“People forget something: in climbing, it doesn’t matter what you’re doing,” he told Outsideonline.com in 2010. “If you do a speed ascent, you’re the fastest up the Eiger’s North Face, nothing’s going to change in the world. But maybe your world is going to change. In the evening, when you’re going to bed, you know exactly what you have done. And that’s what it’s all about….If it’s your challenge, and you’re happy with it, that’s the most important thing.” Ueli Steck, quoted in the Alpinist
*Yokoyama Taikan was the pseudonym of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of Nihonga. His real name was Sakai Hidemaro. Wikipedia
Fog this morning over Black Mountain. It comes in and out of view as the mist moves toward us. Now it’s gone altogether. There’s a thin scrim of icy snow on the solar panels. Colder last night.
My Japanese informed aesthetic often finds resonance here in the mountains. The ponderosa pines that surround Beth Evergreen’s synagogue present heavily crenulated bark, twisted branches and a sturdy calm. From the sanctuary, looking south and east, one window pane has an especially crooked branch that reaches up like a hand. When the snow comes, it looks like a portion of a Kano school gold screen. Ravens and crows land on these branches, too, also emulating the scenery that inspired so many Japanese painters and printers.
Moon watching, a Japanese pastime, has its analogue here as well. The moon rising and setting among the mountain peaks, clouds placing a thin gauze in front of it, the stars as its context, emphasize the moon’s romance. I can stand on my deck here off the loft and watch clouds cross the moon’s face. Its silvered light makes beautiful shadows of the lodgepole pine.
Hokusai (1760-1849), Boats and Moon, an ukiyo-e print
Big eared mule deer and thick, tall elk come down to Maxwell and Cub creeks, lapping up the cold fresh melted snow. Mountain lions slip noiselessly through the undergrowth, lie prone on rock cliffs waiting for them to pass nearby. Bears root up tubers. Minx, bobcats, pine martens, smaller predators, hunt for prey. Rabbits and squirrels and mice feed, look over their shoulder. The web of life is vibrant.
Bull Elk, Evergreen, 2015
Ichi-go ichi-eis a Japanese phrase often associated with the tea ceremony. The tea master arranges art in the tokinama, chooses teas and sweets, decides which tea bowls and tea pots and tea utensils to use, then greets their guests as they arrive, often no more than one or two. He does this to create an ichi-go ichi-e, a once in a lifetime moment or for this moment only. It connotes the treasure of each meeting between or among people.
Each moment of the day Black Mountain offers ichi-go ichi-e to those of us who live near it, if only we stop and look. To appreciate ichi-go ichi-e though we need to pause, or as mussar teaches us, put a space between the match and the flame. If we slow down our glance, our gaze, let it come to rest, if we take a breath and consider what is right there in front of us, then we find once in a lifetime moments happening throughout our day.
Ponderosa Pine, Beth Evergreen, April, 2017
These do not, as you might think, cheapen or dilute over time, rather they enhance our experience of the world. We recognize the fleeting nature of life, of this moment and that moment, of the unique and precious and irreplaceable flavor to each encounter. Nothing is old, all is new, always.
In fact, to the extent that we can gain an appreciation of ichi-go ichi-e, then we never age.
Cue the couples out in the fields doing their sympathetic magic for the fertility of the crops. Light the bonfires for leaping over and the bonfires for driving the cattle between. Gather the naked Scots outside of Edinburgh for the great fire festival. Dance in the streets because the growing season has finally come round again, the Great Wheel has turned and food will begin to appear from mother earth.
The greenman is dead, long live the greenman. Let the lady and the god Cernunnos mate again and again and again. Watch as the seeds break open and pierce the soil, spreading leaves, gathering in sunlight and drinking in rain. See the birds, gone for the season, return to sing and fly and swoop and delight us.
As winter has made us fold our arms and shiver, put on coats and boots, Beltane says, open them, embrace the sky, kick off the boots, shed the coat. Go out into the forest and walk, slowly. Listen to the streams falling down the mountainside. Feel the wind come over the continental divide, still cool from the snow covered peaks beyond it.
This is Beltane. Mayday. Collect women and men, girls and boys, give them streamers and ribbons, connect them to the tall pole and have everyone swirl, under and in and out and back again. Pick flowers for the table, for a basket, for your lover.
May the power in each plant, in each rock, in each deer and fox and moose and elk and badger, in every person you meet, each bit of food you eat illuminate your heart and may your heart illuminate theirs. This is a time for coming out. Hug. Kiss. Smile. Appreciate.
Show gratitude for the snows of winter, the transition of spring, and the promise of nourishment spreading among us now. We have come again to the season of plant growth. The time when animal babies slowly mature. Celebrate, celebrate, dance to the music of the earth herself and her consort the sun.
