Beltane Mountain Moon

Black Mountain sits, stoic and massive. No Pele here on Shadow Mountain either though not far away, less than 600 miles, is the supervolcano at Yellowstone. Does Pele feel these others, all these others? Stromboli? Mt. Etna? Montserrat’s Soufrière Hills volcano? Mt. Pinatubo? All those seamounts like Lo’ihi? Are there other Pele’s around the world or is She the one goddess of fire beneath the earth’s surface?

And what of the Rocky Mountains? Is there a Vishnu-like deity here, noted for His calm, stolid presence, a stable and stabilizing force? To be on and among these mountains does not call out terror, does not reveal the raw fierce power of an erupting volcano. The wildfires that can scour their flanks are not of them, but of the soil, of the world of plants and lightning, of drought and human folly. Their orogeny was, of course, violent, a brutal tearing of the earth itself, forcing rock up, up, up, a tectonic plate pushing hard against another. But that was long ago, ended long ago.

The tao here is quiet, steady whereas the tao of Kilauea creates in ropy pahoehoe and ragged aa, in blasts from the magma chambers meeting underground water, by rips in her surface. Yet they are both the tao. No less generative, no less powerful for their difference. The tao here relies on cohesion, aggregation, altitude, the flow of the atmosphere. The tao on the Big Island relies on explosion, heat, creative destruction, movement.
Both are outward expressions of absence, the unceasing, unrelenting power of pure creation. The tao comes into this reality from the ein sof, making the ten thousand things. The same source that births you or me or the ocean or the sun or the Sombrero Galaxy.

(Emperor Ningzong’s poem inscribed in the upper right corner reads, “The wild flowers dance when brushed by my sleeves. Reclusive birds make no sound as they shun the presence of people.”)
Yes, I am one with the calm of Black Mountain, with the hottest lava erupting now on Kilauea’s eastern rift zone, with the gathered strength of the Yellowstone magma, with the flow of the Colorado, the Rio Grande, the Platte with the globe straddling fluidity of the world ocean. So are you. We bring our own uniqueness, self-consciousness, to the tao. We know ourselves as part of the tao. I am stolid, explosive, fluid, distant, near. We are of the tao now, as we were before being thrown into this time, these places, and we will be of the tao after this life we have dissipates, falls away.
Another recovery hallmark. Kate drove yesterday, went out on her own for the first time since March 22nd! The bank, a few groceries, gas. When doing these errands feels routine, they can be mindless or even a nuisance; but, this sort of moment allows us a glimpse into the ordinary miracles that make up what we think of as normal, usual. We can get up from the chair, pick up the keys, start the car, drive to the grocery store, the gas station, the bank.
Mussar Vaad Practice Group last night. Vaad = sharing without comments. Mussar = Jewish ethics focused on developing middah, character traits. This is a group, partly because of its nature, partly because of its members that has become a Woolly Mammoth equivalent for me, a place where I can be transparent, share, look inside, gain from the ancientrails that others walk.
A session last night with writers who are members of Beth Evergreen. Published writers, that is. Beth Evergreen has a large number of creative people actors, musicians, dancers, painters and writers. Joanne Greenberg who was on the panel has published 20 novels, including the well-known 
Earth has come round the sun again to the second half of the Celtic year, marked by Beltane or Mayday, the start of the growing season. I’m going to try something new this Beltane and introduce at least a half year’s emphasis, a theme of sorts. Mountains. Yes, I’m working on Jennie’s Dead and the sumi-e and qabbalah, but I want to extend the mountain moon’s influence to Samain, to Summer’s End, six months away. On that day, the Celtic New Year, I’ll reassess.
On this day a market week would commence among the ancient Celts, one where handfast marriages could be performed, women would leap over fires to enhance fertility, cattle would be driven between bonfires to ward off disease and young couples would go into the fields and imitate the marriage of Cernunnos and the Maid, adding their magic to that of the god and the goddess.
Yesterday was d-2 of the new dishwasher era. I have now seen the wonderful word, CLEAN, on its external panel twice. And, after checking, it’s true! I believe, barring trouble, that this brings the dishwasher saga to an end. Blessed be.
After the initial overwhelm (what’s a whelm*, I wonder?), I’ve been surprised by the good feelings that have come from my part in Kate’s recovery. Doing more, enjoying it more. Though. I will be happy when Kate’s back to full functioning.
Earth Day. Thanks, Gaylord Nelson. Gabe’s birthday, too. 10 this year. He got a fidget spinner, an infinity box and a red envelope with money, $10 for each year. This year Earth Day is also Kate’s one month mark after surgery. She’s on an upswing in many ways, weight, pain, nausea.
In addition to having an Akido studio that is one of the oldest in the country, Domo has a museum of rural Japanese objects, many related to farming or carpentry. They also have art hung in many spots, but in an unobtrusive, organic way. It’s located in an older, warehouse looking building in what is now a rapidly growing part of Denver. A brand new apartment building is under construction right next to it.
It’s been an unusual weekend visually with the suspended bee hives and the elk Saturday, the 4/20 celebration at Happy Camper on Friday and Domo yesterday. There is, too, of course, always the mountains. When we drive down the hill into Denver, we leave them behind for a bit, decanting ourselves onto the terminus of the great plains, still high at 5,280 feet, but flat all the same. Last night when we came home, a mountain in the distance toward Evergreen was a flat, pastel teal with pink ribbons of clouds behind it. Only Cezanne could have done it justice.







