer transcending the mundane and making it somehow special. No, I find the story of this stuff, these elements, this reality, a story which spans billions of years for this universe (and who is to say how many universes there are?), a story which spans millions of light years of space (and who can say how many miles there are in places we cannot see?).

If I wanted to introduce the religious into this conversation, I would tend toward the Hindu pantheon with Brahma the stretched out space in all its extensions and Shiva as the creator and destroyer of worlds and universes and maybe I would add in Vishnu so that this time in which I exist has an image of stability and permanence, even though such an image is an illusion. For which there is, of course, a wonderful Hindu idea, Maya.

I find Brahma, Shiva and Vishnu only useful as metaphor, as analogy but I do find them valuable in that way-as stand-ins, avatars, for the mystery that is what all this is.

These flashes, just out of sight. Something’s coming. And I’m satisfied to wait on its arrival.