Category Archives: Poetry

They Say It’s Your Birthday

Summer                                                                                     Most Heat Moon

“so I wait for you like a lonely house
till you will see me again and live in me.
Till then my windows ache.” 
― Pablo Neruda100 Love Sonnets

A good while back I sat down and wrote a list of my saints. These are writers, political activists, artists, naturalists, poets, film-makers, scientists, philosophers and others who have influenced my thinking, moved me toward various arenas of action. They are my mentors.

A bit later I sat down and began entering their birthdays onto my Google calendar so I could acknowledge them at least once a year. That’s why my calendar for today, July 12th, has three names on it: Julius Caesar, Henry David Thoreau and Pablo Neruda. What an odd threesome, a Roman general and the first emperor, a New England Renaissance naturalist and writer, a socialist Chilean poet.

Someday I plan a post that will feature most of my saints, a blog version of the Book of Saints, only these will be mine, an idiosyncratic list with very few outright religious folks on it.

Three Things

Beltane                                                                         Emergence Moon

To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.                                  Mary Oliver, Blackwater Woods

This life here. This land. These friends. The memories. All mortal. And I love them all. For forty years I have held this life, in its glad moments and its sad ones, against my bones, knowing I did depend on it. For twenty years I have held this land and the life here with Kate against my bones knowing I depended on both of them. For twenty-five plus years I have held the Woollies and Kate against my bones knowing my life depended on them. The dogs, too. Later, the docents, friends from the Sierra Club and elsewhere. All against my bones.

Now, and here is the gray cloud lying close to my mental ground, the ravens and the crows flying there, the catafalque. The weight. The heaviness. The mudstuck boots. Now, the time has come to let them go. All but Kate and the dogs.

No, of course there will be times. Times back here. Times together. Moments driving down the same streets, sitting in the same homes. But then as a visitor, a man from far away. No longer here. But there.

Mary says when the time comes, let them go. Yes. I’m doing that. She didn’t say anything about being glad. And I’m not. I’m sad in the deepest reaches of my bones. But, it is time, and I will let them all go.

 

To Hell and Back

Beltane                                                              Emergence

Dancers. Kinesthetic wonders. The James Sewell ballet troupe are lithe, strong, fluid. Many of the things they did with their bodies revealed possibilities I had not kenned. Several a male dancer with take a female dancer on his back, then they would move, him bent over slightly, her resting on his back with no holds on either part, just weight and angle keeping her in place. Or, deadlifts of a prone woman on the floor to hip height. The Inferno was 70  minutes long and the number of calories expended by the troupe would keep me thin for a couple of months, maybe longer.

Then there was the audacity of it. The level of creative challenge in taking a solid, 800 year old literary masterpiece and interpreting it in an essentially silent, physical medium is immense. This was a brave work. The score and the dancers took on us on a journey through the Inferno, going lower and lower, down the New York Subway into the infernal regions. The Sewell inferno is set, loosely, in New York City.

This story of damnation and mid-life crisis is timeless and the Sewell Ballet has done it well. Worth seeing.

 

The Ancientrail of the Grandparent

Spring                                                               Bee Hiving Moon

Ancientrails hits the road again today, heading back to Denver for Gabe’s birthday party on Saturday.  Kate and I are driving out.

Forgot to mention in the post below Charlie Haislet’s wonderful “32 Ways to See A Mammoth,” an homage to Wallace Stevens’ “13 ways to see a blackbird.” It was funny, quirky, profound, moving. A memorable work.

 

2nd Thursday

Imbolc                                                                 Hare Moon

“An angel…his whisper went all through my body:

‘Don’t be ashamed to be human, be proud!'”   Romanesque Arches

Discussed Tomas Transtormer and his poetry today with two docents, Jane McKenzie and Jean-Marie.  Shows how meager my grasp of contemporary poetry is.  I’d not heard of him, a Swedish Nobel Prize Winner, and a damn fine poet.  His work has a crystalline edge, images cut with words as facets.

“The man on a walk suddenly meets the old

giant oak like an elk turned to stone with

its enormous antlers against the dark green castle wall

of the fall ocean.”   Storm

His poetry suggests a tour focused on image.  What is an image?  How do we know one? What is the same, what is different between the image of a poet and the image of a painter?  Of poet and sculptor?  Of poet and photographer?  What is there about an image that makes us yearn to create them, remember them, see them, hear them?

The Matisse exhibition shows an artist focused on and struggling with this very question. How can I use paint, color, line to say woman, flower, wall?  Is it different if I ask the same question of bronze and clay?  Who might guide me?  Van Gogh?  Cezanne?  Seurat?  Monet?  Early in his career he answers yes to all these guides and works to see the world through their eyes, yet imprint it, too, with his own vision.

