The Imbolc Moon put on a show this morning. I got up just as the first finger of black touched it. Kate and I sat on the loft’s balcony and watched as the finger pushed its way across the moon’s surface. Hints of red began to show up at the moon’s edge as the penumbra of the earth covered more and more. The moon was to the north of Black Mountain, putting it directly in the sight line from the balcony. As it moved north, however, the nearest lodgepole pine got in the way. After the full eclipse, it sank below the treed horizon and out of our sight, so we did not the see the super part of the blue blood moon.
This is the second eclipse, the other being the solar eclipse last August, that Kate and I have been able to observe from a balcony, sitting in comfortable chairs. Astronomy does not often provide such creature comforts and I was grateful in both instances.
The clouds have been amazing this past week. Last night I took the darker photograph of a Ponderosa pine at Beth Evergreen and the soon to super and bloody blue moon.
Hippity hop to the ortho shop. Kate’s got an appointment at Panorama Orthopedics today. Her right shoulder. She can no longer hold things up with her right arm and has to use two hands to put dishes away, sometimes to lift a cup. Annoying and painful. Screws up her sleep, too. She needs some kind of solution, more than likely a shoulder replacement. This is the first step, a consult to see what her options are.
A friend of Kate and mine is having surgery for breast cancer today, too. It’s a cancer that has the improbable, but very desirable, cure rate of 100%. In the sort of piling on that getting older can deliver, her husband, only a week later, got a diagnosis of idiopathic pulmonary fibrosis. It’s a killer, but slow, maybe 5-10 years. He’s mid-70’s. Mortality is always stalking us, but seems to knock on the door more often past three score and ten.
Sister Mary tells me she’s been invited as a visiting professor to a university in Kobe, Japan this summer. Very close to Kyoto. And, great beef. Congrats to Mary. Brother Mark is in Bangkok right now, chillin’ in the tropical heat.
An interesting week ahead. A session on green burial tomorrow night at CBE. It’s part of a conversation about creating a Jewish cemetery up here in the Evergreen/Conifer area. Oddly, I think I’d like to work on that. The next night, Wednesday, is Tu B’Shevat, the New Year of the Trees. Judaism has a lot of pagan inflections, Tu B’Shevat and Sukkot, a harvest festival at the end of the High Holidays, for example. Looking forward to this one because there’s a seder, too, with seven species of fruit and nuts. I’ll explain more on Wednesday. After the this celebration is another Kabbalah session, more double letters in the Hebrew alphabet.
Rigel has her second appointment at the Vet Referral Clinic with Dr. Bayliss this Friday, too. I’m excited about it because we’ll get a clearer picture of what’s going on with her. And, it’s not the dire prognosis we anticipated when we took her in a week ago last Friday.
Meanwhile, I’ve finally levered myself back into writing, now on both Jennie’s Dead and Rocky Mountain Vampire (only a working title). Not sure exactly how I did it, just did it, I think.
Getting closer to using the sumi-e brushes, maybe today. Yesterday I tied string at the base of each new brush after applying a bit of glue all round, too. That had to set for a day. I gathered some towels, watched a couple more videos. Youtube is a fantastic resource for all kinds of things. Jon watches Japanese woodcrafting videos to calm down, for example.
Next week is Kate’s quilting retreat in Buena Vista.
No word yet on Rigel’s further tests, the ones focused on her GI tract. We do have her now on a diet exclusive of all proteins other than rabbit and those from milk products. She seems less needy, appears happier and to have gained a bit of weight, or, at least doesn’t look as emaciated as she did. These are all good signs and we’re hopeful, but still tentative. We go back to see Dr. Bayliss next Friday.
Cooking and sumi ink painting are my gardening equivalents here on Shadow Mountain. I realized not that long ago that I need some active, physical work in my life. This surprised me because I think of myself as an intellectual, a reader, a writer, sort of an in my head guy a lot of time. Which is of course true. Partially. I’m also an emotional guy with Kate and the dogs, family and friends. And, I also spent 20+ years as a serious horticulturist and beekeeper. Oh, right. Yeah.
