More Organic Than Organized

Samain                                                                            Closing Moon

Villa Maria 2014Woolly brother Mark Odegard has suggested that we devote the next year (me in absentia) to documenting our process, our history, our way of being Woolly Mammoths. The premise is a good one. We’ve done something that worked since we’ve now been together over 25 years. An unstated premise is also a good one. We’re in the third phase of our life now and what moving vans don’t disrupt, illness and death will.

We’ve had conversations about telling our story, but it’s never gone anywhere. That’s largely because our structure has been strong, but informal, never working like an organization. We have been more organic than organized.

Mark’s idea seems like a good one to me.

 

Dwindling Resources

Samain                                                                              Closing Moon

The bookcase to my immediate right as I work, the one on which I keep books I refer to often is all but empty. These remain: Wheelock’s Latin Grammar, Anderson, Hill and Lee commentaries on the Metamorphoses, a Loeb’s volume of the Metamorphoses vol. I-VII and a Loeb’s of Caesar’s de Bello Gallico. My computer is still in its usual place, as is the laser jet printer. My desk and its two slanted editing tables are still there, too.

I didn’t get as far in here as I thought I would. Move ennui, a lassitude brought on by too much attention to packing and thoughts of leaving, enveloped me. So I stopped. Still, some progress was made today and I don’t feel the active resistance I did when I made the Whining post.

Here in these pages is a continuous record of the move from its earliest notion to its detailed enactment. Banal to the world at large no doubt but for me and for mine a testament to how we made a major life decision and took action to see it through.

Classic

Samain                                                                              Closing Moon

Back to the Latin over the last few days. It’s surprising how much like weight lifting and cardio-vascular work outs studying a language is. It needs constant effort. I let go of the discipline of daily translation for about a month and my ease of work with the language suffered considerably. I’m back to it now, but it’s a challenge, will take awhile to get the flow back.

(Philemon and Baucis)

Surprised myself on Friday by telling Greg that I’m hoping for a synthesis between my study of Latin and my study of art history. I thought I was doing this to implant the stories of the Metamorphoses in my head. Turns out I have an additional agenda.

What would the synthesis look like? Not sure right now, but one obvious route in is to look at all the art inspired by Ovid, then translate all the relevant stories (I did several for the Titian exhibition at the MIA) and learn the backstory about artists, paintings, the myths, and the Augustan context for Ovid’s work. Somewhere in there is probably something pretty interesting.

The Occult Sun

Samain                                                                              Closing Moon

sun calendarOn my circular calendar the large egg yolk in the center has begun to pull further and further away from the inner circle that counts the days in the year. What that means is that the daylight hours have receded considerably since Mabon, the Autumnal Equinox. The season of Samain, now two weeks old, runs from October 31st to the Winter Solstice, falling this year on December 21st.

Over Samain the air grows colder, plants go fully dormant, and the skies become gray, gravid with snow. By the Winter Solstice, the bleak midwinter, cold has come in earnest and the sun spends most of its time in other climes. These are the seasons for those of us acquainted with the night.

No wonder the brave lights of Diwali, Hanukkah, Christmas and New Years try to push back against the darkness. Some find it intolerable, oppressive. Long. In ancient times there was the fear that the sun, once hidden for too long, might forget to rise again, or, even if it did rise again, that it might stay on this diminished course. Fear of darkness lies deep in the human psyche, probably literally at the base of the brain.

Yet some of us welcome the coming of the darkness. Some of us know that underneath the barren fields some plants and animals do not wink out, but merely slumber, gathering themselves for the spring, preserving the hard one fruits of the growing season in roots or through hibernation. Some of us remember that the womb is a dark and liquid place, that in it we were once swimmers, beings of fluid grace and that the light is a surprise, an alien medium to us then. Some of us know that darkness is the realm of the heart and the place where creative acts take place.

Some of us watch the receding yellow on the circular calendar and count down toward our favorite holiday, the Winter Solstice.