Due to a collecting idiosyncrasy of the Cone sisters (patronnesses of both Matisse and the Baltimore museum) the show jumps from his experimental years and works in a mid-career but still formative stage to the bright lights of the last gallery, the wonderful prints from his book, Jazz, and other colorful pieces.  This is a joyful painter who thought long and hard about his work, wanting it to appear effortless.

Matisse took line and color to reveal the essence of image.  And he makes it look easy and the human beings in his work are proud, just as the angel whispered they should be.

 

Whitman

Winter                                                             Seed Catalog Moon

Started another MOOC today.  I won’t be taking a certificate in this one, just as I didn’t take one in the Modern/Post Modern class.  This class focuses on Walt Whitman, ModPo piqued my interest in him and his work.

EdX is another of the MOOC providers, this one tends toward the more high brow: M.I.T., Harvard.  The Whitman class is taught by a Harvard professor and I can’t tell you how many times she mentioned Harvard, Harvard’s resources and the number of poets who attended Harvard.  That put me off.  On the other hand she seems to have an interesting pedagogy in play, one congruent with Whitman which involves taking poetry to the streets and to other cities.

I plan to read the poetry, listen to the lectures and let the rest of it wash over me.  In the climate change MOOC I’m going for the certificate which means all the quizes, two exams, required activities.  I haven’t taken a mid-term or a final exam in over twenty years.  Should be fun.

There seem to be more critiques than praises right now popping up about MOOC’s. Expensive to set up and difficult to maintain.  Not as good as professor-student interaction.  Confusing to students and employers about who is certifying a student’s capabilities.  This is the anti-thesis of the revolutionary heavy breathing that began when they came out.

There is a synthesis down the line that will find MOOC’s do a great job of teaching disciplined students, especially such students geographically dispersed.  There will be proctored exams and course series that function like college majors.  A degree may no longer have only one institution behind it, but a coterie, an alliance, an association.

Will MOOC’s replace current colleges and universities?  Probably not.  Almost certainly not.  Will some of them get replaced?  Almost certainly.  Bricks and mortar is not the only way to learn and the more options students have the better for them.  This may not be best for the current geocentric system, but for whom was it built in the first place?  The student.  The issue is the education, its quality, availability and affordability.  If a few campuses have to become housing complexes, that’s no great loss.

 

A New Beard Model (I caught Darwin.)

Samhain                                                            Winter Moon

“…the Penn survey found that in the United States and developing countries alike, most Coursera students were well educated, employed, young and male.”  NYT

(Whitman.  My new beard model.)

I have it half right.  If you’re retired, a self-guided learner and expect challenge and high quality, then MOOC’s are perfect.  In addition the cost is favorable.  They’re free and can be taken with no driving on your own schedule.  Yes, there may be some expense for books, but if you’re a self-guided learner already, what’s another book or two or three?

As the quote above shows, the learning communities, usually in the tens of thousands have a predominantly young makeup.  This is invigorating to me.  Let’s me see what the next generation’s up to.  O.K.  Maybe it’s the generation after the next generation.

Of course, you have to enjoy structured education.  I don’t always, but when I’m taking only courses that address my interests, as opposed to those of a curricula, I find the upside of considered readings and condensed material in lectures suits me.

If my dream were to manifest in this realm, there would be enough variety of courses to allow a college major’s depth and breadth in a particular discipline.  Right now they’re very hit and miss.  Greek Mythology, ModPo, Modern-Post Modern and History for a New China, the MOOC’s I’ve taken, are humanities courses, but there is no way to follow any of them with narrowers courses, say in Homeric Epic, or Whitman, or the Industrial Revolution or Early Dynasties of China.  In this sense the MOOC experience is less than satisfying.

That only amounts, however, to wishing that a very good thing was better rather than a true critique.  Keep’em coming, Coursera and EdX.  My computer’s on.

 

Everything You Need

Samhain                                                                                                         Thanksgiving Moon

“If you have a garden and a library, you have everything you need.”
Cicero

I’m set.  The library surrounds me as I write this and the garden is two weeks into its winter slumber.  Cicero and I agree about life’s necessities, books and a place to grow food and flowers.  Between them they service the body and the mind.

It’s a dull, grey November day. Rain dribbles out of the sky, unwilling to commit.  The temperature remains in a warmer trend, 45 today, a trend our weather forecaster says will remain until early December.  I hope so since we’re headed out across the plains a week from tomorrow, exposing ourselves to the wind driven weather coming down, with no topographical resistance, from the Arctic.

