Lonely Coax Cable

Lughnasa                                                                   Honey Moon

As I installed the CD changer and cleaned up the clutter of wires, I removed all the wires no longer needed.  To my surprise among them was the coaxial cable linking our television to Comcast.  Not necessary.  We now get all of our television content from DVD, Netflix, Hulu or Amazon Video.

Until I set all those extra wires aside, I’d forgotten that the coax no longer hooked up to anything TV related.  It looks lonely now.  I might have to bring it a computer.  Oh, wait.  Wi-fi.  Don’t need it for that either.  Still need the one downstairs with the modem and the router though.

An Electric Surprise

Lughnasa                                                        Honey Moon

Kate’s at a sewing circle all day today so I decided to surprise her and hook up the 300 CD player we filled up a while back.  While doing that, I eliminated all the old cords and connectors, tied like ones together with colored plastic-wire ties and dusted the whole area. It all works.  This is the kind of household maintenance I know how to do. (not that it’s hard.)

 

Honorary Docent Lost

Lughnasa                                                           Honey Moon

Back in the MIA yesterday morning before my lunch with Tom.  Wandering around, absorbing the images and the galleries, felt good–but unfocused, I was unclear as to my purpose for being there.

(5th century painting, Poet on a Mountain Top by Shen Zhou.  not in MIA collection)

A long segment of a Chinese scroll, a landscape of black and white mountains, exhibited in a narrow corridor beside the Wu reception hall, sent me into a wistful, calm place and a sudden realization why I like Asian art, especially Chinese and Japanese.  Much of it is soothing, contemplative.

As these thoughts and feelings slowly tumbled down the stream of my experience, I came to an explanation of this “spilt ink” and discovered the scroll had been done by a literati artist waiting for his son at a mountain monastery.  His son was overdue and he felt, he said, “Lonely and sad.”

The exhibition, “Sacred”, has pieces scattered around the atrium on the second floor, some mostly installed, others not.  It focuses on surfaces, as an art exhibition must:  clothing, dance, fluids, walking.  This is something I’ve learned recently, that the modern was a turn toward keen appreciation of the surface of things, logical since philosophy from Kant on down has hammered away at our inability to see the thing in itself, the real behind our perceptions, leaving us with what our senses bring to us, the surface of things.

Modern science, Darwin being a keen example, constructs its wonders on observation and recognizes that it cannot explain what it cannot apprehend.  Yes, there is lots of inference, electron fields, quantum action at a distance, the brain/mind link, but about these things we recognize only what we can measure about them, that is, apprehend. There is no other tool.

So, yes, I understand the “Sacred” exhibition’s focus on the surface of things, but it will not, cannot touch what causes a man to wear a chasuble or a yarmulke.  It will not show the Shiva who dances in the heart of the faithful Hindu or the Buddha mind of the adherent inspired by the Thai walking Buddha.  It will, in this regard, I think, fall several measures short of its mark.  Too facile, too straight forward.  A nice try but not bent enough to capture the mysterium tremendum, the awe that comes with the experience of the holy.

Amour

Lughnasa                                                                        Honey Moon

Kate and I watched Amour last night.  It struck us differently.  I saw two people whose reserve prevented them from opening up to each other, whose Gallic stoicism bordered on emotional neglect.  Georges was dutiful, sometimes loving, always patient and persevering.  Anne had a stubborn fear of medical care and a resignation that set in almost immediately after her first incident.

The dynamic between the two of them left little room for graceful moments.  As I saw it.  Kate saw two people in love who stuck with each other through a horrible and realistically presented slip off a medical precipice.

Perhaps it was the absence of a story line other than the grim decline of Anne, but I don’t believe the unrelenting grayness fading to black represents the whole truth of any such episode.  To be fair there were a couple of moments, when Anne and Georges sang together and when she first got her motorized wheel chair, that had a hint of another mood; but, the bed wetting, the second stroke, the firing of the second nurse, the nasty exchange between Georges and Eva, their daughter, kept piling on and on and on.

I do know this.  It is not the end I want and I will work from this point to see that it doesn’t happen that way.

Lunch with a Friend

Lughnasa                                                                         Honey Moon

Had lunch with Tom Byfield.  An extraordinary guy.  After 37 years of living, as he said, “on the lake bucolic” and conducting a dental practice in Bagley, Minnesota, he and his wife moved to the Twin Cities.  He became a docent 17 years ago.  We both resigned this year, he to take care of his ailing wife, who has since died, and me to finish my novel.

He draws, paints, writes humor articles, has traveled the world and knows a lot about art.  He can, and I have seen him do this, take very legible notes in the dark.  A useful skill in art history lectures.

We’ve both found friendships in the docent program, not the least of them each other.

Lughnasa                                                                                        Honey Moon

Why I write and why I write fantasy.

“The unreal is more powerful than the real, because nothing is as perfect as you can imagine it. because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. wood rots. people, well, they die. but things as fragile as a thought, a dream, a legend, they can go on and on.”

