Category Archives: Art and Culture

Ecce Homo

Imbolc                                                             Valentine Moon

Scott got reservations at David Fong’s, a long time Chinese restaurant in Bloomington. David Fong, Yin’s brother, started a chow mein takeout on the same location about 50 years ago.  This was eating in a Chinese restaurant on Chinese New Year’s, not eating a New Year meal.  The food was very good, especially since Scott came complete with recommendations from Yin as to what we would like.  Handy.

Frank, Warren, Tom, Scott and I were there.  We shared our steak kow, mongolian beef, lo mein, honey crusted walnut shrimp, pot stickers and a crumbly chicken dish whose name I can’t recall.  You put the chicken in a lettuce leaf, sort of like a taco.  All of them were tasty.

We spent a lot of time talking about grandkids.  Scott and I had a similar experience of five-year old grand-daughters who decided we were not “real” grandpop’s because we were not the biological father of their parent.  As with Ruth, this has passed in Scott’s case, too.

Tom has set up an intriguing question for our February 17th meeting:   What does it mean to be a male in our culture?  He has also asked that we bring three images of men that will start off our conversation.  I’ve got a few posted here, but as I’ve gone hunting for images it made me wonder if there is a book called the male image in art.  Lots of such books for females, many of nudes, but of men?  A quick google search in the books section shows none.  Probably are some, but that they’re not obvious says something.

Another thought that occurred to me, and it relates to third phase life for men, is this, what is our image of a man at home?  That is, beyond the guy with the fly-rod, golf club, barca-lounger, or woodshop.  And these are based on the silly, even pernicious idea of third phase life for men as the replacement of work hours with a favorite leisure activity.

With no positive image of a man at home it’s difficult to understand how to be at home when one has left traditional work life behind.

Jazz. Yeah.

Winter                                                                Seed Catalog Moon

To the Dakota tonight with my sweetie.  Warren and Sheryl attended this KBEM event, too.  The featured performers Charmin and Shapira are an improbable match.  He, Shapira, looks like a televangelist who maybe slipped along the line, and plays the guitar at times like Jimmy Hendrix.  At other times like a piano.  He’s subtle and smooth.

Charmin could be a smaller Billy Holliday with a great range and soulful tone that comes out easily.  She sang standards, a nice piece by Thelonius Monk and another I imagine was part of Gershwin’s songbook.

They were backed up a trio with a tenor sax, bass and drums.  All of the musicians were excellent.  I have a special fondness for the dreamy riffs that come from the saxophone and this guy was good.

The Dakota is a local treasure, a Minnesota Treasure, like the Japanese National Treasure’s.  They put out quality food and music.

The wind, must have been 10 mph or so, blasted us as we left and the below or right at zero reading made for punishment.  Glad to get to the car.

 

Back in the MIA

Winter                                                            Seed Catalog Moon

Went into the MIA today to see the Audacious Eye exhibition.  It contains representative torii-in-snow.jpgtorii-in-snow.jpgobjects from an entire collection, the Clark Collection, acquired in the last year by the MIA.  It was an uneven show with several spectacular pieces and several not-so spectacular ones. Many of the nicest pieces were screens and paintings in the Chinese tradition, a substantial influence on all of Japanese culture.

(detail_of_daruma  Tsuji Kakō, 1870–1931)

Lesson from this.  Go in the first days of a new show so a later visit, more focused, can result in greater depth.  Several of the pieces I would like to see again will, I imagine, be up in the permanent collection over the next few months.

Ran into docent friend Bill Bomash.  We had lunch and talked about the museum and his life.  He went to Knox College in Galesburg, Illinois.  His roommate came back one day and said he’d signed up for a year abroad.  Bill thought that sounded good, went to the library and looked at the bulletin board with year abroad brochures.  The Scandinavian Seminar had no prerequisite language requirement.  Aha, he said, that’s for me.

