Tag Archives: Kate

Never Ending Terror

Winter                                                                 Waxing Moon of the Cold Month

The big day has arrived.  Kate’s last shift.  She’s off right now getting her nails done–her constant scrubbing in and out of rooms made fancy nails silly–and her toes, since she wears sandals almost all year round.  This way she’s dolled up for tonight and for the next week in Colorado.

Back a bit I bought a print by a Minnesota artist, Mike Elko.  It hangs to the right of this computer and looking at it right now triggered a major aha.  The print is the faux cover of a magazine, Practical Paranoia.  It features a cartoon woman with sixties hairdo and clothing, a tear trickling down her face and this copy next to her:  He keeps saying, “If you question me, then the terrorists have won!”  Is all of this really necessary or is he just trying to make me crazy?  I live in…

NEVER ENDING  TERROR!

A Bush era piece, I bought it in part as a lest we forget, a cautionary tale about government gone loony.  As I looked at it right now, I realized a huge difference, a huge positive difference between the Bush and the Obama eras.  We don’t feel this way anymore.  There is no longer the Cheney–Rumsfeld–Bolton–Wolfowitz–Kristol nexus, a sort of demented nerve ganglia that twitched and pulsed cries of alarm at every shadow.  Obama has calmed us as a nation while continuing to actively pursue terrorists, and a sober analysis of the Bush methods.

The Cold Month

Winter                                                                       Waxing Moon of the Cold Month

Sunlight has begun to grow, but as is often the case here in January, the snow keeps the air near the ground cold and the amount of light increase will not begin to warm us until February, though by then the train will have left the station for winter.   It’s days then will, again, be numbered by rising temperatures, melting ice and corners in the city where cars on intersecting streets can be seen again.  But not now, not January.  This is the Cold Month.

Kate’s next to last day at full time work.  Her friends at work will take her out to Applebee’s tomorrow night after the shift ends at the Urgent Care.  Afterward she will come home and we’ll sit together a bit, listening to music or watching a recorded TV program, the last time we’ll play out this late night ritual save for the occasional, 4 0r 5, nights she’ll work a month for the next couple of years.

Vega and Rigel will go to Armstrong kennels for the first time since they came to live here.  They’re pretty flexible dogs so I’m sure they’ll have a good time.  All of our dogs have liked it there.  Emma, our eldest whippet who died last year, loved the kennel, eagerly whining and straining to get inside.

My friend’s wife has chosen a hormonal treatment for her adenocarcinoma.  They’ll go with that and see what results they get, if the tumors shrink.  Again, if you have a quiet moment and can remember her and her family, they would appreciate it.

The Last Week

Winter                                                          Waning Moon of the Winter Solstice

Kate’s last week of work began with a 7:30 am drive to the gastroenterologist.  Good news from the colonoscopy.  So, she enters her last week of work and the first year of her 400_honey-extraction_0239retirement with good news on the intestinal tract.  She also three crowns going in a couple of weeks from now, new glasses (several) and the new hip (August) and the l-4 l-5 fusion last March.  She’s ready to hit the new year sewing and cooking and visiting the grandkids, all parts intact and functioning, more or less.  A big shout out to Kate as she starts her last week of full time work.

1967

Winter                                                                 Waning Moon of the Winter Solstice

1967.  Anastasia Pydych, a docent friend, has done a movie on 1968 which has a relevance to her father that I can’t recall right now.  A friend of hers, a writer for Rolling Stone, has a book underway about 1967.

When told her I was a sophomore in college that year, she said, “Oh, that’s perfect.  That would have been the perfect time.”  It reminded me of a comment made by one of the interviewees for the Sierra Club policy position, “I wish it could be like in the 70’s, when people had passion.”

We didn’t know it was historic, that year, we were living it.  It was a confusing, wonderful, chaotic, astonishingly hopeful, colorful, drugfull, penetrating, unafraid time.  Long ago, I don’t recall where now, I read that the 60’s happened because there was so many young adults than mature adults, that we, in effect, socialized ourselves.  That still seems like the most cogent explanation I’ve heard for the extraordinary sense of freedom and possibility that swept through my corner of the world, central Indiana.  As people passed through town, Muncie, and as some of us hitchiked around and saw other campuses in other states, we knew personally that it was not just us.  A crazy, heady wind had begun to blow, and the times, as Dylan said, were obviously changin’.

It was in ’67 when the draft became a big issue, right across the country.  And, yes, there is an obvious class bias involved in draft deferments, since those of us in college could get one and those who weren’t couldn’t.  Yes, again, there were many baby boomers, probably most, whose lives went on as they would have anyhow, taking a factory job, going into the military, learning a trade, trying out different jobs, getting married, settling down and raising kids.

