Category Archives: Writing

Novels and Fiction

Imbolc                                                              Woodpecker Moon

Starting Jonathan Franzen’s Freedom.  Kate read it a couple of weeks ago and liked it.  I picked it up along with a couple of others after reading David Wallace’s last, Pale King.  Trying to catch up on at least some of today’s fiction.  I tend to read fantasy, horror and classics, skipping over literary novels of the current day.  Don’t know why, just always have.

When I began writing, I never had any ambition to write so-called literary fiction.  Not that I don’t admire it.  I do.   I haven’t particularly enjoyed Russo, but I like Richard Ford, David Lodge and Dom Delillo among several others.  I liked the Rabbit novels, too.  Still, that sort of writing doesn’t appeal to me.

When my imagination goes to work, it veers off toward magic, the Celtic faery faith, fantasy in the mold of Tolkien and horror like H.P. Lovecraft.  Again, don’t know why, just does.  My work does have a structural base in myth and legend, ancient religions, so I’m never in the modern American fetish with realism.

The closest I could imagine coming to realism would be magic realism and I’ve not yet written anything like that either, though Jorge Borge is one of my literary idols.

Fiction needs solid, clear prose, an exciting premise, narrative flow.  The fictive dream, as John Gardener calls it, must be coherent and internally consistent, but it does not need to anchor itself in the here and now.  Hardly.

The Week Ahead

Imbolc                                       Woodpecker Moon

Hello.   Another week of spring is upon us.  If puddles are here, can mosquitoes be far behind?  We may have to suck it up and adapt, folks.

The Great Comet of 1996, Hyakutake as photographed from latitude 56 north near Ketchikan Alaska. As noted by the photographer “By including the north star in this short time exposure, Hyakutake and the night sky are given a real sense of motion”. Chip Porter

Tomorrow morning the novel gets first pick of time and attention, this time until I’ve finished this draft.  Then Stefan’s paper will go in the printer and I’ll crank out the first complete rough draft.  I know already things that need attention, amplification, cutting, but I’m going to leave those alone for now.

My new schedule with the Latin:  an hour or so on Tuesdays, Thursdays, Saturdays, Sundays and a full day on Fridays seems to be good.  In the paper this morning there was a story about a kid, 16, who is a hyperpolyglot, who knew there were such people?  He learned the arabic alphabet in four days, then it took him, he said, a week to read fluently.  That’s just one of many languages he reads and speaks.

Well, he’s him and I’m me, still slogging through the grammar and the vocabulary almost two years on.

Reimagining has not got much attention this last week or so, but it will pick up again.  I plan to work on it episodically over the next couple of years.  I do have to crank out 3,000 words or so Groveland by April 1st.  That’s a good target.

 

Whoa. Just Backup.

Imbolc                                       Woodpecker Moon

Woodpecker hacking away this morning as I awoke.  Yesterday the crows cawed, setting on the branches of our big cottonwoods, 40 feet or so off the ground.

A few snow flakes fluttered to the ground, but nothing like the original forecast.  Now they’re talking slush and smelting snain.  Yuck.  I’m in favor of snow, more snow.  And cold.  Show me the winter.

When Kate and I came home Saturday night after the birthday dinner with Anne, I noticed the neighbor had a fire going in the large depression between our homes, a storm water runoff feature.  He did some brush clearing over the last week or so and stacked up a good sized mound of branches and limbs.

Since the significant feature of this winter has been drought, his fire worried me a bit since a woods occupies about an acre and a half of our property.  When I cataloged what I would lose in case of a fire (all this as I tried to go to sleep), after getting the dogs and Kate and me to safety, I sat up and thought, my novels!

The answer is, yes, I do backups.  But.  The backups are on external hard drives physically connected to my computers.  They protect against system failure, but not against fire.

The next morning I went downstairs, took out my 16 gigabyte thumb drive and backed up my entire documents folder.  That was about 2 gigs.  While I was at it, I added another 10 gigs of photos.  Now the question is what do I do with the thumb drive?  Carry it with me all the time?

Gonna have to check out cloud based backups.