His year focused on Denmark where he discovered an affinity for the Danish language which he spoke with almost no accent.  The director of the Seminar, whom he met by chance while working in Copenhagen mistook him for a Dane, complimenting him on his English.  This proved significant later on when he applied for Ph.D. work at the University of Minnesota.  A letter of recommendation from this same man produced an offer of a teaching position in Danish.  He funded his Ph.D. work teaching Danish.  All because of that brochure on a bulletin board.

After the MIA, I went over to Verdant Tea where I met the general manager, Brandon, purchased two clay tea jars and a new teapot, one Brandon purchased in San Francisco some time ago.  Verdant Tea is a very Seward neighborhood kind of business with latter day hippies and contemporary hipsters sitting around sipping tea and discussing the issues of the day.

Found the exhibit, which was quite large, induced museum fatigue two galleries from the end, so I began to look with only cursory interest.  Still, it was good to be back with the art. Trying to figure out how to get in often enough to satisfy that itch.

2014 Intentions

Winter                                                         New (Seed Catalog) Moon
Having presented a prod toward humility and non-attachment here are some of my intentions and hopes for the New Year:

1.  A healthy and joyful family (including the dogs)

2. Sell Missing

3. Have substantial work done on Loki’s Children

4. Translate at least book one and two of Ovid’s Metamorphoses

5. Have a productive garden and orchard, beautiful flowers

6. Host a Beltane and a Samhain bonfire to open and close the growing season

7. Establish a new beeyard and have a decent honey harvest

8. Have a new and consistent way to include art in my life

9. Consider a new blog focused solely on the Great Wheel and the Great Work

10. Feed the autodidact with a few more MOOCs

2013: Second Quarter

Winter                                                            Winter Moon

The first day of the second quarter, April 1st, is Stefan’s birthday and was a gathering of the Woolly’s at the Red Stag.  I made this note: “Here we are seen by each other.  Our deep existence comes with us, no need for the chit-chat and polite conversation of less intimate gatherings.  The who that I am within my own container and the who that I am in the outer world come the closest to congruence at Woolly meetings, a blessed way of being exceeded only in my relationship with Kate.”

The “doing work only I can do” thought kept returning, getting refined: “With writing, Latin and art I have activities that call meaning forward, bringing it into my life on a daily basis, and not only brought forward, but spun into new colors and patterns.” april 2 On the 13th this followed:  “Why is doing work only I can do important to me?  Mortality.  Coming at me now faster than ever.  Within this phase of my whole life for sure.  Individuation.  It’s taken a long time to get clear about who and what I’m for, what I’m good at and not good at.  Now’s the time to concentrate that learning, deepen it.”

The best bee year we’ve had started on April 16th with discovering the death of the colony I thought would survive.  While moving and cleaning the hive boxes, I wrenched back and the pain stayed with me.  That same day the Boston Marathon bombing happened.  In addition to other complicated feelings this simple one popped up:  “The most intense part of my initial reaction came when I realized what those feelings meant, the emptiness and the sadness and the vacuum.  They meant I am an American.  That this event was about us, was done to us.”

Another theme of this quarter would be my shoulder, perhaps a rotator cuff tear, perhaps nerve impingement caused by arthritis in my cervical vertebrae.  Maybe some post-polio misalignment.  But over the course of the quarter with a good physical therapist it healed nicely.

Kate went on a long trip to Denver, driving, at this time, for Gabe and Ruth’s birthdays. While she was out there teaching Ruth to sew, Ruth asked her, “Why did you become a doctor instead of a professional sewer?”  When Kate is gone, the medical intelligence of our house declines precipitously.  That means doggy events can be more serious.

Kona developed a very high fever and I had to take her to the emergency vet.  She had a nodule on her right shoulder which we identified as cancerous.  This meant she had to have it removed.  At this point I was moving her (a light dog at maybe 40 pounds) in and out of the Rav4 with some difficulty because of my back.

