Category Archives: Judaism

Remember the Shark

Beltane                                                                           Sumi-e Moon

  • I know how well you have succeeded in making your earthly life so rich and varied, that you no longer stand in need of an eternity. Having made a universe for yourselves, you are above the need of thinking of the universe that made you.
  • On every subject, however small and unimportant, you would most willingly be taught by those who have devoted to it their lives and their powers. … How then does it come about that, in matters of religion alone, you hold every thing the more dubious when it comes from those who are experts?
    • Friedrich Schleiermacher, On Religion: Speeches to its Cultured Despisers, 1799

AbrahamSacrificesIsaacIcon_smFaith. The middah of the month for Beth Evergreen. Emunah. Last night at MVP, the mussar vaad practice group, we talked about emunah. Rabbi Jamie and Marilyn said that in the early days of mussar classes at Beth Evergreen, some time ago, the middah that caused the most consternation was this one.

I can see why. Faith is a word often used, but little understood. Faith is also a word often abused both by religion’s adherents and by religion’s cultured despisers. (Friedrich Schleiermacher) Faith is a sine qua non inside any mega-church in America. Either you have faith or you don’t. Black and white. It was true for me as a clergyman in the Presbyterian church. When I could no longer claim with authenticity that I had faith in God (whatever conception of God I was using at the time), I could no longer serve in that role.

Religion’s cultured despisers, a term coined by Friedrich Schleiermacher in 1799 in his book of the same name, often use faith as a straw concept with which to flog the irrational religious. Faith makes people blind. Faith makes people malleable to cult leaders. Faith makes people believe in a magical world. Faith blots out a person’s capacity to see the world as it is.

universe has your backOne of us in the group last night said, “The universe is for me.” I have other friends who believe the universe is a place of abundance, or, as author Gabrielle Bernstein titled her book, “The Universe has my back.” I don’t buy it. This abundant universe will kill you. It will kill you. This is not a matter of faith, but of oft repeated experience. The universe offers up all we need to live, then takes it all away.

I don’t believe the universe gives a damn. The problem for me is placing a value judgment on the actions of this vast context into which, thank you Heidegger, we were thrown. I don’t believe the universe is out to get me; nor do I believe it has my back. I’m a part of that universe and I can choose to live into my part, follow the tao as it manifests in my life, or I can resist it and struggle, but in either case the universe will keep on evolving and changing. Maybe what I’m saying here is that I’m not willing to shift the religious notion of God’s agency to the universe, no matter how construed.

If the universe is, as I believe it is, neutral to us and our lives, or, said another way, if we are no more privileged than any other part of the world, the cosmos, then what can faith mean? What is there in which to have faith?

nightdiving_titleTurns out quite a lot. Another of us last night told a story of night diving. A favorite activity of hers. She said she turns off her diving light and floats in the night dark ocean. While she’s in the dark, she imagines a shark behind her. The shark may kill her in the next moment, but until that moment she is keenly alive. This is, for me, a perfect metaphor for faith. Each day the shark is behind us. A car accident. A heart attack. A lightening bolt. A terminal diagnosis. Yet each day we float in the dark, suspended between this moment in which we live and the next one in which we are dead. And we rejoice in that moment. There is faith.

SharkThis is the existentialist abyss of which Nietzsche famously said, “If you stare into the abyss, the abyss stares back at you.” Living on in spite of its direct glare, that’s faith. This sort of faith requires no confidence in the good or ill will of the universe, it requires what Paul Tillich called the courage to be. I would challenge that formulation a bit by altering it to the courage to become, but the point is the same.

