Category Archives: Music

Three Score and Ten. And jazz.

Lughnasa                                                                   Lughnasa Moon

We celebrated Kate’s 70th tonight, 8 days ahead of her August 18th birthday. Down Bob Dylan’s Highway 61 is a town called Hastings with a new bridge over the Mississippi, two graceful arches painted orange and lit at night. Across the bridge and beyond Hastings is the Alexis Bailly vineyard, founded in 1973 by a Twin Cities’ attorney.

Tonight, as it has done for four years now, KBEM joined with Nan Bailly, daughter of Alexis, to sponsor an evening of jazz and locally sourced food. Nan’s vineyards are green, healthy appearing and the building her father built (picture below) houses a small store and a wine bar.

Behind the building is an area with carved boulder seats, contemporary metal sculpture scattered among native prairie and a spot where KBEM put up a large white tent and several long tables.

The chef for the event, Stan Patalonis, put together a Latin menu with beginners that featured Spanish flavors then moved onto Latin America. The food was good, the wine plentiful and the jazz mellow. A suite of clouds gave us a cooler evening, just right in the mid-70’s, and the rain held off until the meal was done.

Kate enjoyed the wine and her birthday celebration. We drove home along the river, then up 280 and 35E and 10 to Round Lake Boulevard. 70 is a landmark birthday and so was this evening.

Yeah

Imbolc                                                                  Valentine Moon

Then again, there’s jazz.  Not sure how it made its way into my soul.  Sometime in my teens.  Might have been that see-it tour I took with the Methodist Church to New York and Washington, D.C.  Gene Krupa at the Metropole stands out as a memory, though just what I would have been doing there I have no idea.

Jazz, like the Coltrane piece I’m listening to right now, Body and Soul, comes along with big east coast city memories, including the wood paneled corridors of Washington, D.C.  It feels like night time and carpeted hallways with people doing significant things, well past working hours.  Smoke filled rooms, half-empty glasses with lipstick stains and cigarette butts smoking in ceramic ashtrays.

There’s also the stadium in Cincinnati where Coltrane shared the stage with Monk and Herbie Mann.  Where the jazz went on and on and then we returned to the place we were crashing, somewhere on Mount Adams, maybe on Celestial Avenue or Paradise or Monastery Street.  It had these kind of street names.

The combination of marijuana, the jazz festival, the late 60’s and Mount Adams makes for a peculiar set of memories, as if for a while I floated along on Celestial Avenue listening to tenor sax riffs, that wonderful complexity of Monk’s piano, the flute, the horn all marking a variation on the theme of heaven.  Might have been.

(Cincinnati landmark Immaculata Church on Mt. Adams in the background)

 

 

Jazz. Yeah.

Winter                                                                Seed Catalog Moon

To the Dakota tonight with my sweetie.  Warren and Sheryl attended this KBEM event, too.  The featured performers Charmin and Shapira are an improbable match.  He, Shapira, looks like a televangelist who maybe slipped along the line, and plays the guitar at times like Jimmy Hendrix.  At other times like a piano.  He’s subtle and smooth.

Charmin could be a smaller Billy Holliday with a great range and soulful tone that comes out easily.  She sang standards, a nice piece by Thelonius Monk and another I imagine was part of Gershwin’s songbook.

They were backed up a trio with a tenor sax, bass and drums.  All of the musicians were excellent.  I have a special fondness for the dreamy riffs that come from the saxophone and this guy was good.

The Dakota is a local treasure, a Minnesota Treasure, like the Japanese National Treasure’s.  They put out quality food and music.

The wind, must have been 10 mph or so, blasted us as we left and the below or right at zero reading made for punishment.  Glad to get to the car.

 

.5%

Samhain                                                            Winter Moon

Last night Jerry, who has a big band show on KBEM, gave us some statistics.  “2% say jazz is their favorite music.  Another 2% say classical.  .5% like both.”  That puts Kate and me into the .5% bracket.

(Coltrane)

Jazz and classical music are an acquired taste.  Rock and roll and the other forms of popular music are, too, I suppose, but their acquisition comes laced into high school, i-tunes, radio.  Support of their sound comes through commercial channels that, though increasingly fractured, still provide marketing and distribution for them.  They also have youth culture on their side.

Jazz still has a certain underground feel, a music played off the main streets of American culture and by the marginal and marginalized.  It is a music that languishes if it becomes popular, witness the fusion era and the cool jazz played on easy listening stations.  Now, with it’s popularity dwindling again, it can regenerate, offer the lure of the hidden, the cult.

Classical music has a dwindling band of listeners, too, graying as are the jazz audiences. Classical music will find itself refreshed as it, too, becomes the province of smaller gatherings, people devoted to musicology, to the repertoire of yesterday.

Neither of the significant aural art forms will disappear.  Yes, the opportunities to hear them may diminish, but there will always be live performances somewhere for both. The availability of recorded and digital music ensures that they will survive until other audiences find them.