The last day of spring. Solar panels covered. Roof covered. Driveway plowed. 16-24 inches of new snow Friday night through yesterday. Delightful, but hardly springlike. In our spring fantasies, that is. The ones that have tulips and iris and crocus and lilacs and wisteria in them. For a mountain spring though, welcome and not unexpected.
Kate and I are still recovering from our three days of cooking and helping out at Beth Evergreen. Geez. Still, we have the time and the dogs have the patience. This pack anyhow. Vega would not have let us sleep in like Kep, Gertie and Rigel do. She had very clear ideas about when to go to sleep and when to wake up.
We spent most of yesterday admiring the falling snow. A snow globe day, refreshing and beautiful.
9 days ago
Still learning the mountains, how they change. Snow. Light. Rain. Fall. Flowers. Rapidly flowing streams. Clouds. Freeze and thaw. Fire. The animals they nurture move in and around and on them. Night and day. The stars and the moon. The sun as it arcs across the sky. All wonderful, all different.
In one of the sessions with Rabbi Jaffe a member of the board referred to the Beth Evergreen folk as mountain Jews. I liked that. I’m a mountain pagan, a mountain docent, an old man of the mountain. And a fellow traveler with the mountain Jews. Welcome to the journey.
The mountain streams we see regularly: Shadow Brook, Maxwell Creek, Bear Creek, Cub Creek have begun, a bit early, I think, their post-ice plummet toward sea level. In May these streams are often boiling, filled with snow melt and pushing the limits of their banks. On any given day driving past them as they speed downhill, down the mountain, they look interesting, worth watching for the tumult; but, in fact, these racing streams are much more than merely interesting.
They are the levelers of mother earth. They take the mighty and strip them down to size, pebble by pebble, rock by rock, chunks of soil by chunks of soil. A defining characteristic of a mountain is its imposing size, its thereness. Mountains dominate their landscape, putting up barriers to human passage that often forced the pioneers of nineteenth century America to go around them rather than over them. They seem, in the moment, eternal.
When living in or visiting a relatively young mountain range like the Rockies, no reasonable person would ever expect them to look any different than they do right now. Colorado is proud of its fourteeners, those summits exceeding 14,000 feet. Mt. Evans, for example has a summit of 14,265 feet. That’s precise. And, would you add it to a website or book or road sign if you expected it to change? No.
Near Bailey, 2015
But it will. One only has to drive east toward the Atlantic to see what’s in store for even Mt. Evans. Look at the Appalachians. Their mountain building episode (orogeny) happened around 480 million years ago. When it was done, the Appalachians stood as tall as the contemporary Rockies. The Rocky Mountain orogeny was a quite recent, geologically speaking, 80 million years ago. They too will wear down.
In the spring we see this process at its most obvious as mountain streams from every summit in every range of the Rocky Mountains, including here in the Front Range, obey gravity and try to find the lowest points available to them. Of course, the streams are not the only process at work. Drive on Highway 285 out of Conifer, as we do often going down or returning from Denver, and you will see large steel mesh hanging over some cliffs. In other places there are bolts driven into the side of rock faces, giving them a slightly Frankensteinian look. In other spots massive retaining walls of concrete encase an especially troublesome chunk of mountain.
These CDOT efforts are not always successful, witness the many Watch for Falling Rocks signs sprinkled throughout Colorado. Freezing and thawing splits the rock faces and they come tumbling down, creating talus or road obstructions. Just this last year, near Glenwood Springs, a large boulder broke loose from its millions of years long position and crashed down on an SUV on I-70, killing the driver. Winds, too, often reaching high double digit speeds, also wear away the rock.
These forces are slow, miniscule in appearance, but massive in their results over long periods of time. When driving by a mountain stream in full force, remember the Appalachians. They’re coming, but not soon, to a Rocky Mountain range near me.
Today I’m making chicken noodle soup and Kate’s making Vietnamese pho. We’ll serve this at a Beth Evergreen leadership dinner for Rabbi David Jaffe, author of Changing the World from the Inside Out, a Jewish Approach to Social Change. Along with our friend Marilyn Saltzman, chair of the adult education committee, who is making a vegetarian squash soup, we’ll provide the soups for a soup and salad meal. I really like this low key involvement. It feels manageable.
Although. I am hoping that Rabbi Jaffe’s time here at Beth Evergreen, tomorrow through Saturday as a visiting scholar, will spur the creation of an activist group focused on some form of response to the Trump/oligarch era. In that instance I’m willing to move into a more upfront role, though I would prefer to remain a follower.
Then, there’s the Sierra Club. I wrote here about my excitement with Organizing for Action, Conifer. That was back in January, I think. Lots of people, lots of energy. Good analysis. I thought, wow. Here’s my group. Then, I never heard from them again, my e-mails went unanswered. Weird, but true. Weird and disqualifying for a group that’s organizing political work.
