Will You Still Need Me? Will You Still Feed Me?

Imbolc                                                 Waxing Bridgit Moon

Iconic birthdays.    Sweet sixteen.  18-old enough to die.  21–when I was young, this was THE iconic birthday.  Ok to drink.  Woops.  A few years later I was an alcoholic.  Then for my generation there was 30.  We didn’t trust anybody over 30.  Uh-oh.  That came and went.  Then, 40.  40 was a big one because it was the time you might buy a red sports car, hunt for that trophy wife and make strange vocational decisions.  Close.  I met Kate, my wife who has been a wonder and a major Valentine ever since we got serious.  I made a strange vocational decision.  Got out of the ministry and in to writing.  Yes, there was, too, that little red sports car.  Bought it in 1994.  OK, I was 47, but hey.  Still driving it.  There was another major birthday for me, 46.  My mother died at age 46.  To pass your own mother’s age is a strange sensation, I imagine, at any age, but at 46, it seemed more than strange.  Sad. Painful. Happy to be alive.

After those, 50 was not a big deal.  60 was 60.  I mean it’s a big deal in a way, but still, the only thing I felt was that I had passed into the new late middle age.

But.  64.  Now that’s a biggy.  Wouldn’t have been I suppose if not for that Beatle’s song.  It managed to set a date for a change in attitude, a time when our life and love might change, might change so much that we would ask if we were still necessary to the people we love.  That’s too grim a statement for the light-hearted tenor of the song, but I think it did capture a fear resident in many a then 20+ years old heart at the time it came out:  what can life be like when we’re old?

Those of us in the baby boom generation had created an entire culture around youth, rebellion, drugs and rock and roll.  Sgt. Pepper came out in June of 1967.  The summer of love.  Wearing flowers and heading for San Francisco.  How could acid-dropping, hard rock lovin’, anti-war, free love folks like us ever grow old.  When I’m 64 was like a time that would never come.

Of course, no generation, at least none so far, gets to re-write the rules of aging.  We passed through our 20s, then our 30s, then 0ur 40s and 50s and have now begun to crest upon the shore of social security and medicare.  We have started to hit our mid-60’s.  As iconic ages go, of course, the big one for years was 65.  The finish line.  Throw away the work clothes, grab the gold watch and go golfing, then fishing, then drop dead.  Not now.

We hit 64 and we’ve just begun to pick up speed.  It’s not an age; it’s a speed limit.

Suddenly we’re here, many of us, and we realize that the song was written by youngsters.  It expressed their and our fear of moving on beyond the wonder of the sixties.  What would it be like?  What could it be like?

I’m happy to report that it’s just fine.  Just as I told Kate, yes I still need you and yes I’ll still feed you; she tells me the same.  We have come a long ways from the days of the summer of love and the march on Washington.   Those were great days, so are these.  I’m happy to be 64.

Carpe this Diem

Imbolc                                                 Waxing Bridgit Moon

OK.  Today is a new day.  I do not plan to torture my computers anymore today in regard to my legacy laserjet printer.  It has been a faithful companion throughout the last 19  years and I do not plan to give up on it yet.  Even so, I’ve experienced my tolerance level of geek futility since I tried to convert it from parallel processing to usb, so it will rest on the sidelines for a while as I install the new multi-function printer later in the day.  If I can find a new laserjet printer for under $300 I may just get one with a native usb connection.  Not sure I’d do with old faithful.  I might bring it in here (the study) and see if I can convince it to mate up with the Gateway in here.  I might give it to somebody with a parallel printer port.

I know, too, that losing colonies is still common for beekeepers and that my experience is not unusual.  In fact, as I said a bit earlier, I was not surprised by the deaths of two of the colonies. Only the package colony’s demise surprised me, since it seemed to have plenty of honey and a healthy group of bees.  Another year is another year.

With temperatures above freezing the dogs are frisky, staying outside longer, bumping, running, tails held high.  They both hunt between the honey house and the play house, noses to the ground, body alert.  Kona still finds the outdoors a bit too cool and no wonder, she no longer has any hair on her butt.  I know how it feels when there’s no hair on the head, probably a similar sensation.  And it is hard for Kona to put a hat or a scarf on that particular location.

I’m inclining toward a Renaissance theme for the Titian tours.  This exhibit showcases the High Renaissance in Venice from its beginnings in the early 1500’s through its end in the 1580’s.  Venice held on to the Renaissance longer than the rest of Italy, though even its extension ended well before the Renaissance limped toward its end in the 1700’s in northern Europe.  The Renaissance gave shape and content to our era, actually doing what those embroiled in it thought they were doing, ushering in the modern age, shifting from the ancien regime to the days of democracy, individualism, capitalism and science, days within which we still live.

Not often do we have the chance to experience such a clear visual record of this dramatic change in the lifeways of Western civilization, a record written not in words, but in the brushstrokes and vital imaginations of artists who distilled the time and painted it.  On canvas.  Using oils.