Lughnasa Monsoon Moon
Discovering an odd phenomenon. My feelings bubble up with less filtering. I don’t feel depressed, not labile. Not really sure how to explain this, though it may be a third phase change? Or, maybe just me, for some reason.
At the MIA last week, for example, there was the strong feeling of grief in the Asian collection. Warm feelings for my friends in Minnesota were also strong. On the way home I was happy on the road. Noticeably. Kate triggers a powerful, more powerful than ever feeling of love. When I watched a TV program in which the main character’s mother died suddenly of a stroke, I was right with him emotionally. Yesterday, at the Bat Mitzvah of Gwen Hirsch, I kept shoving back the occasional tear. Her initial struggle with being upfront, her beautiful voice and the clear joy with which she overcame her fright, so evident when she carried the torah scroll around the sanctuary, made it appear she was becoming a different person, right then. Her transition/transformation was breathtaking and so sweet.
In fact, there’s another example. Over the last few months I’ve been using the word sweet a lot. Our dogs are sweet. Ruth. The folks at Beth Evergreen. Minnesota friends. The loft. My life. I seem to see sweetness more now. I haven’t lost my political edge, my anger at injustice or a willingness to act, but the world has much, much more nuance now at an emotional level.
This change in my inner life has made me more resilient, I think, more able to identify the emotions, accept them, learn from them, respond or not, and move on. Enriched. It’s as if there’s more color in my day to day. Who knows? It might be a phase or I might be melancholy, my feelings are usually closer to the surface then, but I don’t think so. This feels like a permanent change.
Seeing the holy soul, my mussar practice for this month, accentuates this. I saw Gwen’s holy soul yesterday and it was a thing of beauty. I see the hosta struggling with a dry spell, but I know their holy soul makes them strong even in this sort of adversity. Gertie’s blind eye and painful rear quarter, her missing teeth have not dimmed her holy soul, it moves her into a bouncing, happy girl in spite of them.

I can, too, see the holy souls with damaged personas. Occasionally, I’ll see an aggressive dog or one that cowers, yet beneath those defensive outer layers, the warm and kind dog soul is still visible although it might be hard to reach. People, too. The young boy with violent tendencies, with a stubbornness that might be on the spectrum, with the sweetness for those who are sick, his holy soul is, even at this young age, hidden, so hard to find. Or, another, her reason so tortured by ideology, her essential kindness most often blocked by bitterness. Or a lodgepole pine dying of pine beetle infestation. Even as its needles turn brown and it begins to dry out, its holy soul keeps it upright as long as it can. We can never err when we search for the holy soul in others.
I see my own holy soul, now claiming more space, taking back some of the aspects of my life I had given over to achievement, to striving. This is strange because it comes as I’ve begun to reach for achievements I’ve blocked for decades. The work of submitting my writing feels both unimportant and necessary. I’m immersed in a community, Beth Evergreen, which encourages the growth and expansion of my holy soul. This is true religion, with the small r, the connecting and reconnecting of our inner life with the great vastness, our part in it highlighted, made clear at the same time as our limitedness.











Modern technology is so wonderful. Over the last few days I watched all five of the much maligned Twilight movies. You might ask why, at 71, I would subject myself to all those teen hormones, questionable dialogue, and odd acting. First answer, I’m easily entertained. Second answer, I’m revising Superior Wolf right now. Werewolves from their source. Also, a project I work on from time to time is Rocky Mountain Vampire. So, the Twilight saga is in the same genre as my own work, though aimed more at a young adult, tween to teen audience. Which is, I might add, a very lucrative market. Maybe, it just occurred to me, some of them will be interested in my work as a result of their exposure to the Twilight books and movies.
The supernatural is a dominant theme in my life, from religion to magic to ancient myths and legends to fairy tales and folklore. My world has enchantment around every bend, every mountain stream, every cloud covered mountain peak. No, I don’t know if there are faeries and elves and Shivas and Lokis and witches who eat children. I don’t know if anyone ever set out on a quest for the golden fleece or angels got thrown out of heaven. Don’t need to. We wonder about what happens after death, a common horror experience often and always. If we’re thoughtful, we wonder about what happened before life. Where were we before?
Our senses limit us to a particular spectrum of light, a particular range of sounds, a particular grouping of smells and tastes, yet we know about the infrared, low and high frequency sounds, the more nuanced world of smells available to dogs. We’re locked inside our bodies, yet we know that there are multiverses in every person we meet, just like in us. We know we were thrown into a particular moment, yet know very little of the moments the other billions of us got thrown into. My point is that our understanding of the natural is very, very limited, in spite of all the sophisticated scientific and humanistic and technological tools we can bring to bear. Most of what exists is outside our usual understanding of natural, certainly outside our sensory experience.