This was the low point of the year as Kona’s troubles and my back combined to create a CBE (1)dark inner world.  The day I picked Kona up from the Vet after her surgery was cold and icy, but my bees had come in and I had to go out to Stillwater to get them, then see my analyst, John Desteian.  That day was the nadir.  I was in pain and had to go through a lot of necessary tasks in sloppy slippery weather.  That week Mark Odegard sent me this photograph from a while ago Woolly Retreat.

By the end of the month though Kate was back and April 27th:  “Yes!  Planted under the planting moon…”

For a long time I had wanted to apply my training in exegesis and hermeneutics to art and in this time period I decided to do it.  In the course of researching this idea I found I was about 50 years late since the Frankfurt School philosophers, among them, Gadamer and Adorno, had done just that.  Still, I patted myself on the back for having thought along similar lines.

Over the last year Bill Schmidt, a Woolly, and I have had dinner before we play sheepshead in St. Paul.  His wife, Regina, died a year ago September.  “Bill continues to walk straight in his life after Regina’s death, acknowledging her absence and the profound effect it has had on his life, yet he reports gratitude as his constant companion.”

By April 29th the back had begun to fade as an issue: “Let me describe, before it gets away from me, submerged in the always been, how exciting and uplifting it was to realize I was walking across the floor at Carlson Toyota.  Just walking.”

Kate and I had fun at Jazz Noir, an original radio play performed live over KBEM.

In my Beltane post on May 1st I followed up my two sessions with John Desteian:  “John Desteian has challenged me to probe the essence of the numinous.  That is on my mind.  Here is part of that essence.  The seed in the ground, Beltane’s fiery embrace of the seed, the seed emerging, flourishing, producing its fruit, harvest.  Then, the true transubstantiation, the transformation of the bodies of these plants into the body and blood ourselves.”

Then on May 6th, 5 months into my sabbatical from the MIA:  “The third phase requires pruning.  Leaving a job or a career is an act of pruning.  A move to a smaller home is an act of pruning.  Deciding which volunteer activities promote life and which encumber can proceed an act of pruning.  Last year I set aside my political work with the Sierra Club.  Today I have set aside my work at the Minneapolis Institute of Arts.”  That ended 12 years of volunteer work.

“When you recover or discover something that nourishes your soul and brings joy, care enough about yourself to make room for it in your life.”

Jean Shinoda Bolen 

It was also in May of this year that Minnesota finally passed the Gay marriage bill.  Gave me hope.

May 13 “Sort of like attending my own funeral.   All day today notes have come in from docent classmates responding to my resignation from the program.”  During this legislative session, I again became proud to be a Minnesotan.

As the growing season continued:  “If you want a moment of intense spirituality, go out in the morning, after a big rain, heat just beginning to soak into the soil, smell the odor of sanctity…”

On May 22nd the Woolly’s gathered to celebrate, with our brother Tom, the 35th year of his company, Crane Engineering.  The celebration had something to do with a crystal pyramid.  At least Stefan said so.

A cultural highlight for the year was the Guthrie’s Iliad, a one person bravura performance by veteran actor, Stephen Yoakam.

Friend and Woolly Bill Schmidt introduced me to High Brix gardens.  I decided to follow their program to create sustainable soils and did so over the course of the growing season. I got good results.

Our new acquaintance Javier Celis, who did a lot of gardening work for us over the year, also finished up our firepit and we had our first fire in it on June 7th.  It was not the last.

On June 12th Rigel came in with a small pink abrasion on her nose.  She had found and barked, barked, barked, barked at a snapping turtle.  Kate removed the turtle from our property.  The turtle came back, hunting I believe, for a small lake not far from us in which to lay her eggs.  The next time Rigel and Vega still barked, from a safe distance.

And on Father’s Day: “Is there anything that fills a parent’s heart faster than hearing a child light-hearted, laughing, excited?  Especially when that child is 31.”

During her visit her in late June grand-daughter Ruth went with me on a hive inspection: “She hung in there, saying a couple of times, “Now it’s making me really afraid.” but not moving away.”