So I renewed my effort to connect with the Mt. Evans’ local group of the Rocky Mountain Chapter of the Sierra Club. Colorado seems to work more through these regional clusters than as a whole. There are nine of them, covering the entire state. The Mt. Evans’ group includes our part of Jefferson County, Clear Creek County and a northern portion of Park County. It’s titular feature, Mt. Evans, is a fourteener (over fourteen thousand feet high) which has the highest paved road in North America leading to its summit. According to locals here it’s also the weathermaker for our part of Conifer.
I finally made it to a meeting a couple of weeks ago. When I came back, Kate said, “You seem energized.” I did. And, I hadn’t noticed. Something about that small group plugged me back into my reigning political passion of the last six or seven years: climate change. Oh, yeah. With OFA I’d tried to head back toward economic justice, my long standing motivation for political work, dating back to the UAW influences I picked up as a teenager in Alexandria. Guess the universe understood me better than I understood myself. Not much of a surprise there.
My mind began ticking over, running through organizing scenarios, figuring out how we could (note the we) raise the visibility of the Mt. Evans group, gain more members, influence local policy. This is my brain on politics. I might be willing to play a more upfront role here, too, though I want to explore other ways of being helpful first.
Anyhow, between these two, I’m sure I’ll get my political mojo working in some way. And that feels good. Want some soup?
Spring, within 6 days of Beltane. Yesterday. Thunder snow. Took Gertie by surprise. Her eyes flicked from side to side, then she moved under my computer while I worked. And stayed there until we went downstairs. The solar panels have a fluffy white cover and some 16″ of new snow is predicted for the weekend. A poster on a local website said spring up here doesn’t come until Mother’s Day is past and the aspens have leafed out. Mid-to-late May. Seasonal definitions get a workout here in the mountains.
Fan Kuan, Travelers Among Mountains and Streams. Early 11th century, Song Dynasty
I may have found a way back into the art world, one I can sustain even from here on Shadow Mountain. A couple of weeks ago I decided to add links to several prominent museums to my bookmark bar: the MIA of course, the Chicago Art Institute, the Met, the Vatican Museum, the Uffizi, the Asian Art museum in San Francisco, the Getty Open Content site and the Google Cultural Institute. I’ll probably add more.
This started as an effort to collect places from which I could draw interesting images for Ancientrails. Many of these museums have made their collection’s images or significant portions of them available as open content. As far as I know, the Rijksmuseum in the Netherlands was the first to do this thoroughly. Every image on this museum’s website can be downloaded, used in any way. This even includes uses like those of Richard Prince, the well known appropriater of other folks’ work to create his own.
You may recall that I got myself in a bit of a twist over just this issue last year, so I’ve been eager to find image sources that won’t send me threatening letters from their lawyers. This growing movement among museums seemed like a solution. What better images could I find than great art?
Albert Bierstadt, The Rocky Mountains, Landers Peak. 1863 Fogg Museum, Cambridge
Then, while poking around on these various websites, I clicked on the Google Cultural Institute. On its home page it has various teasers to get a viewer to go deeper. One of them up at the time I visited was a collection of works on mountains, some 4,000 +. Aha. Mountains. In art. I live in the mountains. There could be something here.
Yes, it occurred to me, I could investigate art focused on mountains. Hokusai’s “Views of Mt. Fuji.” Fan Kuan’s “Travelers Among Mountains and Streams.” Bierstadt’s views of the Rockies. And so many more. This could enrich my experience of my home terrain and provide a vein of exploration, a way to study art again with a purpose. Not to mention that I flirted briefly with the idea of becoming the Mountain Docent. This idea could add a double entendre to mountain docent.
Cotopaxi, Frederic Church, 1862
We’ll see if the idea sticks, but right now I’m excited about it. It connects well with the notion of becoming native to this place, too, and could serve as a resource for reimagining faith.
As I turned the idea around in my mind, it struck me that I have an intimate knowledge of another form of landscape, too: agriculture and horticulture. So, I may expand this project to include images of farming, of fields, of gardens, of seasonal change, the experiences of which led me to immerse myself in the idea of the Great Wheel.
Not sure where this will take me, but right now I’m pretty excited about it.
Yesterday on my Lego store, IKEA, Dairy Queen outing-all in the interest of Ruth and Gabe-I saw an unusual and unusually striking sight. While waiting for the stoplight at Chester and Yosemite after visiting IKEA, a flash of mylar caught my eye. In a parking lot across Yosemite I saw a person struggling, or at least that’s what I thought it was, to put shiny objects into their vehicle. Since the same shapes moved in, then came back out a couple of times, I realized it wasn’t going well. Then, just as most of them disappeared inside, one broke loose and drifted up, up, up into the air.
It was a silvery colored mylar A. As it lifted out of reach, the person at the vehicle looked up. Turning once onto its side, it became a triangular aircraft, life a B2 bomber. Then some current of air turned it again and it faded away toward the north, a clear and flashy A, signaling itself as a familiar part of the alphabet on a journey all its own, freed from both words and the earth.