Winter Cold Moon
Existentialism is a philosophy for the third phase. No matter what other metaphysical overlays you may have the tick-tocking grows louder as you pass 65. When this clock finally strikes, it will take you out of the day to day. Forever. Strangely, I find this invigorating.
In case you don’t get it the occasional medical bomb will go off to make sure you pay attention. Last year, prostate cancer. This year, that arthritic left knee. Kate goes in for an endoscopy on January 3rd. She’s waiting approval for a biologic drug to help her rheumatoid arthritis. All these are true signs of the pending end times, but they are not the end itself. These medical footnotes to our lives press us to consider that last medical event.
I’ve followed, off and on, the Buddhist suggestion about contemplating your own corpse. I imagine myself in a coffin, or on a table somewhere prior to cremation. This is the work of Yamantaka, the destroyer of death, in Tibetan Buddhism. I’m not a Buddhist, nor do I play one on TV, but I became enamored of Yamantaka while learning about the art of Tibet and Nepal at the Minneapolis Institute of Art.
This mandala is a profound work of art on view in the South Asia gallery (G212). Adepts of Tibetan Buddhism use this mandala as a meditation aid to make the journey from samsara, the outer ring representing the snares that keep us bound to this world, and the innermost blue and orange rectangle where the meditator meets the god himself. The impact this work and the portrait of Yamantaka that hangs near it have had on me is as intimate and important as works of art can evoke.
Death is more usual, more understandable, more definitive than life. Life is an anomaly, a gathering of stardust into a moving, recreating entity. Death returns us to stardust. Yamantaka encourages us to embrace our death, to view it not as something to fear but as a friend, a punctuation point in what may be a longer journey, perhaps the most ancientrail of all. Whatever death is, aside from the removal of us from the daily pulse, is a mystery. A mystery that has served as muse to artists, musicians, religions and poets.
Yamantaka has helped me accept the vibration between this life and its end. That vibration can be either a strong motivating force for meaningful living (existentialism) or a depressive chord that drains life of its joy. I choose joy, meaningful living. Perhaps you do, too.