I don’t miss the heavy lifting (the literal heavy lifting) for the most part, though part of my time at Beth Evergreen involves setting up for Adult Ed events and I do like moving chairs and tables, that sort of thing. Go figure. But I also need purposeful, intellect engaged physical activity. Different from exercise, which I also need. Cooking is physical and intellectual, also creative.
I’m challenging myself, trying to do things I’ve not been comfortable with. Don’t laugh, but I made pan gravy last night after pan frying some nice pork chops. I’d not done that before. Seemed, I don’t know, too delicate or fussy for my skills. Easy peasy. I also did the pork chops. It’s pretty easy to heat pork out of its flavor and tenderness zone, not as easy to cook it so it’s moist and tender. Got it last night!
The sumi painting I’ve not yet fully engaged, still collecting materials, setting up my work space, learning techniques, but I intend to stay at it as long as it takes to get some proficiency. Precise or artistic hand work has never been my thing, but I’m going to change that, at least to some degree.
I have two areas I want to investigate. The first is the Zen calligraphy typified by circles and crescents, done mindfully with brush and paint as a meditation. The second is Hebrew calligraphy, drawing the letters as art. This last one interests me because I’m learning (well, sort of) the language itself and, more interesting for this work, I’m also learning the history of the individual letters, their symbology and their story. Their shapes are intriguing and I think focusing on making individual letters in the same style as Zen calligraphy may open them up to me in a new way. We’ll see.
This guy needs his hands in, something or other. Right now, the stove and the ink brush will do.
Kabbalah last night. It’s an odd experience for me in some ways. I’m learning a lot, seeing how to see in a very new way, looking at the bones of the universe. The thought world of the kabbalists is strange and wonderful, allowing for a peak behind the curtain of creation. Yet. There is too a limiting factor.
When the great German philosopher Georg Wilhelm Hegel did his exhaustive philosophy of history, he finished it by discovering that all of history up to then pointed at, wait for it, 19th century Germany. In the same way kabbalah peels back the layers obfuscating the journey from singularity to this world and discover that it culminates in, wait for it, the Torah. If you’re familiar at all with the history of ideas, you’ll know that this is not an isolated phenomenon.
The odd experience factor, which I’ve encountered many times, is that to learn it well there has to be a suspension of disbelief. That means following the logic and the imaginative leaps as a believer, yet knowing that that stance is a heuristic, not a life choice. This is, of course, much easier in a college classroom where the whole idea is to embrace new ideas, learn them, then move on to the next one. Schopenhauer. Kierkegaard. Logical positivism. Wittgenstein.
It’s more difficult to follow this approach in a faith community, even one as open and accepting of diverse thought as Beth Evergreen. The kabbalists influenced the prayer book and worship practices of all Jews, orthodox to reconstructionist. The Jewish civilization which Rabbi Mordecai Kaplan wanted to further through his project of reconstruction, though it has universalist instincts, remains firmly rooted in the tribal history.
And, it cannot be otherwise. Studying kabbalah is always going to point toward the Torah, toward a specifically Jewish world, even though its implications push well beyond it. The task for me is to learn it as authentically as possible while maintaining my pagan/pilgrim worldview, seeking within the knowledge of the kabbalists the threads leading outside the civilizational fences which it necessarily erects.
This is, I know, a terrible picture, although since it was taken at night, with my hand held computing device and from a considerable distance away-I was parked at the side of the road hoping no one would stovepipe me-it’s ok.
This tree is my favorite light display along Brook Forest Drive on the way to Evergreen. There were many. The folks who lit it up must have run a very long extension cord to get to it, because it sits all alone in the woods, on the edge of a precipice. I love its existential isolation and yet its brilliance and its color.
The woods up here, the Arapaho National Forest for the most part, are lovely dark and deep and beautiful because of that, but having this small bit of human intervention tickles me.
