Mystic Chords of Memory

Spring                                                                     Planting Moon

Monday afternoon around 5:45 pm I turned on NPR as I drove on 694 headed toward Bill Schmidt’s home.  It was mid-report on something that had happened in Boston, something important, so I stayed with the news.  At a recap I learned of the bombings during the 4 hour plus mark of the Boston Marathon.

I hollowed out and a sense of deep sadness raced in to fill the void.  The feelings from 9/11, not the event, but the feelings joined these.  Not anger.  Not bitterness.  Sadness and emptiness, a sudden vacuum in my interior world.

(Summer Evening, Hopper)

Then there was the ritual of repetitive reporting, the redundant witnesses, the guesses, the breathless commentary by this person and that one.  A reporter for Boston public radio said the Marathon would be forever marred.  And I thought, no.  No.  This will come to mind and it will be known as the work of an other and will not be allowed to mar the race, rather it will become part of the race’s history, its collective memory.

The most intense part of my initial reaction came when I realized what those feelings meant, the emptiness and the sadness and the vacuum.  They meant I am an American.  That this event was about us, was done to us.  Here, on a highway in the northern central part of our large country I felt violated and hit.  It makes me think of Lincoln’s line about the mystic chords of memory.  It was those chords that bomb caused to resonate.  It’s important, I think, to say out loud that those bonds make us strong and that it is good that we feel them.

It comes from the close of his 1st inaugural address:

“The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.”

Bee Diary: 2013

Spring                                                                           Planting Moon

Cleaned out the hive boxes for the ornery colony, the one I thought sure would survive the winter.  They didn’t starve.  There was enough honey in the top box to wrench my back when I moved it, probably over 50 pounds.  The bees themselves looked healthy.  They were buzzing on January 19th, then when I checked them next on February 27th the colony had died.  It wasn’t my management practices then, but something else.  Hard to say what at this point.

While I was outside working, which felt very good, our generator turned itself on, what the generator folks exercising.  It takes itself for a spin once a week just to make sure all systems are functional.  It was a surprise to hear it chug into action while I cleaned the bottom board of dead bees.

Whatever it was, Artemis Hives is once again ready for a new bee package.  Arriving here on Saturday, April 20th.

The Sun. The Sun.

Spring                                                             Planting Moon

The Sun.  The Sun.  I can hear Tattoo calling from the end of Phaethon’s runway.  Yes, it’s another episode of Fantasy April in Minnesota.

Gonna have a little tea, then go clean out the bee hives, readying them for the new package arriving on Saturday.  My enthusiasm for beekeeping has waned over the last couple of years.  Little success in keeping colonies alive over the winter months combined with a stupid decision at the end of the season two year ago, a decision that I didn’t need my veil just this once.

Powerful aversive conditioning.  Nature’s way of saying stay away from bee hives. Unfortunately, it has made the pleasures of beekeeping balance against the severe results of bee defenses.  When the bees die over the winter, the pleasure decreases.

I finished my read through of Missing this morning.  Gonna check notes, review my plans and continue the revision process tomorrow.  I’ve got several clear ideas.  Thicker description.  More character development.  Stronger climax.  Expanded denouement.  Strip out certain narrative lines for use in book II and replace them with the expanded material above.  The critical piece is this last one because it will allow the story to achieve full coherence and set up the next novels.