Chuck Palahniuk

My Mythic Past

Lughnasa                                                                           Honey Moon

Most of the day among the eddas of Snorri Sturluson and various books on German and Scandinavian mythology.  This is the material that lies beneath the Tailte trilogy, this one at least, and it has fascinated me for a long time.  Since over half of my ancestry is Germanic, this is the song of my people, the stories and tales which knit the world together for ancient northern Europeans.

(Snorri)

In my writing, mostly, I have focused on Celtic and northern European lore because they are my heritage, a vein I can mine without approbation of cultural encroachment.  I don’t believe that’s necessary, but it makes my psychic life easier.

I’m still trying to understand the elusive Loki, often called a trickster, but in the end an enemy of the Aesir, leading the giants and the unworthy dead against them.  The einherjar, the worthy dead, those who died in battle and were chosen by the Valkyries to feast in Valhalla until Ragnarok and the Aesir, the pantheon of Nordic gods fight to keep the world whole.  Loki is a character central to Loki’s Children and the book after that, The Unmaking, but he’s tough to define and will be a challenge to create.  That’s what makes him interesting, of course.

(Loki, the Trickster — artwork by Arthur Rackham, 1910)

A lot of the best scholarship on the eddas and other poems of the northern European tradition are in German and Scandinavian languages so it is sometimes a struggle to find decent material.  I’m lucky in one regard in that years ago, on a whim, I picked up a multi-volume work called the Norroena:  the history and romance of northern Europe.  It contains translations into English of the major works, up to date as of 1905.  I have read all the works in the Edda volume, a fascinating collection of stories put together by an Icelandic scholar, politician and Skald, Snorri Sturluson.

 

Zeitgeist

Lughnasa                                                               Honey Moon

It’s happening again.  Today.  We’re getting all historical and misty over an event that happened in my lifetime, while I was in high school.

That speech in 1963.  When I went to Washington, D.C. in March I walked past the Obama Whitehouse out to the Lincoln Memorial.  There’s a plaque there, on one of the steps, that marks the spot where MLK stood.

I’d like to say I remember the speech and the reactions to it, but I don’t.  Or, at least, those memories have become submerged in the later, copious reactions in print and in other media.  I can hear his voice, as I imagine you can, soaring and dipping.  “That check came back marked insufficient funds.”  “I have a dream.”  It was the rhythm of call and response preaching, a hallmark of the black church, a tradition that retained, and retains, a respect for rhetoric, for the art of speaking persuasively.

In those days, those same tumultuous times, President Kennedy had authorized American military adviser’s presence in Vietnam.  So even as Dr. King spoke in Washington the seeds of another great domestic conflict were sown, the dragon teeth of Cadmus, and they would come to life in a great battle fought conterminously with the expanding civil rights movement.

And there was more.  As the civil rights movement and the anti-war movement blossomed into a decade of radical protest, another cri de coeur had begun to gain critical mass, the feminist movement.

This was at the end of my first phase, all this roiling pitching crowded press, idea upon idea, action upon action, analysis followed analysis into praxis with the quiet, inhibited era of the post-war atomic age bulging at its anger constricted arteries, veins pulsing with affronted blood.

How could I not have been shaped, reshaped, torn down and built up again by exposure to the racism, the militarism, the sexism that was my birthright, a right mess of potage handed down to me as God’s honest truth?  No wonder those old ties sundered, split apart by cultural sclerosis.

It was King, yes, but it was also the times, the zeitgeist.  This was a moment almost out of time, a moment when the old was no longer adequate, when antiquity could no longer be a reason.  It was a time like the one Ralph Waldo Emerson wanted:

“Our age is retrospective. It builds the sepulchres  of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes . Why should not we also enjoy an original relation to the universe?  Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”

Today we are still learning how to put enough into the bank so the check will not come back marked insufficient funds.  Today we are still learning how to control a military adventurism that displays American imperialism and idealism in equal measure.  Today we are still learning how to integrate women into all phases of our social existence.  And more.  Now we are learning, too, the same for LGBT citizens, for Muslims, for the disabled and the old.

Yes, things have grown quieter again, but that is only because the zeitgeist is not one of boiling change.  At least not here in the U.S.  That does not mean the problems have been solved or that the need for protest is past.  It will come again.

 

 

 

Midwest Grimoires

Lughnasa                                                                  Honey Moon

Finished spraying.  As the crops come in, the amount of spray needed diminishes.  Today I really only needed the reproductive spray because the remaining vegetables are mostly in that category:  tomatoes, ground cherries, egg plants, cucumbers, peppers, carrots. Granted there are a few beets, some chard and the leeks yet to harvest but they seem substantial already.  They also benefit from the showtime, nutrient drenches and the enthuse that I will spray on Saturday morning.

Kate roasted the broccoli and froze it.  She’s also making pickles today, cucumber and onion.  She’s in back to the land, earth mother mode and has been for several weeks.  She consults her canning, pickling, drying, freezing books like grimoires from calico clad wise women of the rural Midwest.  And does likewise, tweaking the recipes when she wants.