My favorite technology story came on June 27th when NASA announced that one of the Voyager spacecrafts would soon leave the heliosphere, the furthest point in space where the gases of the sun influence matter.  This meant it would then be in interstellar space.

And, as Voyager entered the Oort cloud Tom and Roxann made their way Svalbard and the arctic circle.  Thus endeth the second quarter.

 

 

Yixing Teapot

Winter                                                                      Winter Moon

My holiseason present came today.  It’s a yixing teapot from the Chinese Teashop based in Vancouver, British Columbia.  That brings my collection to three:  one for black and pu’er teas, one green and oolong teas and one for white teas.  Eventually I’ll have a yixing teapot for each of the varieties of tea, but it takes a while to get there since they’re not cheap.

My gong fu cha chops have increased over the last few weeks and sitting above me and to my right are these teas:  Master Han’s Looseleaf 2004 Shu Pu’er, spring harvest Laoshan green, Phoenix Mountain dancong oolong, Wuyi mountain big red robe, Qilan Wuyi oolong, Silver Needle.

This tea journey I’m on now is another ancientrail, a side path from an interest in Asian art and culture.  It allows me to have a bit of Asian culture right here, on a regular basis.

With gong fu cha I infuse tea leaves for times ranging from 4 seconds to the very longest 25 seconds, pouring hot water over the teapot while the tea infuses, a different temperature for each variety of tea.  This requires a teapot and my Zojirushi.  The Zojirushi holds three plus liters of water at 175 degrees.  It’s perfect for white and green teas.  The teapot gets water to the 205-208 degree temperatures best for the oolongs, blacks and pu’ers.

There’s a good deal of puttering with it, fussing and that’s all part of drinking tea.  It takes me, at least for a minute or two, into a world of long ago and far away.  When I return I have about half a cup of tea, which lasts a good while since I drink it out of my Chinese teacups, smaller and shallower and wider than the tea cups we use.

Having added it to my working day gives uniqueness to the beverages I drink and links me to a worldwide culture of tea drinkers.  It’s a hobby, I guess.

Those Odd Days Toward the End of the Year

Winter                                                   Winter Moon

Looked at my calendar and found basically nothing on it until after the first of the year. I like that.  In times past it would have caused some consternation, not now.  Now I see it as fertile time that I can use as I need.

Doesn’t match my feeling of the moment, however, which is, ho hum, let’s watch a movie. Which I just may do.  We got Hannah Arendt in the mail Thursday and I haven’t seen it yet.

The Winter Solstice has come and gone, followed by this period of little to do as everyone goes about holiday and end of year scurrying.  A while back I discovered the Maya considered the five days at the end of the year as bad days, days when it was best to do nothing since the omens weren’t auspicious.  I modified that and decided to use these last days for idiosyncratic projects, things I might not do otherwise.

(Edouard_Manet The_Reader)

One thing I have planned is additional organizing of all the image files I’ve collected over the years.  This will include pulling some files off an old hard-drive and getting them on this computer as well as creating new files where old ones have become too full.  An example would be the file, Art French.  In this file I have Bonnard, Chardin, Poussin, Manet and several others of note.  Early on I created Art Monet, Art Cezanne, Art Gauguin and Art Matisse and now I have enough files to create separate files for each of these other artists, too.

(William-Adolphe Bouguereau “Art and Literature” 1867.)

This work will include some primary pics posts featuring my favorite images.  I love looking at these images and this is a good excuse to dive into them.

There’s a sort of torpor that descends on me at this time of year, a sense that the old year has grown fainter and fainter with the vigor of the new year still to come.  I try to have fun with it.

 

.5%

Samhain                                                            Winter Moon

Last night Jerry, who has a big band show on KBEM, gave us some statistics.  “2% say jazz is their favorite music.  Another 2% say classical.  .5% like both.”  That puts Kate and me into the .5% bracket.

