Midsommar Most Heat Moon
After leaving the ministry, a gradual process of demythologization and disenchantment took over. In retrospect it’s not hard to see why. A primary motivator of the shift away from Christianity and toward a more pagan worldview came because transcendence bothered me. Transcendence takes us up and out of our bodies, or least out and away from our bodies.
A more important idea, at least for these times, seemed to be incarnation, a going in and down, rather than out and up. Incarnation takes us toward mother earth, toward our blood and bones. It does not pretend there’s an escape hatch from this earthly realm. This is our home, where we live, how we are.
Over time a godless world emerged. This was a world without a scrim, a world in which what you saw was what was. And that seemed enough. The Great Wheel provided a sacred lens through which to see seasonal change and the dramatic results those seasonal changes had on daily and yearly life. This focus on the here and now also informed, in a positive and self-reinforcing way, the Great Work. Building a sustainable presence for humankind on this earth requires, first of all, a sensibility attuned to the earth herself.
Then, at some point-the reimagining faith project signals that point-the flat-earth humanism of this pagan orientation no longer felt like enough. Could the warmth and the depth available to those in the ancient religious traditions somehow be suffused into this empiricist, anti-metaphysical worldview? Could, in other words, a feeling of religious awe and wonder emerge out of our relationship with the web of life and the cosmic experiment we know as the universe?
Must be possible since, with the trappings of culturally specific myths and legends, all religions are an attempt to explain why we’re here, where we’re going and what we need to do on the journey. The journey takes place within in the web of life and the grand experiment of cosmological evolution.
Transcendence still seems suspect. Reimagining though has to take account of it in some way. Here’s one idea. The mystical experience, a well documented and not at all rare phenomenon, often carries the descriptor transcendent. I had one and I want to challenge that idea. In mine, which occurred in 1967 on the quad at Ball State University, I did feel a sudden and inexplicable connection to the universe, all of it. Threads of light and power emanated in a pulsing glory carrying with them a physical sensation of oneness.
You might focus on the threads moving out from the center and psychically travel with them in some sort of astral projection, maybe that would be transcendence, but I don’t think so. The critical point for me is that all this connecting and interconnecting occurred within me. Yes, the sensation was of cosmic linkage, and, yes, I believe it was cosmic connection, but it didn’t feel as if I left my body at any point. I entered fully into my inner world, a world that already had these interconnections, always had them, and in that moment I could see them, at least for a sudden, blazing instance. This is maybe incandescence, perhaps the feeling often referred to as transcendence.
Still working on this one.
As our habitable space ship races along its track, its tilt gives us seasonal changes and four regular moments, two with roughly equal days and nights, the equinoxes, and two extremes: the solstices. The longest days of the year occur right now with the sun rising early and setting late ignoring Benjamin Franklin’s early to bed, early to rise. Six months from now, in the depths of midwinter, we will have the winter solstice where darkness prevails and long nights are the rule.
At midsommar in the temperate latitudes where farms dominate the landscape, the growing season, which began roughly around Beltane, is now well underway. Wheat, corn, barley, soybeans, sorghum, sunflowers have risen from seed and fed by rain or irrigation make whole landscapes green with the intense colors of full growth. Midsommar mother earth once again works hard to feed her children.
Our seasonal dance is not only, not even mostly, a metaphor, but is itself the rhythm of life. When its regularities falter, when either natural or artificial forces alter it, even a little, whole peoples, whole ecosystems experience stress, often death. We humans, as the Iroquois know, are ultimately fragile, our day to day lives dependent on the plant life and animal life around us. When they suffer, we begin to fail.
The meaning of the Great Wheel, it’s rhythms, remains the same, a faithful cycling through earth’s changes as it plunges through dark space on its round. Their implications though, thanks to climate change, may shift, will shift in response to new temperature, moisture regimes. The summer solstice may be the moment each year when we begin, again, to realize the enormity of those shifts. It might be that the summer solstice will require new rituals, ones focused on gathering our power to both adapt to those shifts and alleviate the human actions ratcheting up the risks.
You may not know I have a second blog, 
These are bread crumbs, usually no more than that, of the predilections I have, of the circumstances of my life. I say I do it for the grandkids or for folks I know, but really I do it for myself, to have a chance to speak out loud, to be able to follow my own life. So much of our daily life disappears (and probably should) under the onward spiral of time, but I find it interesting to know what June 18th in 2006 or 2010 was like for me.