Go, Santorum

Imbolc                                      Garden Planning Moon

Hey, how about that Santorum?  Way to mix it up.  The longer the Republicans savage each other and the longer the nomination drags out without a clear victor the better.  If the  economy can right itself a bit more, unemployment come down and consumer spending go up (think those two are related?) the Democrats might look better in the fall.

I’m working right here at home, filling up my day and working out at twilight, then reading.  A couple of tours tomorrow and I’m looking forward to them right now because I’ve been writing and doing Latin for 5 days in a row with a bit of a break on Monday.  The productivity feels great, but a change of pace will be welcome.

Grandson Gabe has a bad cold or croup or something respiratory.  Grandma Kate got a chance to pass on some knowledge to Jon and Jen last night.  She’s a good one to have your corner if you have a kid.

 

Too Many Words

Imbolc                                           Garden Planning Moon

Still plugging away at 1,500 words a day.  The novel is sort of baggy right now.  Lots of words, probably, as the Emperor famously said to Mozart, too many words.  I’m not quite at the Mozart level where I can comfortably say every word is necessary.  I’m not even in the Salieri league.  Hell, I’m at best playing Legion ball, hoping for a look from the scouts.

Which is not to say, however, that it will not improve.  This novel will receive much more attention after I finish the rough draft.  Much more.  It will reach a point where it contains as many words as I mean it to have, no more, no less.

This time I’m eager to get to the rewriting.  Writing is in the rewriting.  Though this blog rarely gets rewritten.

So, the superbowl.  Well, I don’t have a dog in this fight.  Haven’t had a football dog since the late, great now permanently retired Brett Favre returned for one season too many. I like having Sunday afternoons free in the winter.

As to the weather.  Hell.

 

 

 

Unchain My TP

Winter                                         Garden Planning Moon

Second (and last of this class) photoshop class tonight.  Boy, is this a complex program and it’s only one in the Creative Suite.  Lot of cool things but they will require a good bit of fiddling with before I get good with them.  A lot of fiddling.

(granddaughter Ruth and lightning)

As I walked to the parking lot from the huge Champlain High School building tonight, it hit me that this is the future for many of us over 65.  Classes, taking up space in buildings occupied by kids during the day.  And what a great deal that we have this kind of learning available.

Last week I used one of the second floor bathrooms.  In the men’s room the toilet paper was on a heavy, padlocked metal chain.  The janitor was there and I asked him about it.  He said you wouldn’t believe the condition of the restrooms at the end of many school days.

Best news.  My cousin Leisa, in a coma for a couple of months following a stroke, has begun to speak.  Stunning and happy news.

A productive day, another 1,500 words on Missing, some tentative stabs at the first essay in Reimagining and a long workout with little knee pain.  Yeah.

Since I’ve shifted to this new work schedule, life seems fuller and busier.  Seems odd, but it’s true.  I guess I’m stuck with an internal engine that will just keep humming along until it can’t work anymore.  There are much worse predicaments.  In fact this may not be a predicament, just life continuing.

Pale King

Winter                                          New (Garden Planning) Moon

Began reading Pale King last night.  David Wallace’s last, unfinished work, his editor organized it with permission of Wallace’s widow.  It’s the first work I’ve read of Wallace’s though not the first one I’ve bought.  I also own Infinite Jest, his breakout book, but never started it.  His prose is, well, wonderful.

Observations, close observations, fly so fast and thick it seems he could not have spent time writing for he must have spent his entire day with his eyes wide, notebook in hand, seeing, hearing, tasting, feeling.

This book has an improbable setting, the IRS in Peoria, Illinois, and will, I’m told, illuminate  boredom.  Though I’ve not read him before I’ll now read back into him.  He was called the greatest mind of this generation of writers.  I believe it.

Why Do I Write Novels?

Winter                                     First Moon of the New Year

So, why do I write novels?

In a writing group some years ago, maybe 20, a writing exercise turned into 120 pages of Even the Gods Must Die, a novel inspired by the Norse Ragnarök.  The doom of the gods, Ragnarök foresees the end of the nine worlds, the death of the Aesir and the Vanir with plenty of teeth-rattling battles.  Fenrir fights with and kills Odin.  Thor fights the Midgard Serpent, kills it, but dies later from its poison.  What’s not to like?

The exercise came in the midst of a writing group I formed to help me as I wrote my dissertation for McCormick Seminary.  My dissertation on the decline of the Presbyterian Church satisfied the writing requirement for a Doctor of Ministry which I received in 1991.

