Family Themes and Existential Aloneness

Lughnasa                                                                Lughnasa Moon

Two widely divergent thoughts today. The first about family. Families have themes, melodies that play themselves out in different keys and different arrangements, using the instruments available.

Take mine for instance. Both mom and dad had a desire to travel, to see the world. Mom realized hers, making it to Italy and northern Africa as a WAC during WWII. Dad had a dream, a boat, some time in the Gulf of Mexico, then a book about it. Yet he never left the U.S. with the exception of Canada until very late in life when he flew to Singapore to visit my sister. He did, however, take short trips to odd places in Indiana, making do with what was available.

So, travel is a theme. I’m the less traveled of my siblings, only visiting foreign countries, never staying anywhere longer than a week. Mary has traveled a lot, spending years in Southeast Asia working, visiting Tibet, India, Indonesia, Europe, the Emirates. Mark has lived the travel theme most adventurously. He’s been across Russia on the Trans-Siberian railway, picked olives in a kibbutz in Israel, taught in Thailand, Cambodia and Saudi Arabia. We’re a gradation of the wanderer archetype, the one who visits but doesn’t stay.

Then, there’s the fascination with writing and language. Dad was a journalism major and well thought of at Oklahoma State University, a school with a respected journalism department. He wrote professionally, as a reporter and an editor, most of his life.

Mary and Mark advanced this theme by teaching English as a second language (ESL). I’ve advanced this theme through novels, short stories, sermons, essays, this blog. In this instance we’re a spectrum of the Hermes archetype, the one who takes messages and delivers them.

Mom was a teacher. Many of my cousins are teachers, on both sides of the family. Mark has taught ESL as an instructor while Mary has advanced from that role to that of University professor, teaching teachers of ESL for the nation of Singapore. I’ve never taught formally, but many of my roles have involved teaching of one kind or another. Here, we’re a spectrum of the elder archetype, when the elder is one who passes on the tradition.

There are other themes, some more subtle, but these three: wanderer, Hermes and elder seem most predominant. We did not engage these archetypes; these archetypes engaged us, shaped us, set us on our paths.

The second thought is about being alone in our interior. Reading an article in the New York Times today about Hinduism, a comment made me stop, think. The interior life is one path to liberation, the interviewee said, but at bottom the life of devotion and meditation is decidedly anti-individual. What? Yes, he said, at bottom we find in ourselves a deep oneness with all creation, with the brahma. So, at our most interior we are also at our most connected.

So this bounced around for a while. Then, a thought occurred to me. How does he know?  We can say for certain that we know each person’s interior life is unique and private. We can say this much based on our own experience and the mediation of other’s interior experience through interaction. Since those interactions are not identical, hardly identical, we can infer with confidence that the interior life of those we know is different from ours and different from others. It is also self-reported as different by those we know.

It’s an attractive idea, the idea of a substrata of oneness to be found at the end of our meditation, an idea known in the west through Carl Jung’s notion of the collective unconscious. But I don’t see how it can possibly be proven and without proof the notion of a layer of oneness underneath it all seems far fetched to me; as does, too, a layer of oneness that transcends our individual state.

 

Sex Scandal (there. that should grab you interest.)

Lughnasa                                                                Lughnasa Moon

A few Woolly Mammoths thundered down Nicollet Avenue to Christo’s Greek Restaurant. Warren, Frank, Bill and I broke pita together and made various comments about Nienstedt, Archbishop of Minneapolis and St. Paul, the sex scandal that dominates the news about Catholicism here, then the Jesuits.

We talked about family and suicide, the cruise Warren and Sheryl have signed up to take, Bill’s trip to his family reunion. This last included only Bill’s brothers and sisters and their progeny-120 strong. Wow.

We stood out there on the sidewalk after dinner talking for a bit and I noticed we all had white hair (or a white scalp in my case). Four old men talking. Four old men who know each other, who see each other as friends and brothers. A gift for all of us.

Weighty

Lughnasa                                                       Lughnasa Moon

Today I’ve had constant reminders of the physicality of books. They’re wide and their width has to be considered when packing them. Individually, as a rule, books are not heavy, but in the aggregate, they can be very heavy. Art books, printed on paper adequate for taking and retaining high quality color prints, are even heavier and today I have packed box after box of books on aesthetics, modern and contemporary art, art history, Chinese and Japanese art.

Over the course of these months since deciding to move, I’ve often wondered, is the last time I’ll do this in Minnesota? But packing these books, I wondered, am I among the last of those who will pack books for a move? Books are physical objects, present at the human level of perception in the world. The books I read on my kindle though are not physical objects, at least not in this macro sense. I cannot see the individual books, heft them, page through them, smell them.

This bothers some people a great deal, but not me. I’m not a bibliophile. I’m a lover of content and the medium is not so important to me. Reading the physical books is better for scholarly purposes, at least for now. In those books creating marginalia, paging through to a new idea, then back again is all part of the process of learning, at least for those of us who use texts. My guess is that there will come a time, not too long from now, when the readers will be what are often called digital natives. They will demand tools adequate for scholarship on their books of bits and bytes. And they will get them.

Then books will join scrolls and papyri as mediums for containing the word, the word having moved on to other less weighty realms. When I put my kindle in my backpack on that last day headed for Colorado, I’ll have 1,000 books or so along. And they’ll weigh less than a pound.

 

 

A Purging We Will Go

Lughnasa                                                     Lughnasa Moon

Over the weekend and as deep into this week as I need to go, I’m packing up my former study. I’ve purged one file cabinet and consolidated its content into boxes for moving. A horizontal cabinet awaits attention. A large plastic tub full of art supplies went into the move with care pile. One small bookcase has been emptied and moved. The shop work bench I’ve used for storage is empty, too. That old printer, the one I bought in 1994, is in the truck and ready to go to a recycler.  An HP laserjet, it still functions.  That leaves three larger bookcases and some miscellaneous things on various surfaces, plus the art on the walls.

(what I hope to create in Colorado, my own version of this.)

When this room has been tidied up, the next and last big push begins. My study. This room has walls of books. Many will go in boxes with red tape, but most will not. The other areas have gone well, but this one will present some difficulty. So many projects. Some of the past, some of the future, some of today. Which ones do I imagine I’ll continue in Colorado? Which ones have enough spark to be valuable in the final third of my life? These are hard decisions for me and packing this room will be both valuable and difficult.

This is a chance to prune my work over the last third of my life, clear out the branches that have grown across each other. Take out that large branch that flourished then died. Increase the circulation amongst the remaining branches so they have air, can breathe. Pruning gives renewed vigor to plants and I hope to achieve the same thing when I pack up these materials, those closest to my heart, leaving behind what I no longer need.