Samain and the Fallow Moon
A fellow MIA docent posted a Navajo rug and it had this explanation of hózhó:
Hózhǫ́ is a foundational concept in the Navajo world, encompassing ideas of beauty, harmony, balance, order, grace, health, and happiness. It is a state of being, thinking, and acting. Navajo artists embody hózhǫ́ as they weave, and textiles are imbued with and become works of hózhǫ́.
Not a human being. No. A human becoming. Becoming with hózhó, with knowing ichi-go ichi-ge as the rich moment, with an ikigai of life as it is, not as we might want or wish it, but as it is, hózhó always. No matter what.
With wabi-sabi as a preferred way of seeing the world. Tarnished often, broken, yes. But even so a Velveteen Rabbit place. Repaired with gold where the cracks are. Walking this ancientrail of becoming which never ends. Walk along with me, friend.
Reading Zornberg on Genesis (see below), The Beginning of Desire. She found this title in a poem fragment from Wallace Stevens, his Notes Toward A Supreme Fiction:
“And not to have is the beginning of desire.
To have what is not is its ancient cycle.
It is desire at the end of winter…
It knows that what it has is what is not
And throws it away like a thing of another time…”
Sat down this morning to read Zornberg, but I printed out this poem, 23 pages long, yesterday. Thought I’d check where her fragment fit in the whole. Wallace Stevens is a giant to me though I know only a few of his poems. He hits me in a place I do not recall exists until I read him.
Anyhow an hour later I looked up. Read the whole thing. Yowzer. Let me repeat that. Yowzer.
A few lines:
The death of one god is the death of all.
Phoebus was a name for something that never could be named.
…the future casts and throws his stars around the floor
There was a myth before the myth began, Venerable and articulate and complete
The bear, the ponderous cinnamon, snarls in his mountain At summer thunder…
Stevens kept throwing in beautiful lines filled with the horror of nothingness and whether the Supreme Fiction can counter it. I’ve got to read it several more times. But, wow. This poem is something. It’s apparently considered his master work and I can see why.
Reading it reminded me that reading poetry, ancient texts, philosophy has a sustenance all its own. A castle of temporary meanings lodged in stony rooms, waiting for a visitor. Part of life now. Not what’s next. But, now.
Hózhó in this once in a lifetime moment and the next one, a wabi-sabi vision sufficient for ikigai.










Spent yesterday and Saturday reorganizing the loft, continuing work in the Intensive Journal. Oh, and made a meatloaf. Better than my mom’s. I printed a copy of Jennie’s Dead as it is so far, about 50,000 words, found my third draft of Superior Wolf, and pulled out the Phantom Queen which I haven’t seen in years. Today and tomorrow I’m going to file the remaining documents from CBE religious school, mussar, First Sundays. Then, I’m going to take each book that is piled up near my chairs, give the top ten priority for reading, and shelve the rest.
Tomorrow the whole rising PSA matter gets lit up and scanned by the hospital’s p.e.t. machinery. Takes about 30 minutes, slowly moving from pelvis to head. This moves me from an indicator based concern, PSA, to the reality of where the cancer is now, in my body. I’m hopeful there are no metastases, of course, that whatever has returned is confined to the prostate fossa. I’m not ready for my expiration date, but, then, I suppose nobody ever really is. The best result in this case is a localized reemergence treatable with the Cyberknife.
Go now, the workshop has ended. Paraphrasing the end of the Catholic mass. Appropriate in this case having just come Mother Cabrini’s shrine. The experience of being at Mother Cabrini was familiar in its physical surroundings. In college I would always retreat to Catholic sanctuaries to be still, to reflect. I always found them/find them, soothing.
Here are two examples of next steps that have me excited. The first is to do a dialogue with reading. In the dialogue section of the journal, orange tabs, there is a method for developing one to one conversations with people important to you, living or dead, fictional or actual. That seems to makes sense. But the other four tabs in the orange section: Works, Events, Society, and the Body perhaps not so much. It works though. The journal method posits that a dialogue can be had with work you’re doing. I wrote a dialogue with Superior Wolf and in it realized I needed to pull the novel apart and focus one story only on Lycaon. In the Body section I’m in the midst of a dialogue with cancer.


It’s a bit strange to be at May 10 and have the temperature at 24, snow covering the driveway, the roofs, the walkways. In Minnesota the safe time for planting was typically May 15. Don’t think it would work here, at least not every year. We warm back up next week. For now, though. Winter wonderland. Like, I wonder why it’s still winter?
Read yesterday in the group. Iam asked me afterwards if I was a professional writer. Well, I write novels. But, I’ve not sold any so I don’t know if I’m a professional. Drina, who works for a website connected with the founders of
We wrote spiritual steppingstones, what experiences in our life have led us to our current spirituality. Those of you who know me know that it’s been a long journey. An ongoing one, too. I would characterize my current spirituality as a tablespoon Taoist, two tablespoons existentialist, a teaspoon Christian, a teaspoon and a half Reconstructionist Jew, and a half cup of paganism (of the earth, the sun, the starting of the universe, aware of it and finding it enough). Mix together and bake until dead. Then, we’ll see.