(Coltrane)

Jazz and classical music are an acquired taste.  Rock and roll and the other forms of popular music are, too, I suppose, but their acquisition comes laced into high school, i-tunes, radio.  Support of their sound comes through commercial channels that, though increasingly fractured, still provide marketing and distribution for them.  They also have youth culture on their side.

Jazz still has a certain underground feel, a music played off the main streets of American culture and by the marginal and marginalized.  It is a music that languishes if it becomes popular, witness the fusion era and the cool jazz played on easy listening stations.  Now, with it’s popularity dwindling again, it can regenerate, offer the lure of the hidden, the cult.

Classical music has a dwindling band of listeners, too, graying as are the jazz audiences. Classical music will find itself refreshed as it, too, becomes the province of smaller gatherings, people devoted to musicology, to the repertoire of yesterday.

Neither of the significant aural art forms will disappear.  Yes, the opportunities to hear them may diminish, but there will always be live performances somewhere for both. The availability of recorded and digital music ensures that they will survive until other audiences find them.

(Musical_Instruments  Evaristo Baschenis (1617–1677)

So it may be that classical music aficionados will attend trios and quartets in performance more than orchestras, though here the SPCO seems to be on firm footing at last.  Jazz followers will head to clubs and bars, much as they always have, and to the occasional festival.  Performers in both will gain renown in smaller groups, but they will be remembered.  Popularity is not the mark of good art, though you can’t deny its value for paying bills.

Lycaon

Samhain                                                               Winter Moon

Work on Ovid continues.  Here is a link to a Google Art Project gallery of works inspired by Ovid.  It is far from complete, but it does represent a beginning on an additional project related to the Metamorphoses.  I would like to find as many works as I can that relate directly to the Metamorphoses.  This is an art history project I’ve assigned to myself.

Below is the somewhat polished text that lays out the tale of Lycaon from Book I of the Metamorphoses, v.163-239.

The work is mine, the good and the flawed.  I’m still learning.

 

163 Saturn’s son looked out from the highest citadel of heaven,

164 Lamenting deeds not yet made known,

165 He recalls the foul banquets at Lycaon’s tables,

166 And in his divine heart burns a vast, fitting wrath.

167 He summons a council and the gods gathered quickly when called.

168 The way is lofty, clear in cloudless heaven,

169 The Milky Way, extraordinary in its brilliance.

170 On the Milky Way is the path to those above, the temple of Thundering Jupiter,

171 His royal home. Through folding doors

172 On the right and left, the forecourt of the noble God’s home swelled with visitors,

173 (the lesser gods live in lesser dwellings): here the mighty

174 and glorious Gods sat down their own Penates.

175 This place is, if boldness might be permitted in my expression,

176 Something I have no fear to declare the Palatine hill of great heaven.

177 When the gods above sat in that marble hall,

178 Mighty Jupiter leaned upon his ivory staff

179 And shook his terrible hair over and over again,

180 Moving the earth, the sea and the stars.

181 His face, angry, then displayed a look horrible beyond measure.

182 Alas, distressed, I was not then in control

183 Over the world. While everyone was making ready,

184 The many armed giants sought to capture heaven.

185 Although the enemy was savage, yet that war had its origin

186 only within one tribe, from within one race.

187 Now for me, Nereus surrounds the whole word with sound.

188 The mortal race must be destroyed: I swear by the river

189 Below, sinking beneath the earth into a Stygian grove!

190 Altogether better testing: but,

191 The incurable body is cut away by the sword and no part must be left intact.

192 Nymphs, fauns, satyrs dwelling in mountains and woods,

193 these are demi-gods, country divinities.