It’s a part of a larger picture that’s coming to me. When I mentioned shamanic seeing in the post about the mountain spirits, it made me aware that I need to a third R to my gerundal theology: reimagining and reconstructing AND re-enchanting. This last of the three R’s of an emerging approach to faith may be the most important of all. The first two involve rational heavy lifting, taking something apart and putting it back together in a way meaningful today. Important and critical, yes. But, I’m realizing, not enough.
More than the intellectual work we need the emotional work, a return to shamanic seeing, a return to a view of the world as a magical, mystical place. Which it always has been and continues to be. The empirical method, the scientific method has, like religious dogma, occluded our ability to see wonder. One woman said, during the mussar class in which we discussed the three messengers (angels) from the mountain spirit, said, “How would the mountain know when to send out the messengers?” Beep. Wrong question.
The right question? How can we open our hearts to the intimate communication we get from the natural world everyday? Including those emanating from within our own bodies. It’s our perception that needs to change, not the world. It’s still sending messengers and messages, but we’ve systematically tricked ourselves into thinking we now know too much to attend to them. We don’t.
What does that lenticular cloud hanging over Black Mountain have to say? How about the wind howling down off Mt. Evans? The snow storm about to hit us? The fox or the mountain lion or the bear crossing our yard? The gradual decline of our muscle mass, our mental mass, as we age? Where are our faeries? Why won’t the wood nymphs of the lodgepole pines speak to me? The sun and its perpetual light. That rock fallen on to the road. What do they mean? Not what are they? Not why are they there? But what love note from the big bang do they contain? How would the ancient Greek or the Hebrew on Sinai or the folk who walked up out of Africa relate to them?
No, we don’t have to give up the scientific. No, we don’t have to abjure missing the rock with our car or truck. We only have to ask about our relationship with all these. What is it? How does it convey meaning to me? I like the notion of spirits and gods, goddesses, too. I’m still looking for the Great God Pan. Maybe you’ve seen him?
Been thinking about dying recently. No, really. In a good way. I try to imagine myself dead at least 5 times a day, my body lying on a small tilted table awaiting cremation. Kate and I saw her mother, Rebecca, just like that.
When I get done with that imaging, usually brief, this song keeps coming up from the far away days of the early 70’s. And it still works for me. In fact, it has an existential content now that’s far more profound than when I first heard it.
When I received the consolation of Deer Creek Canyon shortly after my cancer diagnosis, the mountains forming the Deer Creek valley accepted my short life, my mayfly life against their millions of years.
This song reminds me of something many of us notice when someone close dies, one child is born to carry on. By implication, of course, that means you were that child for someone dying around the time you were born. Living and dying. Beltane to Samain, Samain to Beltane. We are part of the Great Wheel, rolling with it as it goes, in living and in dying.
And when I die
and when I’m dead, dead and gone,
There’ll be one child born and
a world to carry on, to carry on
I’m not scared of dying
and I don’t really care
If it’s peace you find in dying,
well, then let the time be near
If it’s peace you find in dying,
when dying time is here,
Just bundle up my coffin cause
it’s cold way down there,
I hear that’s it’s cold way down there,
yeah, crazy cold way down there
And when I die and when I’m gone,
There’ll be one child born and
a world to carry on, to carry on
My troubles are many, they’re as deep as a well
I can swear there ain’t no heaven but I pray there ain’t no hell
Swear there ain’t no heaven and pray there ain’t no hell,
But I’ll never know by living, only my dying will tell,
Only my dying will tell, yeah, only my dying will tell
And when I die and when I’m gone,
There’ll be one child born and a world to carry on, to carry on
Give me my freedom for as long as I be
All I ask of living is to have no chains on me
All I ask of living is to have no chains on me,
And all I ask of dying is to go naturally, only want to go naturally
Don’t want to go by the devil, don’t want to go by the demon,
Don’t want to go by Satan, don’t want to die uneasy,
Just let me go naturally
And when I die and when I’m gone,
There’ll be one child born, there’ll be one child born
When I die, there’ll be one child born
When I die, there’ll be one child born
When I die, there’ll be one child born
When I die, there’ll be one child born
This is a short piece from a book, 365 Tao: Daily Meditations. It’s day 350. It fits so well with kabbalah, as I’m finding Taoism often does.
