Category Archives: Writing

Why Write Novels At All

Winter                                    First Moon of the New Year

I’ll respond to this in another post, but for those of you interested in the novel, it’s worth a read.  You can reach the whole article through the central question link.

The central question driving literary aesthetics in the age of the iPad is no longer “How should novels be?” but “Why write novels at all?”*

*The roots of this question, in its contemporary incarnation, can be traced back to the French sociologist Pierre Bourdieu, who at the dawn of the ’80s promulgated the notion of “cultural capital”: the idea that aesthetic choices are an artifact of socioeconomic position. Bourdieu documented a correlation between taste and class position: The scarcer or more difficult to access an aesthetic experience is — the novel very much included — the greater its ability to set us apart from those further down the social ladder. This kind of value is, in his analysis, the only real value that “refined” tastes have…

The idea that “the deepest purpose of reading and writing fiction is to sustain a sense of connectedness, to resist existential loneliness” crops up all over the writing of the Conversazioni group: in Franzen’s nonfiction, and in Wallace’s, and in Smith’s beautiful encomium to Wallace in her book of essays, “Changing My Mind.” It also helps to explain these writers’ broad turn away from various postmodern formalisms and toward the problems of the human heart. Indeed, when we consider the web of influence that connects them to old roommates and friends and lovers and students — a list that includes David Means, Rick Moody, Mary Karr, Donald Antrim and Jonathan Safran Foer — and to newer work by writers like Karen Russell or the Irish novelist Paul Murray, “Here is a sign that you’re not alone” starts to look like the ascendant trope of and about literature today…

But will we be alone? Literature, to a degree unique among the arts, has the ability both to frame the question and to affect the answer. This isn’t to say that, measured in terms of cultural capital or sheer entertainment, the delights to which most contemporary “literary fiction” aims to treat us aren’t an awful lot. It’s just that, if the art is to endure, they won’t be quite enough.

Yearning for True Winter

Winter                   First Moon of the New Year

Cloudy with sun.  Another cheery day here in Denver.  At the moment though my heart yearns for the closed in, snowy gloom of a true northern mid-winter.

This is good weather for taking Ruth on a fabric shopping expedition and granpop will tag along to have lunch with grandma and granddaughter. I look forward to this and will enjoy it.  Probably quite a bit.

But.  It’s not the interior landscape brewed up by howling winds from the northwest, temperatures plunging far below zero and snow so thick going anywhere just can’t happen.

Those days find me in my Herman Miller chair, sandwiched between my desk with its two sloped editing and reading stands and my bookcase with reference materials for art history, philosophy, my current novel, the reimagining faith project and work with Latin.

A crackling fire burns in the green metal gas stove at one end of the small rectangle while my computer and printer punctuate the other.  There’s a tea kettle nearby for heating water to a precise temperature for brewing different kinds of tea.

Here, my body and mind have learned, work happens.  An odd sort of work, I admit.  Work of the heart and the mind, a wordsmithy, data and information in and paragraphs out.  No leather aprons or bulging biceps required.  Nimble fingers help.

Yes this sort of work happens in all seasons and in all manner of weather, but there is none more suitable than the quiet of a snow silenced, cloud darkened day.

The desire for this weather and this place comes, in part. from missing fall and returning to a weak, almost non-existent winter.  More than that though that yearning reflects a sense that I have identified my work, that I have it underway and I want to stay at it.

That is, however, my feeling this morning, here in the Best Western, before we connect up again with the grandkids.  When we do, this will be the best place to be.

 

 

 

A Dry Gulch

Winter                                  First Moon of the New Year

I’m running through a dry spell here.  Might relate to my new work schedule since it involves a lot of writing.  Could be just a time when little of note (to me) is happening inside my head.  Don’t know.

I did set aside two hours last night and edited, then organized photographs from Panama and Manta, Ecuador.  I plan to do the same tonight.  I want to get as many as possible up before we go to Denver.

Other than that.  Need to hit the Ovid.

At Work

Winter                              First Moon of the New Year

Beginning to settle in more and more to my new routine.  I’m focused on three primary projects:  novel, translating Ovid and writing reimagining faith essays.  I have a way of giving each one time during the week and, as my other obligations drop away, I find it easier to stay on track.

Kate and I visited our financial consultant today.  An important visit, preliminary to Kate’s full retirement.  No more part time.  Some number crunching still to go, but we’re aiming at getting her out as soon as possible.