194 Because we do not yet deem them worthy of the honor of heaven,

195 We dedicated a certain place for them to dwell, we granted them the earth.

(Nymph and Fauns – Julius Kronberg)

196 Or perhaps sufficient, o high gods, they will be looked upon with trust, those demigods.

197 For me, who has the thunderbolt and who has you and who rules over you,

198 The infamous Lycaon conceived a savage ambush.

199 All the gods cried out and with burning zeal

200 Demanded extreme measures. {Thus, with impious hand he rages

201 To eliminate Caesar’s name from Roman posterity.

202 Stunned, the human race has been plunged

203 Into a great dread of ruin.

204 For you, Augustus, your pleasing devotion

205 Was not smaller than that of Jupiter’s,} who after that,

206 With voice and hand restrained the grumbling, the silence of all held.

207 The shouts subsided as the weight of Jupiter’s seriousness pressed down upon them,

208 Jupiter broke the silence by speaking again to this gathering.

209 “Certainly that one suffered punishment, you no longer need worry.

210 However, I will tell you about that crime which must be punished.

211 The infamy of this time has reached our hearing.

212 I intend to fly down from high Olympus to the earth,

213 And as a god hidden in human likeness, a wanderer.

214 It would take too long to recount crimes so great as have been reported anywhere,

215 the bad report itself bore little truth.

216 I had to cross the terrible Maneala’s, refuges of wild beasts,

217 with icy-cold Cyllene and the pine-groves of Lycaeus:

218 Hence, I enter the state of Arcadia and the inhospitable home

219 Of the tyrant, the late hour pulling forth the night.

220 I furnished signs that a god had come, and the people had begun to

221 Pray: at first Lycaon laughs at the devout prayers,

222 Soon he says “This god must be measured, a test will reveal him,

223 or he must be a mortal. The truth will not be in doubt.”

224 He had planned to destroy me

225 weighted with sleep and not expecting dark death.

226 Therefore he is not yet measured against my strength: one of the race of Molossa

227 Was put to death for an ambush, his throat opened by a sword.

228 A portion of him softens, half-dead joints in

229 Boiling water, another portion roasted by placing under the fire.

230 At the same time he put that down on the table, {with avenging fire

231 I overturned the house upon the ruler’s worthy penates.}

232 Terrified, he fled, and having reached the quiet countryside,

233 He howled and in vain he was trying to talk.

234 He was transformed into a beast by lust

235 Accustomed to slaughter, and he now rejoices in blood.

(Lycaon  Melissa Burns, 1978 The wolf-metamorphosis his glaring look remains.)

236 His clothes have changed to shaggy hair, his arms into legs:

237 He is made into a wolf but retains the human shape of his foot.

238 His gray hair is the same, as is the fierceness of his face,

239 the same glitter is in his eyes, the same shape of wildness.

Google Cultural Institute

Samhain                                                               Winter Moon

The links to the right provide quick access to resources that I use from time to time.  One added today is of special interest:  Google Cultural Institute.

This remarkable tool has three separate sections:  The Art Project, the World Wonders Project and the Archive Exhibitions.

Art Project

“Museums large and small, classic and modern, world-renowned and community-based from over 40 countries have contributed more than 40,000 high-resolution images of works ranging from oil on canvas to sculpture and furniture. Some paintings are available in ‘gigapixel’ format, allowing you to zoom in at brushstroke level to examine incredible detail. Use Google Street View to explore the interiors of landmarks such as the Palace of Versailles and The White House. Or, build and share your own virtual art gallery.”

World Wonders Project

“World Wonders brings modern and ancient world heritage sites online using Street View, 3D modelling and other Google technologies. Explore historic sites including Stonehenge, the archaeological areas of Pompeii and the Great Barrier Reef as if you were there. Learn about the history and background of each location with information provided through a partnership with UNESCO.”

Archive exhibitions

“Many cultural institutions have extensive archives of information, much of which cannot always be put on public display. Our partner museums and curators have created exhibitions to bring these archives to life and make them available online. Explore Historic Moments, Cultural Figures, Science & Technology, and other categories to browse through photos, videos, manuscripts and documents on a wide range of topics – from Nelson Mandela’s handwritten prison letters, to the ‘La Dolce Vita’ era in Italy.”

It’s worth visiting.