Life is like an hourglass
Consciousness is the sand
Imagine an hourglass.
Its shape is like the symbol for infinity. Its form recalls the double helix of DNA. Its two sections represent polarity. The material on one side, the immaterial on the other. The male on one side, the female on the other. Hot and cold, positive and negative, or any duality. (dialectic)
The sand runs in a stream, the same stream as the course of energy that runs up your spine, the same stream that is the road of life.
The movement of that sand is what we call Tao. Our consciousness alternates between the various states represented by the hourglass. It is as difficult to grasp as a stream of sand. Therefore, it is foolish to examine things minutely. It is unwise to focus on the material. It is wisdom to understand the movement.
“The more I have looked into the Quest for the Grail, it is clear it is a Western form of Zen. There is no grail, it is understanding that the veil is the mystery of existence, it is nothing, but our interactions with everyone and everything.” Woolly and friend, Mark Odegard
Mark is an artist, an author, a sweet guy and a friend of 30 years. He’s done many retreats at a Zen Buddhist retreat center in Minnesota and done calligraphy with that giant brush Zen monks use. He has an ability to come at ideas from the side, or behind, seeing what cannot be seen; the Zen work has informed his sight in substantive ways.
He’s asking the Woolly Mammoths this New Year’s question for their next meeting:
“What personal tool/skill do I need to refine for my quest for the grail’? I will write down your answer to this, and ask you again at the end of the year.
The story represents our own encounter with the mystery of life (often occurring in our late teen years). The meaning is veiled for us, what do you need to lift the veil.”
Mark’s question made me start because I’d just written this, only two or three days ago here on Ancientrails:
“Torah study is about loving attentiveness. It is a way of engaging the sacred world which we can know first from within our own person and which permeates that which we encounter throughout our lives…
God lit up for me. Ah, if I do Torah study, if I engage in loving attentiveness to my Self, my own Soul, and those of others and of the broader natural world, then I can find the knowledge which permeates all things, that very same shards of the sacred that shattered just after the tzimtzum to create our universe. That is God being available everywhere. This is far different from the Latinate imponderable of omnipresence, sort of an elf on the shelf deity lurking in every spot, finding you everywhere. And judging.
No. God is another word for the intimate linkage between and among all things, from the smallest gluon to the largest star. God is neither a superparent nor a cosmic Santa Claus writing down your behaviors in the book of deeds; God is a metaphor for the sacred knowledge which permeates the perceivable, and the unperceivable, world.” Ancientrails
I’m not trying to revive the word God here, nor am I trying to reinsert myself into the thought world which includes God. I’m on the same grail quest I started years ago in Alexandria First Methodist sitting beside the huge stained glass window of Jesus praying in the Garden of Gethsemane. Back then I read the Bible as history, not as mythology. Back then it mattered if there was a Jesus who prayed in that Garden that the burden of crucifixion be lifted.
I pushed those beliefs away long ago, passing through a moment, a long moment of second naivete with them, then moving into the world of the Great Wheel and the cyclical, spiraling time through which all life moves, in fact, all things. Over the last year or so my intense program of Jewish immersion has taken me another big step along this ancientrail, a true Grail quest began when, as a sixteen year old, I began to doubt the stories I’d heard growing up.
Frederick J. Waugh, The Knight of the Holy Grail, c. 1912
My true philosophical (qua religious) home, existentialism, found me in the aftermath of that doubting and my first encounter with philosophy at Wabash College. When I went into my Christian immersion, through seminary and in the Presbyterian years, my faith went mystical, seeing the divine as divinely personal, as a bright light shining within the darkness of my inner world, a light whose purpose was not to dispel the darkness, but to integrate, Taoist style, both of them.
Now, with Rabbi Jamie, I’m studying the kabbalah. Like Zen it insists on not seeing with eyes alone, but with the heart, with a poetic sensibility that understands religious language, I think all religious language, as metaphor, even and especially for the kabbalists, the written Torah.