Finishing up ModPo and getting off the Latin plateau I had inhabited for many weeks has left me in a satisfied Holiseason state of mind.  Before them Modern and Post Modern ended and the garden got put to bed, the Samhain bonfire held.  So this is a time of endings, as Samhain celebrates, and festival season beginnings.  The unusual confluence of Hanukkah and Thanksgiving means the whole last week of November will be celebratory. In December then we can focus on Yule, the Winter Solstice and the pagan side of Christmas.

In the coming weeks I look forward to finishing Missing’s 5th revision and getting it off to the copy editor, learning Dramatic Pro and using it as I develop Loki’s Children while I continue to work in the new “in” the Latin style that Greg pushed me towards.  This will also be a time when I consolidate my understanding of the Modern and the Post Modern and do some more writing around that, especially as it changes and informs my Reimagining My Faith project.

Reading poetry more regularly will also be part of the next few weeks, too.  I want to continue my immersion in poetry.  One of the ModPo teaching assistants, Amaris Cuchanski, said poetry is the leading edge of consciousness and I believe she’s right.

 

The Unreliable Narrator–You

Samhain                                                           Thanksgiving Moon

Beginning to play with the post-modern idea of the unreliable narrator, a staple of certain literary fictions and now understandable to me.  The most unreliable narrator of all may be our Self, or, rather, the work done by our mind to create a self.  As we attempt to weave a coherent notion of our story–how this, what, let’s use Heidegger’s idea of dasein–this dasein came to be here now, we impose on our memories a logic, a sequence, a string of cause and effects that explain, as best the dasein can, how it came to be in this moment.

There are many problems here, but the one I want to focus on is the fungibility of our memory and what Kant called the a prioris of thinking:  space and time.  Our memory changes as we access it, as we put it into new contexts, as our understanding grows and that changes happens to a quanta that was shaped by the context in which we first had the experience, the understandings we had then and by the fog created by our senses, which, by design and necessity, edit our lived experience so we can utilize it.

On top of this string of memory altering inevitables are the a priori categories of space and time, mental constructs which our reason uses to make what William James called “the blooming, buzzing confusion” worthwhile to us.  We see objects in four dimensions, in a space time matrix that changes as we perceive an object, event, feeling, moment, idea.

(Henry and William James)

What this means to us is that our Self has the demanding and ultimately futile task of seeing the plot in our life, its why and its meaning.  Why futile?  Because we change as we touch it, not Heisenberg, no, more than that we change more than the spin or the location of memory when we touch it, we change its content and thereby change our narrative, which, as a result changes our Self.  This is always happening, every moment of every day of our lives.   Modernist literature like Ulysses and Remembrance of Times Past was an attempt to give to us in written form this mutability at the heart of the internal project that is us.

As I said a few posts back, this is descriptive, not proscriptive and certainly not prescriptive, and it does contain one kernel of great importance. Since we actively construct our own narrative from the experiences we can recall, we can enter into that stream and actively construct our future.  In fact, unless we enter that stream with purpose, Heraclitus’s famous river, it will carry us along without our intention.

So, buckle up, strap on that orange life-preserver and take your seat in the raft that is your Self navigating the flood of your life.  It’s a thrilling ride no matter where it takes you.

 

 

Thank God It’s Frida

Samhain                                                        Thanksgiving Moon

Latin with Greg this morning.  I felt like I’d made good progress with my work, but in doing the translating with him, I hit a snag.  There was a long sentence, six verses in length, with a complicated structure, hinging on a definition of a verb that was, Greg said, esoteric.  Getting that one out of whack made the entire six verses difficult, entangled. Just when I began to feel incompetent (not a feeling I enjoy), Greg pushed us further into the translation.

Once we got out of that briar patch my work improved.  “Perfect.  You’ve got it!”  “It was just that complex sentence and ferunt (the verb in question) that messed you up.  You kept at it.  That’s the key.”

“Oh, tenacity I have.  I’ve got too much time in this to give up now.”

Kate’s away at a continuing medical education event on pain.  After Greg and I finished I fed the dogs, made lunch and took a nap.  Gertie, who rehurt her leg, came in and snuggled up next to me.  This afternoon she’s moving much better.  Good to see since she’s been down for a few days.

Finished up ModPo with assessments of four other student’s essays and watched a beginning video on Dramatica Pro, the new writing software I purchased.  I plan to use it to build Loki’s Children, but before that I have to learn how to use it.

With Latin on a steady course and ModPo finished, I’ve just got Missing and Ovid to occupy my days.  And they’re plenty.  With, of course, learning how to use Dramatica.