(Musical_Instruments  Evaristo Baschenis (1617–1677)

So it may be that classical music aficionados will attend trios and quartets in performance more than orchestras, though here the SPCO seems to be on firm footing at last.  Jazz followers will head to clubs and bars, much as they always have, and to the occasional festival.  Performers in both will gain renown in smaller groups, but they will be remembered.  Popularity is not the mark of good art, though you can’t deny its value for paying bills.

On the Eastern Shore

Samhain                                                            Winter Moon

Down to the river again tonight.  This time not on Nicollet Island but on the eastern shore, connecting to Chicago, Pittsburgh and New York, the businesses of St. Anthony on Main, a place much visited 30 years ago, less so now.  We were at Vic’s, a restaurant with a great view of a lit up Minneapolis sky line, the river running cold and sluggish below.

Irv Williams (Photo: Kevin Brown)

KBEM, jazz radio, had its Christmas party tonight, another, the last, of the years restaurant fund-raising evenings.  This one featured a 95 year old saxophonist, Irv Williams, short with a polished bald head the color of stained cherry.  He was, my Kate told me, Mr. Smooth.  His music wrapped around us as we ate and talked, a quiet tributary of the same great river plyed by John Coltrane, Charlie Parker and Ornette Coleman.

Warren and Sheryl were there, venturing out after four years in care-giver isolation, still trying to wrap their heads around the freedom they have.  It was a large crowd, maybe 3 or 4 times larger than usual because all the KBEM staff were there.

There will be another jazz noir radio play in April and a restaurant night at the Dakota on January 22nd.

Holiseason Begins to Put the Pedal Down

Samhain                                                              Thanksgiving Moon

We’re in that pre-holiday time when the air begins to take on a certain quality.  It’s part hope for a Thanksgiving (this time) that we both recall and imagine, a desire for an ideal time with family, with busyness, with good food and good memories made.

There are those other times, the times before, when the magazines had turkeys in their ads and the Whitehouse spared a turkey.  This year it will be a Minnesota turkey.  The times when we all had to put on our Sunday clothes even though it was Thursday and drive to an Aunt’s or to Grandma’s or to a friends.  Football and stuffing, a browned turkey and mashed potatoes.  Too many people around a too small table.  That drowsy, sleepy feeling, a tryptophan haze.  The turkey drug.

Those times mesh with hope, give it a flavor, a scent, a sound, a cast.  Those are, for me at least, good memories.  They give the time, this time, a pleasant before hand buzz, a family inflected smile.

This is holiseason.  It has these moments one after the other.  Times when others and the world of commerce and the world of religion and the world of small children all begin to bang into each other, making the world merry.  Yes, it’s chaotic and capitalistic. No doubt of that.  But it’s also fun, filled with good songs and lights.  Gifts and cold weather.  At least here.  Not so much in Singapore and Muyhail.

To all of you headed over the hills and through the woods.  Have fun.  Eat too much.  Laugh a lot.  Drive safely.

 

Far Out

Fall                                                                           Samhain Moon

Jazz at Barbette.  Kate and I have begun to go, every once in a while, to the jazz and dinner combinations co-ordinated by Kevin Barnes of KBEM.  Tonight the meal was at Barbette and the music, jazz guitar, by his brother, Brian Barnes.

If you’ve not been to Barbette, it’s a stainglass lights, art of many qualities on the walls kind of place coupled with the sort of small, but beautiful presentations that mean you’ve just paid a lot for the meal. Tables are set somewhat close together and there was, at least tonight, a genuine air of bonhomie.  The wait staff are quick, delicate and attentive.

Each course had a different craft or Belgian beer associated with it so I passed mine to Kate.  The first, a Duvel, came with the pretzel course.  Never have I seen pretzels so daintily and prettily presented and accompanied by a hot mustard sauce, a shallot marmalade and a wonderful gouda cheese sauce.  Tasty.

The second, a Maredsous, came with gravlax, collard greens and small discs of grits. Sounds weird, but it was pretty good.  The third, a Chouffe, graced a strange and new food experience for me, pork belly.  Now when I say pork belly you may think of bacon but in this case I believe they cut a square section out of a pork belly and cooked it.  I have a very broad palate, more gourmand than gourmet, and I like most things, but this had way too much fat for my taste.  And, of course, I didn’t have the Chouffe to wash it down with. Quel domage.

The final dish was a deconstructed smore with a square of marshmallow topped by a scatter of broken nuts, a tablespoon size and shape piece of ice cream all on a swoosh of chocolate. Outside my low to no carb emphasis, as was the pretzel, but I went ahead anyway.  Pretty good.

We had a university lecturer and her husband, a businessman and his wife, and two militant atheists, one of whom worked for the health insurance industry at our table.

In these settings I find listening to conversation can be a challenge though Barbette wasn’t terrible.

A fun evening.  Oh, and every one said oh! when they asked where we were from and we said Andover.  “So far.”  “That’s a ways.”

 

 

Destination Twin Cities

Beltane                                                                               Solstice Moon

 

Butch Thompson is an elegant guy who can really get down.  “Two Minnesota artists — celebrated choreographer Sarah LaRose-Holland and jazz pianist Butch Thompson — have collaborated to present “Destination Twin Cities,” an impressionistic, time-traveling exploration of neighborhoods, landmarks, people and places that define urban life in Minnesota. Who were we, and who are we today?”