The veil is a very important metaphor in kabbalistic thought. Like Mark observed above the kabbalists know there is a veil between us and the mystery of existence. The veil underscores the humility necessary for this work and without humility the quest will fail.
canterbury pilgrims
This idea is ultimately significant. Or not. We cannot penetrate the veil. Ever. Yet we all stand together on the other side of it. To see through the veil, to actually find the Grail, is not given to us, yet that place which we see through a glass darkly is the place where we stand right now. Yes, right now the Grail is in our hands, a cup from which we can drink at any moment.
This ancientrail, the quest for the Grail, the turning of the Great Wheel, the lifting of the burden of our crucifixion, flowing up and down with divine energy through the Tree of Life, is our life, is the life of this world, this cosmic pulsing brilliant reality. Yet we let so many things: work, fear, hope, pride blind us.
The Woolly Mammoths have been my companions, fellow pilgrims, on the way to Canterbury. Or, fellow Tibetan Buddhists inch worming their way around the sacred mountain, Meru. Or, my fellow Torah scholars, davening as we read the sacred texts. Or, fellow Lakotas, our skin pierced and tied to the world tree during the Sun Dance. Or, friends traveling through this life together until it ends.
“What personal tool/skill do I need to refine for my quest for the grail?” Out of far left field, I’m going to answer, “A Sumi brush, rice paper, an ink stone. And the courage to use them.”
Alan James Garner Own work, CC BY SA 3.0, https commons wikimedia org
Last night, third night in a row at Beth Evergreen, was the MVP, the mussar vaad practice group. Tuesday was the unveiling of the third stained glass window. Wednesday was the first class of the third in the first year kabbalah curriculum, the Mystical Hebrew Letters. On a personal, physical level this many evening sessions, which extend well beyond my usual 8 p.m. bedtime and then require a half hour ride home afterward, exhaust me. But on a psycho-spiritual level the nourishment I receive more than compensates.
As I wrote this last sentence, I looked up at Black Mountain and noticed a pink glow, a penumbra at its peak. A good symbol for the new understanding that is beginning to dawn on me.
In the mid-day mussar class, where we are near the end of the Messilat Yesharim, the path of the upright, by the 18th century kabbalist, Rabbi Moshe Luzzato, Jamie commented, “Remember, these are kabbalists. They include proof texts as an invitation to rethink them as metaphor, not to accept their literal meaning.” Jamie has said this before, in the kabbalist classes especially. “The Torah is a metaphor, not history.”
Torah being read at a Bar Mitzvah
A bit later, he asked, “What is Torah study?” This was a topic we covered over a year ago when beginning Luzzato’s work. Torah study is not about content. It is not, in other words, limited to scholarship about Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Torah study is a method and it involves paying close attention to the person next to you, to the sunrise over Black Mountain, to the cry of a sparrow, to the way a lodgepole pine sloughs off snow, to the needs of the dog sleeping beside your chair. to the nature of fire crackling in the fireplace. Torah study is about loving attentiveness. It is a way of engaging the sacred world which we can know first from within our own person and which permeates that which we encounter throughout our lives.
And, again, aha! The sun, the sacred sun with its life-giving light, just lit up Black Mountain and showed me a sign, a way of illustrating a literally dawning awareness. The wind, the finger of the sacred blows as the ruach, the breath of spirit, the breath of life and moves the lodgepole pines in our front yard. The pines themselves erupt out of the stony Shadow Mountain ground, able to express life in a soil mostly barren of the rich nutrients available in the farmlands of the American Midwest.
Marilyn, Tara, the Burning Bush
I find this means I can read the word God in a new way. Shortly after Jamie commented on Torah study, we read a sentence in Messilat Yesharim that included the English word omnipresence, as in God’s omnipresence. I asked Jamie what Hebrew lay behind this translation. He looked it up, “Hmm. Something like, permeated knowledge.”