 

Memory and Forgiveness and Death

Winter                                           First Moon of the New Year

Finished the Art of Fielding.  A book about striving and letting go, about loving and letting go, about baseball and Moby Dick, about heterosexuality and homosexuality, about living and dying.  All in the compass of northeastern Wisconsin, around Door County.  A fine read.

In the movie Patton, George C. Scott as Patton, in reviewing a harsh slap to a soldier with shell-shock, what we would call post-traumatic stress syndrome, recalls the morale of the other soldiers in the Third Army, “It was,” he says, in an explanation and a confession, “on my mind.”  Scott’s gravely delivery has lodged this sentence in my mind.

It reveals to me the awful and the beautiful truth about memory.  We can stand condemned by our past, but in our remembrance of things past (proust), we can confess in that Catholic way, a heartfelt acknowledgment of our complicity and yet our need and our opportunity to live beyond it and, if necessary, in spite of it.

This thought occurs to me after Marian Wolfe’s funeral, after all funerals, all deaths.  Whether there is a great judge who puts your soul on the scale against a feather or a sudden extinction, the moment after death is no different than the next moment in life.

This may seem a shocking thought, but consider.  At any one moment in time we carry what miners call an overburden, the piled up soil and stones and boulders and tree roots and unessential rock of our life experience.  At any one moment in time, too, we may cease to be.  In fact, at some moment, soon or late, we will cease to be.  And the moment after we die is no different than the one that comes next.  Right now.

Think of it.  When we die, that living slate gets wiped clean, a lifetime folds up and gets tucked away.  This is the same opportunity we each have, every moment, if we can only open ourselves to our past, receive it in all its humanness, accept it and move on.

You may say we live in the memory of others.  Well, the memory of you lives on in the lives and memories of others, also perhaps in land you’ve loved, books you’ve written, paintings you’ve created, houses you’ve built, quilts you’ve made, but these are not you.  They are the memory, the imprint of you.

You are that whole universe lived within your Self, in the body and in the mind and in the spirit or the soul.  That others can never know, can never see, can never experience.  That universe experiences its apocalypse at the moment of your death.

This is very liberating.  We need only accept the death of our private universe to realize how tiny each event that looms so large in our memory is.  It will be swept away.

Hmm. getting tired here and don’t want to dig this further right now.  But its important to me anyhow.

 

A Morning During Our Long November

Winter                            First Moon of the New Year

Our long November continues.  Patchy snow, mostly bare ground and leafless trees.  Occasional sunshine, like today, otherwise gloomy and gray.   I’m disappointed in the season since I believe we have to earn our springs here and I’m not sure we’re going to this year.  Of course, last year may have counted for two.

Action method and Evernote have both made my work on the computer much more productive.  I can switch seamlessly among projects now without having to do a lot of hunting for files and resources.  Since my days have become more and more study oriented this means a lot to me.

(remember last winter?)

Kate’s out having lunch with a friend, Penny.  I worked on Ovid, finished up my ten verses for this week.  This afternoon I’ll check out my objects for my two China tours tomorrow and probably enter some more of the material I wrote last March at Blue Cloud.

I’m getting close to having that finished.  Once I do, I’ll go back over my notes and start writing again.  I expect I’ll have a rough draft finished in February if things go well.  I’ll start on Book II after that.

 

On Moving Toward Doing the Work Only I Can Do

Winter                              First Moon of the New Year

Spent yesterday shifting to my new work schedule.  A couple of hours on Ovid, plus analyzing some of Caesar’s Gallic Wars.  Edited three portions of the Tailte Mythos:  Book I and began clipping postings from Ancientrails to consult for my first essay in the Reimagining project.

Also learned that I can’t go to sustaining status at the MIA until I’ve had 8 years as a docent.  Sustaining would cut my tour requirements in half.

This means I’m going to have duck out of the Sierra Club sooner than I had planned.

No plant starts this year.  I’m going to buy already started plants and of those only those we decide to grow for particular, planned uses.  We’re going to shift our gardening now toward minimalism, toward those things we’ll preserve.  Two colonies of bees.  Emphasizing less maintenance everywhere, planting towards a time when the gardens will need even less, eventually very little care.

Life’s focus changes as our lives change and now I’ve become focused on those kind of things only I can do.  Only I can write the Tailte books.  Only I can set down my scattered thoughts about a sort 0f ur-faith, a common reverence all of us on the planet might share.  Others might/will translate Ovid, but only I will work toward a beginner’s level commentary, one similar to Pharr’s commentary on Vergil.