That wasn’t the way it felt at the time, however.  In those years we believed, as I still believe, that US adventurism and a naive anti-Communism had caused us to insert ourselves in a civil war centuries old, a war in which we had no self-interest and chose our allies only because they identified themselves as the anti-communists.   Most of us men in college then, at least those of us on the left, saw the draft as a form of indentured servitude, only with a cruel twist, in this case the slaves had to die or kill.  Not a great choice.  Many of us, like me, were selective objectors, that is we opposed the Vietnam War as a stupid meat-grinder conceived in Washington and held in place by machismo gone wild, but we were not conscientious objectors, that is, we did not object to all wars.

That sense of being at odds with the ultimate power of the land, the Federal Government, was a powerful glue.  It stuck us together.  We were more disparate than unitary in our objections to the draft, but we were at one in our objection to the war.

This sense of overagainstness,  a feeling bordering on outlaw, made us courageous and reckless.  It made the days, the hours, we lived focus on experimentation, on analysis, on argument, on planning, yes, but also on relationships, parties, drugs and acid rock.  If the man didn’t understand us, we’d understand ourselves.  And boy we worked at it.

If you’re going to San Francisco…  I missed the Summer of Love and Woodstock, though I did make it to two hot years of the Cincinnati Jazz Festival.  I wish I could get the words to say how it felt then.  We felt free, even called, to challenge anything and everything:  our parents, their values, college administrations and their ridiculous in loco parentis, the draft boards, day-to-day reality, sexual limits, congress, the President, the military.  All of it, each day, every minute.  The times were so intense, so charged, so electric.

Well, here’s the thing.  Kate has a colonoscopy in the morning and I have to drive her.  I’m drawing Social Security and so is she.  This next week is her last week of full time work.  1967 is a long time ago is what I’m saying.  But, boy am I glad I was part of it.  It was quite a ride.

Dream a Little Dream of

Winter                                                             Waning Moon of the Winter Solstice

Inception.  Kate and I watched this last night here at Artemis Cinema.  Kate, who doesn’t tolerate much fiddle-faddle when it comes to movies, said early and often that it wasn’t clear.  Later on, perhaps around the time they’re navigating a well-defended ego, complete with snow camouflaged Hummers with tank tracks in place of tires, snow mobiles and white clad gunmen protecting a concrete gray fortress, we both decided that we had something of a grip on things.

A Russian nesting doll movie with plotlines and concepts connected but difficult to unravel, determining what was real or not became a challenge.  Which was, I suppose, the whole point.  Mol, Decaprio’s wife, kills herself because he convinced her the world they shared inside a dream was not real.  She carries with her, back into waking life, the idea that the world she is in is a dream, an illusion, and that killing herself will cause her to wake up and be with her real husband and her real kids.

This is, of course, a neat cinematic version of solipsism turned inside out.  A solipsistic thinker believes the world to be a creation of their own imagination.  In this case the solipsist believes the world cannot be her creation and therefore must not be real.

This is a movie more about epistemology, how do we know what we know, than it is about psychology or ontology.  In the end we’re left hanging, not sure whether the world Decaprio’s character has returned to is in fact the real world or only a figment of a dream, “A slight disorder of the stomach… You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more of gravy than of grave about you, whatever you are!” Scrooge faced the same epistemological problem with a strong dose of skepticism.

We’ll watch inception again.  See how it fares on a second pass.

Warp and Weft

Winter                                                                            Waning Moon of the Winter Solstice

Other blogs seem to have a slant, a bias, a thing.  I suppose I do too in a general way, the idea of ancientrails, the Great Wheel, the garden, a po-mo pagan sensibility, but what I’m doing is more like an online journal.  On a bookshelf I have two rows of journals kept in various forms since 1971, many erratic in the entries, then, as life moved on, I became more regular.  At one point I had several journals.  A diary like one in which I wrote short entries about my day, a spiritual journey one in which I recorded my experiences of meditation, lection divina, contemplative prayer, scripture study, another in which I took reading notes while I studied Islam, the year after 9/11, several more with reading notes from a year + when I gave up writing and took to reading the classics:  Divine Comedy, Faust, Metamorphosis, works of that nature.  During the year I studied Islam I read the Koran twice, once just to see what it said and another time during the month of Ramadan as I fasted and read enough to finish the entire Koran in thirty days, as many Muslims do.  Yet other blank books contain notes on art history, taken over many years of continuing education at the MIA, ideas for novels, short stories, about writing.

Writing is the thread, the weft I have chosen to weave the tapestry of my life.  The warp threads, stronger by far, developed in body and mind, feelings and thoughts as this Self has moved through life since birth.  The stuff of my daily existence has been the weft when shuttled through with the language I learned at my mother’s knee and my father’s typewriter.

So, this blog is just another pattern,  a particular tartan for this phase of my life.  It may pass away at some point, I certainly will, but, as I wrote the other day, the Web may have granted us bloggers a type of immortality.

When Kate I and were on our honeymoon, in late March or early April of 1990, the last phase of our trip which started a block from the Spanish Steps in Rome, we took the train from Edinburgh to Inverness.  Inverness is the capitol of Celtic Scotland, the northern reaches of the Picts.  The river Ness, from the storied Loch Ness, runs right through town.  On a stroll one afternoon, Kate and I made our way to a tartan mill, a place where tourists could go in and watch tartans being woven.

