Category Archives: Poetry

An early, perhaps the first, female professional writer

Imbolc                                                                       Valentine Moon

material from the academy of american poets:

About this poem:
Virginia Woolf writes of Aphra Behn, in A Room of One’s Own, that: “She made, by working very hard, enough to live on. The importance of that fact outweighs anything that she actually wrote, even the splendid ‘A Thousand Martyrs I have made,’ or ‘Love in Fantastic Triumph sat,’ for here begins the freedom of the mind or rather the possibility that in the course of time the mind will be free to write what it likes.”
(Aphra_Behn_by_Mary_Beale)
Born on December 14, 1640, Aphra Behn was one of the first professional female writers and the author of Oroonoko and The Rover. She died on April 16, 1689.
A Thousand Martyrs I Have Made
by Aphra Behn

A thousand martyrs I have made,
All sacrific’d to my desire;
A thousand beauties have betray’d,
That languish in resistless fire.
The untam’d heart to hand I brought,
And fixed the wild and wandering thought.

I never vow’d nor sigh’d in vain
But both, tho’ false, were well receiv’d.
The fair are pleas’d to give us pain,
And what they wish is soon believ’d.
And tho’ I talk’d of wounds and smart,
Love’s pleasures only touched my heart.

Alone the glory and the spoil
I always laughing bore away;
The triumphs, without pain or toil,
Without the hell, the heav’n of joy.
And while I thus at random rove
Despis’d the fools that whine for love.

A Life Long Passion

Winter                                                            Cold Moon

“A mythology is the comment of one particular age or civilization on the mysteries of human existence and the human mind…”                                                                                                                                            H.R. Ellis Davidson, Gods and Myths of Northern Europe

A life-long fascination with mythology and its companion fields, ancient religions and folklore, can be explained by this quote.  We have multiple ways of understanding the world, of asking and answering big questions.  In our day science is regnant, queen of the epistemological universe, but it is not enough.  Not now and not ever.

(Charles Le Brun, Fall of the Rebel Angels, 1685)

Science cannot answer a why question.  It can only answer how.  Neither can science answer an ethical question.  It can only speak to the effects of a course of action over another in the physical world.  This is not a criticism of science, rather an acknowledgment of its limits.

Mythologies (usually ancient religions), ancient religions, legends and folklore are our attempts to answer the why questions.  They also express our best thinking on the ethical questions, especially folklore, fairy tales in particular.

Where did we come from and why?  “1 In the beginning when God created the heavens and the earth, 2 the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters. 3 Then God said, “Let there be light”; and there was light. 4 And God saw that the light was good; and God separated the light from the darkness. 5 God called the light Day, and the darkness he called Night. And there was evening and there was morning, the first day.”  NRSV

(edward_burne-jones-the_last_sleep_of_arthur)

Want to live a good life?  Live like Baldr or Jesus or Lao Tze or Arthur.

How can we tell a just society from an unjust one?  Look at the 8th Century Jewish prophets.  Look at Confucius. (not a religion, yes, but functions like one)  Look at the Icelandic Sagas.  Different answers in each one.

I fell in love with these complex, contradictory wonderful narratives when I was 9 years old, maybe a bit younger.  Aunt Barbara gave me a copy of Bullfinches’ Mythology.  I loved Superman and Batman and Marvel Comics.  I was an attentive student in Sunday School and later in seminary.  Over time I’ve come to recognize this fascination as a ruling passion in my life, one that guides life choices with power in my inner world.

It will not, I imagine, fade.  It means writing fantasy is a work of great joy and a hell of a lot of fun.

First First

Winter                                                                          Cold Moon

Kate premiered as both lyricist/poet and sung song writer.  She wrote the following to the words of the passover song, Dayenu.  We sang it today during the service at Groveland.

 

Refrain:            Di-di-urnal              di-di-urnal

di-di-urnal,  di-di-urnal,  di-urnal,  di-urnal:[[  di-urnal, time has come

 

 

Circles come and circles go round

Life eternal, everlasting

Everlasting, life eternal

Diurnal  (refrain)

Season come and seasons go round

Spring and summer, fall and winter

Winter, autumn, summer and spring.

Diurnal

Spring has come and life awakens

Time to get the garden ready

The ground is turned, seeds are planted

Diurnal

Summer comes and brings warm weather

Flowers bloom and insects hover

The crops grow big and bear their fruit.

Diurnal

Autumn comes and brings the ripening

Apples are crisp, berries are sweet

Harvest starts with food preserving.

Diurnal

Winter comes, the earth goes to sleep

Time for reflecting, memories sweet

The cycle ends, new one begins.

Diurnal

Circles come and circles go round

Life eternal, everlasting

Everlasting, life eternal

Diurnal

Another Inauguration, Another Time

Winter                                                                              Cold Moon

 

Whitman struggled to support himself through most of his life. While in Washington, he lived on a clerk’s salary and modest royalties, and spent any excess money, including gifts from friends, to buy supplies for the wounded soldiers he nursed during the Civil War.