Not sure why now for this shift except to say that I know my time is finite.  Yes, it always has been, that’s true, but now it seems existential.  No, I’m not covering something up here, I’m not ill, in fact, I just got a set of labs that Kate says are typical of a 40 year old.

Long ago, in my 20’s, I read an article about when certain professions reach their maturity.  You know the material about mathematicians and scientists, early ripe, but certain other professions matured much later, writers and artists, for example, with the oldest age of maturation according to this reckoning being 50, for philosophers.

Factoring in my drinking and an early career emphasis on politics and the practical side of religion, I don’t find 65 to far out of range for me.  I feel mature in my thinking and writing skills now and I need to deploy them or my unique contribution will be lost.

How the New Year Might Look

Winter                                           First Moon of the New Year

At an inflection point with the Latin.  Either I keep the pace I currently follow, maybe 6 hours a week; or, I ramp up, say to 10 or 12, maybe a couple of hours each day.  Some analysis of other texts–maybe Caesar or Suetonius or Julian, I have all of these in Loeb Library volumes–plus more translating of the Metamorphoses.  My inclination is to ramp up, do more, focus on Latin and the novel.  That’s what my heart tells me.

That other project, too.  The one I’ve got slotted for 5,000 word essays each month next year.  Where I’m going to give voice to my whirling ideas about the earth, about ge-ology, about what would help us help our home planet.  That one, too.

When you add these things together, they constitute real work and I feel good about that, not trapped or bummed.  Now all I need is a way of allocating my time so I can work them all in and still manage the art, the garden, the bees and family.

That may be my new year’s work.  Pruning activities and creating a new schedule.

 

 

Ancient of Trails

Winter                                      First Moon of the New Year

Rock Hopper juvenile Falkland Islands

The Tumblr site is up, though it has very few postings right now.  That will change over the next few weeks and the initial postings may change, too, as I use the new theme more.  You can access the site through the link, Ancient of Trails, found at the top of the right hand column here.

Why another blog?  Tumblr allows for much easier posting of photos and emphasizes them over print.  We have a large number of photographs and I need the impetus to organize and fiddle with them.  In late January I’m taking a two session class on Adobe Photoshop, then another later in February.  In March and April I plan to learn two more Adobe programs.  I bought an Adobe Creative Suite last fall before the cruise but the programs are too complicated to use without some training upfront.

All of this, too, ancientrails and ancient of trails, will leave cyber footprints for children and grand-children, a way to look back at Grandpa and Grandma, see what they were up to back when computers actually sat on desktops, folks still had landlines and watched broadcast tv.  You know, the old days.

Starting in January I’m going to begin mining ancientrails for a 2012 writing project, one 5,000+ word essay a month, so there are additional uses for them, too.  Thanks for reading, time to start doing some Latin.

Rereading

Samain                                  Moon of the Winter Solstice

Today, the novel.  Rereading old work, this material is from the beginning of this year, has an odd flavor.  Some of it I read and, boy, what was I thinking?  The pencil scratches out words, lines, paragraphs.  Sections get moved, some eliminated.  Other parts.  Hmmm.  The bones of something is here, not all bad.

This world, Tailte and the mythos of the Great Goddess, has an expansiveness to it, a rich and textured feeling, as if I might write in it for a long time.  That aspect of this work feels very good.

Rereading though goes slowly and until I’m done I won’t start writing new material.  I have about 2/3’s of the novel written, maybe a little less.  If all goes well, I might have a manuscript finished by May.  Then, I’ll set it aside for another six months and return to either Superior Wolf or Jennie’s Dead, two novels I’ve had underway for several years.

The other feeling, maybe inescapable unless you write like Maughm, Kafka, Tolstoy, is the considerable insignificance of the work.  It feels small, as if the world it is in might matter too little, be of too small a consequence.

No writer can make that judgment for their own work, no artist can, but the thought of laboring for years and cranking out filler, well, that can be deadly.  At times this notion, the matter of mattering, has stopped me.  Knocked me out cold.  Sent me to reading or politics or volunteering at the art museum or growing a vegetable garden.

Not this time.  In the end this is my work.  For whatever value it has beyond me, it is my work and it is the best that I can do.  That’s enough.  It has to be.