The shift to Reimagining has happened faster than I thought it would. My mind is like Kepler, our only dog who likes toys. He has a whole box of toys and he goes into it, noses around, finds the one he likes (why that one? no idea.), takes it out and carries it over to a place he’s decided is his toy stash area. I have several ideas that I’ve been playing with for years, e.g. becoming native to this place, emergence, tactile spirituality. In ways I don’t understand my mind goes over to the box of these ideas, hunts around, selects one and puts it front and center for maybe a second, maybe longer. Sometimes I pick up and play with one for awhile.
In the shower one day I began to wonder where our water came from. At the time Kate and I lived on Edgcumbe Avenue in St. Paul so the question really was, where did St. Paul get its water? I had no idea. Turns out St. Paul public works pumps water out of the Mississippi and into a chain of lakes including Pleasant Lake and Sucker Lake just across the Anoka County border in Ramsey County north of St. Paul.
Though I haven’t done it, it would be possible to track back much further to the arrival of water on earth. This is a very interesting topic which I raise only to demonstrate the potential in this kind of thinking.
Open the refrigerator. Where did the food come from? How about the carpet on your floor? The roofing material. Concrete. Paint. How about the car in your garage? Where was it built? What sort of materials go into making it? Where do they come from?
The incredible complexity of this web has put a thick wall between our daily lives and the earthiness of all that is around us. We start the car, shift into drive and head out to work or the store or on vacation dulled to the effort expended on the gasoline that fuels it, the rubber in the tires, the precious metals and the not-so precious metals in the body and frame and engine. I’m not talking right now about a car’s implication in climate change, or economic injustice, or urban planning. I’m focusing on getting to know how it came to be, what of our world made it possible.
Why? Because focusing on these things, deconstructing our things, begins to break the spell of modernism. Modernism offers us in the developed world a world prepackaged for our needs, organized so that we don’t have to till the field anymore, or hitch up the horse, or drop a bucket down a well. In so doing it waves the wand of mystification over our senses, blinding us to the mines, the aquifers, the oil fields, the vegetable fields, the landfills, the seeds and chemicals required to sustain us. This enchantment is the first barrier to a reimagined faith, to placing ourselves once again in the world.
With the first draft of Superior Wolf finished I’m taking this week to do various tasks up in the loft that I’ve deferred. Gonna hang some art, rearrange some (by categories like Latin American, contemporary, Asian) and bring order to some of my disorganized book shelves. I want to get some outside work in, too, maybe get back to limbing and do some stump cutting, check out nurseries for lilac bushes.
Even so, reimagining is beginning to exert a centripetal force on my thinking, book purchasing, day to day. For example, last night as I went to sleep a cool breeze blew in from the north across my bare arms and shoulder. It was the night itself caressing me. I went from there to the sun’s warm caresses on a late spring day. The embrace of the ocean or a lake or a stream. The support given to our daily walking by the surface of mother earth. The uplift we experience on Shadow Mountain, 8,800 feet above sea level. These are tactile realities, often felt (0r their equivalent).
Next, eliminate the metaphorical. If we do that, we can immediately jump into a holy moment, a moment when the bonds that tie us to grandmother earth are not figurative, but real. The breeze on my bare arms and shoulders is her embrace. The sun on my face, penetrating my body, is him in direct relationship with me, reaching across 93 million miles, warming me. The ocean or the lake or the pond or the stream cools me, refreshes me, hydrates me, acts of chesed, loving-kindness, from the universe in which we live and move and have our being.
While hiking and thinking about Reimagining, I realized I’m taking an atelier approach to it. Ateliers train would be artists in the classical mode, using lots of drawing, life models and work with perspective. They’re considered conservative in today’s art world, a sort of throwback to the artist/apprentice studio that dominated art education for so many centuries.
Yet what I really want to do is rethink what faith is, why we go to the places that we go to for spiritual nourishment and whether there might be a real faith, an approach to the religious life, that emerges naturally from the world in which we live and carry on our daily lives. That is, one without a charismatic founder or an ethnic base, a faith which would help us see the holy ordinary, that would expose the ligatures that bind us to this planet, to the plants and animals and minerals and atmosphere, expose them and help us see them as the loving embrace that they are, not only as limits to our lives.
Another short trough of time where work here will focus on moving, rearranging, hanging.
But not yet. The next period of time belongs to another very long term project, reimagining faith. There is that bookshelf filled with works on emergence, of pagan thought, on holiness and sacred time, on the Great Wheel, on the enlightenment, on nature and wilderness. There are file folders to be collected from their various resting places and computer files, too. Printouts to be made of writing already done. Long walks to be taken, using shinrin-yoku to further this work. Drives to be taken in the Rocky Mountains, over to South Park, down to Durango, up again to the Neversummer Wilderness. The Rockies will influence reimagining in ways I don’t yet understand.