Specimen Days [The Inauguration]
by Walt Whitman

March 4th.–The President very quietly rode down to the Capitol in his own carriage, by himself, on a sharp trot, about noon, either because he wish’d to be on hand to sign bills, or to get rid of marching in line with the absurd procession, the muslin temple of liberty and pasteboard monitor. I saw him on his return, at three o’clock, after the performance was over. He was in his plain two-horse barouche, and look’d very much worn and tired; the lines, indeed, of vast responsibilities, intricate questions, and demands of life and death, cut deeper than ever upon his dark brown face; yet all the old goodness, tenderness, sadness, and canny shrewdness, underneath the furrows. (I never see that man without feeling that he is one to become personally attach’d to, for his combination of purest, heartiest tenderness, and native Western form of manliness.) By his side sat his little boy, of ten years. There were no soldiers, only a lot of civilians on horseback, with huge yellow scarfs over their shoulders, riding around the carriage. (At the inauguration four years ago, he rode down and back again surrounded by a dense mass of arm’d cavalrymen eight deep, with drawn sabres; and there were sharpshooters station’d at every corner on the route.) I ought to make mention of the closing levee of Saturday night last. Never before was such a compact jam in front of the White House–all the grounds fill’d, and away out to the spacious sidewalks. I was there, as I took a notion to go–was in the rush inside with the crowd–surged along the passage-ways, the blue and other rooms, and through the great east room. Crowds of country people, some very funny. Fine music from the Marine Band, off in a side place. I saw Mr. Lincoln, drest all in black, with white kid gloves and a claw-hammer coat, receiving, as in duty bound, shaking hands, looking very disconsolate, and as if he would give anything to be somewhere else.

Ralph’s Perspective

Samhain                                                             Fallowturn Moon

A Nation’s Strength

What makes a nation’s pillars high
And it’s foundations strong?
What makes it mighty to defy
The foes that round it throng?

It is not gold. Its kingdoms grand
Go down in battle shock;
Its shafts are laid on sinking sand,
Not on abiding rock.

Is it the sword? Ask the red dust
Of empires passed away;
The blood has turned their stones to rust,
Their glory to decay.

And is it pride? Ah, that bright crown
Has seemed to nations sweet;
But God has struck its luster down
In ashes at his feet.

Not gold but only men can make
A people great and strong;
Men who for truth and honor’s sake
Stand fast and suffer long.

Brave men who work while others sleep,
Who dare while others fly…
They build a nation’s pillars deep
And lift them to the sky.

It’s Here. It’s Here. Stop the Political Ads Day Is Finally Here! Rejoice.

Samhain                                                           Fallowturn Moon

The 538 poll column gives Obama a 91.6% chance of winning the electoral college and 50.6% of the popular vote.  As the Wiccans say, “Blessed be.”  and “So mote it be.”

(source)

Here’s Walt Whitman.  We know he would have voted no on the marriage amendment:

Election Day, November, 1884

If I should need to name, O Western World, your

powerfulest scene and show,
‘Twould not be you, Niagara–nor you, ye limitless

prairies–nor your huge rifts of canyons, Colorado,
Nor you, Yosemite–nor Yellowstone, with all its

spasmic geyser-loops ascending to the skies,

appearing and disappearing,
Nor Oregon’s white cones–nor Huron’s belt of mighty

lakes–nor Mississippi’s stream:
–This seething hemisphere’s humanity, as now,

I’d name–the still small voice vibrating–America’s

choosing day,
(The heart of it not in the chosen–the act itself the

main, the quadriennial choosing,)
The stretch of North and South arous’d–sea-board

and inland–Texas to Maine–the Prairie States–

Vermont, Virginia, California,
The final ballot-shower from East to West–the

paradox and conflict,
The countless snow-flakes falling–(a swordless

conflict,
Yet more than all Rome’s wars of old, or modern

Napoleon’s:) the peaceful choice of all,
Or good or ill humanity–welcoming the darker

odds, the dross:
–Foams and ferments the wine? it serves to

purify–while the heart pants, life glows:
These stormy gusts and winds waft precious ships,
Swell’d Washington’s, Jefferson’s, Lincoln’s sails.

Woolly Art

Samhain                                                       Fallowturn Moon

I’ve asked the Woollies for American cinquains in response to our tour of the Terra Cotta warriors.  Already have two responses and we’ve not gone to the museum yet.

From Bill Schmidt:

Wonder. . .

Why men of clay,

Buried many eons

Show us rustic, simple beauty.

Awesome.

From Mark Odegard:

 

The American Cinquain

Samhain                                                                Fallowturn Moon

November Night

by Adelaide Crapsey 

Listen. . .

With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.

 

Adelaide Crapsey

was born in 1878. She is known for developing a variation on the cinquain now referred to as the “American cinquain.”*

*a class of poetic forms that employ a 5-line pattern. Earlier used to describe any five-line form, it now refers to one of several forms that are defined by specific rules and guidelines.

Adelaide Crapsey invented the modern form, known as American Cinquain[2][3] inspired by Japanese haiku and tanka,[4][5] akin in spirit to that of the Imagists[6].

The first, fundamental form is a stanza of five lines of accentual verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses.

Then Crapsey decided to make the criterion a stanza of five lines of accentual-syllabic verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses and 2, 4, 6, 8, and 2 syllables. Iambic feet were meant to be the standard for the cinquain, which made the dual criteria match perfectly.                 wikipedia