Butch played piano and one very soulful clarinet piece and Sarah LaRose-Holland’s dance troupe, Kinetic Evolutions, gave movement to a nostalgic look back at many Twin Cities’ notable places from the Lexington Restaurant to the Hennepin Avenue Strip.  The latter roughly located where Block E is now.  It was a place full of dives that provided steady work for many Minnesota jazz musicians.

Slides of Twin Cities past:  the Wabasha Caves, street cars, winter scenes in neighborhoods, the Stone Arch Bridge, the West Bank accompanied the music and dance projected on the brick wall of the former Guthrie Lab space, 700 N. 1st Street.

Butch’s music was sad, cheery, bouncy, wistful and cool.  The choreography had some fine moments, especially two two person sets, one ironic and intentionally so I imagine, paired a fine African-American dancer, Kasono Mawanza, with a superb Chinese dancer, Jenny Sung, moving through an evening at the haunt of the white power elite, the Lexington while the second featured a mother and daughter walking on Selby Avenue.  The daughter was 5 years old, maybe 6 and kept right up with the adult who could have been her real mother.  The Lexington piece was elegant and smooth, all careful sinuousity while the Selby Avenue work had improvisation and the kind of charm only a young performer can bring to the stage.

 

 

Technology Is My Friend

Beltane                                                                      Early Growth Moon

Repeat after me:  technology is our friend.  Again.  Technology is our friend.

A month or so ago I bought a 300 CD carousel player.  This dates me in so many ways.  In the first place to enter memos (we’ll talk about those in a moment) you can use a keyboard, but it’s not a usb connection rather it is the old male/female pin receptor.  Fortunately, in my ever increasing museum of used computing equipment I had one.  Score!

What that means is that I input a memo about each disk using the keyboard rather than the dial and point method necessary without it.  That would have found me tossing the discs in the thing.  Anyhow so I decide to put a memo for each disc because otherwise how could I know what it is?

Well, that means developing a system.   We have a faux Dewey Decimal CD storage piece that has 4 rows across and 6 down of small wooden boxes that hold anywhere from 12 to 15 or so CD’s.  So we named the rows A, B, C, and D.  That means that each CD has to have a box number, so A1 puts the CD case in the upper left hand corner box.  We’re keeping the cases for the liner notes.  But, wait, there’s more.  Each CD has to have its own number in the box so the first CD is A11 then the name of the CD in very short hand.

Another wrinkle develops with multiple sets of which we have many.  For example, we have a 25 CD set of the complete works of Chopin.   In this case, we’re now into the 3rd box, the number was for one disc, A316D24.  The D24 meaning D24 in the Chopin set.  In order to enter this data two buttons on the carousel player have to be punched, then the text entered, then saved.  300 times.  I’m up to 60 right now and have already begun chewing on my foot so I can escape the trap.

Now to the charming reality that this dates me.  First of all, who buys CD’s anymore?  I mean physical objects that store your music and take up space in your house?  What?  Second, you mean you have to manually enter the information about the music?  Why can’t the file just put it up like it does on my I-phone, I-pad, I-pod?  That’s way easier.  Not nearly so much work.  In fact, no work at all.

That’s the frictionless world most digital natives inhabit.  Their idea of a record collection weighs about 5 ounces and has ear buds.  If you want to listen to at home, you just drop it in a receptacle that links your device to your home speaker system.  Easy peasy.

Kate and I, however, inhabit the stubbornly physical recent past.  Which means we were born before this millennium for sure and far back in the 20th century, too.  This is probably the last time we will try to organize our music because if we decide to do it again, I’ll flee to the 20th century in my time machine.  I carry it right here on my belt.

It Won’t Be Long Now

Beltane                                                                        Early Growth Moon

A poignant and salient answer to how to live the third phase came from an 18 year old Minnesotan, Zach Sobiech, who died yesterday of bone cancer.  Not much of a conversationalist or a letter writer, Zach’s Mom told him he needed to do something, something that would let people know he was here and leave them memories of him.  Diagnosed with osteosarcoma when he was 14, the cancer did not prevent him from writing and singing songs of his own.

He became an internet viral celebrity with the song, Clouds, downloaded over 3 million times.

Those of us in the third phase understand the challenge Zach faced.  Death was no longer an abstraction, but a certain visitor.  As he says in this song, it won’t be long now.  Oh, we may have 20 years or 30 years, compared to his 4, but the link is the moment when you come to know this life ends.  For good and for ever.

(Alphonse Osbert – Les chants de la nuit.)

How did he respond?  He dug into the riches of his Self, shrugged off the self-pity and depression, and turned those feelings into art.  This is the best and healthiest way to greet the coming of the Sickle Bearer.  Find out who you are.  Find out what best expresses your journey, the ancientrail that has been, is, your life.  Then open up that expression, put it outside yourself for the rest of us to learn from, to cherish, to embrace.  Because it won’t be long now.