That day, the master weaver changed over from one tartan to another.  What this involved has stuck me indelibly since then.  The master weaver carries in his head the particular combination of colors, of large spools of yarn, that make, say, the tartan of the clan Sinclair.  He achieves that  particular combination of colors and patterns not by computer, not by telling weavers what to do, but by placing, on a huge rack of iron hooks, individual spools of yarn.  The number of hooks across the top of the hook rack, maybe 25 or 25, below each hook came at least 20 more, maybe 25 more hooks creating a large frame of individual hooks slanted up.  By his placement of the spools the master weaver achieved his design for the yarn from these spools fed precisely into the looms which clicked and clacked behind them.

Later than night, after we had finished our meal at the Station Hotel, Kate and I walked along the river Ness, tendrils of mist floating up from it, weaving themselves forever into our memory.

A Visit From the Goon Squad

Winter                                                               Waning Moon of the Winter Solstice

More time with Ovid.  It went slower today, but I’m down to verse 60, at least with my rough draft translation.  Tomorrow Greg and I will go over it, give me a lesson in Latin vocabulary and grammar, polish my work.  We’ll also further refine my knowledge of ablative absolutes and the passive periphrastic.  Which needs, I must say, refining.

Kate’s down to 8 days, 7 days after tonight.  She’s almost giddy.  We’re still putting the finishing touches on her party.  It will be a lot of fun.

Started the HBO series, The Pacific, tonight.  I know something about the European theatre of WWII, but almost nothing about the Pacific.  This should be a good start, give me a way to guide some future reading.

I’m reading a holiday gift, A Visit From The Goon Squad.  The goon squad is time.  Jennifer Egan has taken material not very interesting to me, the music business, lives of socal punk era kids and made them into a combination medieval morality play and cinema verite.  A good read.  I recommend it.

Grab It, Now!

 

Winter                                                      Waning Moon of the Winter Solstice

Just back from the former Kinko’s, printing the invitation for Kate’s retirement party, Coming of Age: the Art of Retirement.  We have entered the good-bye phase of life.  Good-bye to work.  Good-bye to cousins, aunts, uncles.  Good-bye to homes and states.  Good-bye to life.  Viewed from the vantage point of youth this must seem a dreadfully depressing, black life stage, in fact the opposite is true.  As death comes closer, most of us finally get the message:  live in the now.  Live today, not in regrets about yesterday or anxiety about the future.

A calmness comes with this perspective, a realization that this life, this moment has the only juice you’ll ever get.  So, we try to ring as much as possible out of the day:  Ike’s funeral, Kate’s retirement, the days we have when we’re able to garden and tend the bees, the opportunities we have to work on environmental advocacy, to roam the museum and spend hours talking about art, to eat and talk with friends like the Woolly Mammoths.  These are life.

Corny as it sounds, I always liked the very existential Schlitz ad:  You only go round once in life, grab all the gusto you can.  Laissez bon temps rouler!

You, Yes You, Are Invited

Winter                                            Waning Moon of the Winter Solstice

If you read ancientrails, you’ll likely get an invitation either by e-mail or snail mail or by hand.  But, if you don’t, and you see it here and can come,  please come.  The idea is the more the merrier. Kate’s retiring and we want to mark the occasion with friends of both of us.

We’ve scheduled the party during the Third Thursday event at the MIA because the museum puts on a different face and has lot of extra activities.  We’ll have appetizers and beverages in the Wells Fargo Room.

The art work here is a piece I commissioned from Chicago artist, Deb Yankowski, in honor of this transition.   More details to come.

You’re Invited To An Event

Coming of Age:  The Art of Retirement

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She opens her mouth with wisdom

And the teaching of kindness is on her tongue

Give her credit for the fruit of her labors

And let her achievements praise her at the gates.

(English translation)

January 20th, 5-9 P.M.  Minneapolis Museum of Art

Yo, Yo, Yo

Winter                                                Full Moon of the Winter Solstice

(from yesterday)

Yo, yo, yo.  Merry Christmas.   My stocking today brimmed over with absolutes and passive periphrastics.  Show you how far I am from school.  I’m doing the optional exercises in the back of Wheelock and bought a workbook so I’ll have even more.  Why?  Want to learn this stuff so it stays.  Even with that I know it will require regular work to keep my skills up.  Fortunately, that’s why Jupiter made Ovid.

Kate has 13 working days until she walks out the door forever as a full-time employee.  She’ll stay on as a casual employee for a couple of years, 4-6 shifts a month, and then after that.  Nada.  Nihil.  Non.

Today.  I burrowed into Wheelock yesterday.  Guess I’ve found my hobby.  Or, my vocation/avocation.  Into the museum for a Thaw and an Embarrassment tour.  Then back for more Latin.