By that point I had met Kate and discussed with her leaving the ministry. If I left the ministry, what would I do?  The skills I’d learned didn’t transfer readily.

Well, there was that 120 page story.  Hmm.  Maybe I’ll write.

Not a big stretch, really, since my Dad had earned his living as a journalist and columnist.

Early on I decided to focus on ancient religions as a fundamental component of my novels, fantasy novels all, so far.

So, in one important sense, I wrote novels to escape the ministry after it had become a swamp.  Do I write to overcome existential alienation or do I write so that others can overcome their existential estrangement?  No.  I write because the process and the stories fascinate me.

At some point I hope I can make some money, too.  And, if you read my work and find your angst or your anomie lessened, all the better.  But I’m not counting on it.

Why Write Novels At All

Winter                                    First Moon of the New Year

I’ll respond to this in another post, but for those of you interested in the novel, it’s worth a read.  You can reach the whole article through the central question link.

The central question driving literary aesthetics in the age of the iPad is no longer “How should novels be?” but “Why write novels at all?”*

*The roots of this question, in its contemporary incarnation, can be traced back to the French sociologist Pierre Bourdieu, who at the dawn of the ’80s promulgated the notion of “cultural capital”: the idea that aesthetic choices are an artifact of socioeconomic position. Bourdieu documented a correlation between taste and class position: The scarcer or more difficult to access an aesthetic experience is — the novel very much included — the greater its ability to set us apart from those further down the social ladder. This kind of value is, in his analysis, the only real value that “refined” tastes have…

The idea that “the deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness” crops up all over the writing of the Conversazioni group: in Franzen’s nonfiction, and in Wallace’s, and in Smith’s beautiful encomium to Wallace in her book of essays, “Changing My Mind.” It also helps to explain these writers’ broad turn away from various postmodern formalisms and toward the problems of the human heart. Indeed, when we consider the web of influence that connects them to old roommates and friends and lovers and students — a list that includes David Means, Rick Moody, Mary Karr, Donald Antrim and Jonathan Safran Foer — and to newer work by writers like Karen Russell or the Irish novelist Paul Murray, “Here is a sign that you’re not alone” starts to look like the ascendant trope of and about literature today…

But will we be alone? Literature, to a degree unique among the arts, has the ability both to frame the question and to affect the answer. This isn’t to say that, measured in terms of cultural capital or sheer entertainment, the delights to which most contemporary “literary fiction” aims to treat us aren’t an awful lot. It’s just that, if the art is to endure, they won’t be quite enough.

Yearning for True Winter

Winter                   First Moon of the New Year

Cloudy with sun.  Another cheery day here in Denver.  At the moment though my heart yearns for the closed in, snowy gloom of a true northern mid-winter.

This is good weather for taking Ruth on a fabric shopping expedition and granpop will tag along to have lunch with grandma and granddaughter. I look forward to this and will enjoy it.  Probably quite a bit.

But.  It’s not the interior landscape brewed up by howling winds from the northwest, temperatures plunging far below zero and snow so thick going anywhere just can’t happen.

Those days find me in my Herman Miller chair, sandwiched between my desk with its two sloped editing and reading stands and my bookcase with reference materials for art history, philosophy, my current novel, the reimagining faith project and work with Latin.

A crackling fire burns in the green metal gas stove at one end of the small rectangle while my computer and printer punctuate the other.  There’s a tea kettle nearby for heating water to a precise temperature for brewing different kinds of tea.

Here, my body and mind have learned, work happens.  An odd sort of work, I admit.  Work of the heart and the mind, a wordsmithy, data and information in and paragraphs out.  No leather aprons or bulging biceps required.  Nimble fingers help.

Yes this sort of work happens in all seasons and in all manner of weather, but there is none more suitable than the quiet of a snow silenced, cloud darkened day.

The desire for this weather and this place comes, in part. from missing fall and returning to a weak, almost non-existent winter.  More than that though that yearning reflects a sense that I have identified my work, that I have it underway and I want to stay at it.

That is, however, my feeling this morning, here in the Best Western, before we connect up again with the grandkids.  When we do, this will be the best place to be.