God lit up for me. Ah, if I do Torah study, if I engage in loving attentiveness to my Self, my own Soul, and those of others and of the broader natural world, then I can find the knowledge which permeates all things, that very same shards of the sacred that shattered just after the tzimtzum to create our universe. That is God being available everywhere. This is far different from the Latinate imponderable of omnipresence, sort of an elf on the shelf deity lurking in every spot, finding you everywhere. And judging.
No. God is another word for the intimate linkage between and among all things, from the smallest gluon to the largest star. God is neither a superparent nor a cosmic Santa Claus writing down your behaviors in the book of deeds; God is a metaphor for the sacred knowledge which permeates the perceivable, and the unperceivable, world.
Our deeds are, of course, written in the very real book of our life, so they have consequences, not only on our life as whole, but as they impact others and that same world which we all inhabit. You could also see God’s judgment as the manifestation of those consequences, in their positive and negative natures, not as a divine finger shaking or outright punishing, but as ripples from one instance of the sacred to the another.
Kabbalah last night. The first session of Mystical Hebrew Letters. Rabbi Jamie began teaching kabbalah at the Kabbalah Experience with this class several years ago. It moves from the broader conceptual fields of Soul and Space, the first two classes this year, to the particular examination of the Hebrew alphabet.
As with all the kabbalistic material, the subject matter gets complicated fast. We began with an overview of this ancient language. According to recent scholarship Rabbi Jamie says, it is the oldest alphabet in the world. Like most early languages, Chinese for example, it began as pictographs.
Aleph, the first letter, was an ox-head. The word aleph means ox-head, or head of ox, also learning and chieftain. Prior to the use of Arabic numerals each Hebrew letter stood in for numbers with the letter aleph as number one. The word aleph means 1,000. Thus, aleph symbolizes the philosophical notion of the one and the many.
It is silent. Not sure why, but aleph and ayin, though used in the written language, are always silent. As silent and first in the alphabet, it also symbolizes the silence out of which came everything.
(next day) Stopped writing this yesterday when my need for sleep overcame my ability to write a coherent sentence.
The big idea I took away from this class involved aleph and my reimagining/reconstructing emphasis on incarnation rather than transcendence. Jamie introduced the notion of the alphabet, the Hebrew alphabet, as a funnel flowing from aleph in the ein sof (unlimitedness), its silence standing for the space created when the ein sof contracted, the tzimtzum, and filled with ohr, the first light of creation which fractures and travels down through the tree of life with its 22 channels (connecting lines) to the tenth sephirot, or malchut/shekinah, which is this world. Its letter is tav, the 22nd and last letter.
At first I thought, oh this emphasizes transcendence, the physical world developing in a top down fashion from a realm unconnected to it save by the thinnest of conceptual threads. Then Jamie began to introduce the location of the letters on the tree of life and aleph did not appear above the keter (the crown at the top of the tree of life), but on the parallel line of connection between chesed and gevurah, essentially the middle of the tree of life. Huh? How could this be?
These two images represent the two different ways of understanding this idea:
This one shows the first representation of the funnel idea that came to me. It does in fact emphasize transcendence. But, when we remember (difficult to do when material is presented on paper) that the tree of life is three-dimensional and can be seen as a sphere, another possible image presents itself.
As the rabbi likes to say, Aha! The nub of creation, the contraction of the unlimited ein sof, the movement from the quantum world to the Einstenian/Newtonian this world, the shattering of the ur-ohr, the first light of creation, happens in the center of the sphere and radiates outward. Yes. The divine moves from within all to create, in an outward push, the shekinah, the divine manifested in created matter. This is big-bangy. The tzimtzum just proceeds the big bang which radiated outward from an unfathomably concentrated spot in the beforeness of whatever it was, the ein sof, to create literally everything we know.
This puts the sacred neither above nor below but within. In order to access sacred nature we do not need to cast a prayer upward toward the heavens or outward to a religious institution, but inward to the aleph in our own soul, to that silent spot in ourselves where resides our shard of the ohr, the first light.
Here is an image of the tree of life that shows the location of aleph between chesed and gevurah. Remember that the tree is three dimensional like the DNA helix.