Here’s the interesting twist. Doubt and faith are partners. As a quote Rabbi Jamie offered last night says, they live in the same apartment building. Here’s the big learning I got last night. Doubt is the true sine qua non for faith. And to the extent that we have doubt, I would identify doubt with awareness of the shark, we have faith. There is, and this is the aha for me, a frisson between doubt and faith that makes life vital.

sacred tensionSo. My practice for this month involves, in Rabbi Jamie’s phrase, sharpening my doubt. I will remember the shark as often as I can. I will recognize the contingent nature of every action I take, of every aspect of my life. And live into those contingencies, act as if the shark will let me be right now. As if the uncertainty of driving, of interacting with others, of our dog’s lives will not manifest right now. That’s faith. Action in the face of contingency. Action in the face of uncertainty. Action in the face of doubt.

I want to sharpen doubt because I want to taste what it feels like to live into doubt, to choose life over death, to have the courage to become. If I only use the automatic responses, make money, achieve fame, watch television, play with my phone, immerse myself in the needs of another, or several others, then I blunt the bravery, the courage it takes to live. I do not want a life that’s but a walking shadow, a poor player that struts and frets his hour upon the stage. I do not want a life that is a tale told by an idiot, full of sound and fury, signifying nothing. (Macbeth, Act 5, scene 5)

I want a life that flourishes not in spite of the uncertainties, the contingencies that are all to real, but because of them.

 

Livin’ Is Easy. Sort of.

Beltane                                                                        Sumi-e Moon

20180604_122702After sledging and searing the meat and softening the vegetables in the fat, I put a three or four pound hunk of chuck roast in the slow cooker along with potatoes, carrots, onions and celery. It cooked all day, coming out fork tender. An easy meal. Jon and the kids got stuck in traffic so they ate later.

Had a visitor, a young mule deer buck with velveted horns, a small knob on top of each one. He loved our front yard, carefully eating only dandelion blooms. Wish I could have gotten him in the back, he’d have loved the delicacies there. In this brave new world on Shadow Mountain, dandelions are a beautiful addition to the late spring, early summer yard. Mowing only to keep down the fuel. Gonna have a go at that today after I put fresh gas in the mower.

Ruth and I are going to practice sumi-e today. I want to mimic my presentation for Thursday night. Enso practice, then a keeper. I also want to learn the kanji for ichi-go ichi-e.

Summer temperatures have come to the mountains, but in the way of heat in this arid climate, it’s not unbearable. The new fans in the loft, bedroom and over the dining room table help.

 

Get Ready

Beltane                                                                                 Sumi-e Moon

20180516_144714So. Couldn’t get the mower started. Last year’s fuel still in there. Don’t know how I missed that, but I did. Gonna have to siphon it out, didn’t feel like it yesterday. I did run the snowblower out of fuel last week, so that won’t be a problem come winter. I also got all the chairs and the table moved, the swinging chair and the yellow lounger, too. An outside space for eating, hanging out. Not happy with it yet. Also picked up a lot of loose wood, not all of it, but a good chunk. By the time I got to the chainsaw I was tired. And I don’t do the chainsaw when I’m tired. Too damned risky.

A good start. One thing writing novels has taught me is that even a big task can be accomplished if done through persistence. A big push often wears me out, makes me task phobic for a while. Small increments get progress and a feeling of accomplishment that keeps me engaged. Doesn’t always work, of course. Reimagining, for example. Guess I’ve never figured out the incremental steps.

bullfightIn writing the short story Jail Break yesterday, I found myself tapping memories of my day at the Plaza del Toros in Mexico City. Hadn’t expected that, but it is a good example of how much travel can offer to writing. That trip was in 1994, I think. Still clear and present.

Regression. Kate got eager on Saturday and helped me as I cleaned out the garage. She helped herself into a very sore shoulder, neck muscles and bursitis. A three vicodin day on Sunday. I saw it as a good thing. Not the pain of course, but that she’s healed enough to overdo it.

Jon and the kids are coming up this afternoon. They’ll spend the night, go hiking tomorrow.

bat mitzvahA big Beth Evergreen week. Tomorrow is an adult ed session on linguistics. On Wednesday afternoon Tara, Alan Rubin and I meet with Rabbi Jamie to discuss the curriculum for the 6th/7th grade religious school. Tara (director of religious ed) started her note to us with, “You brave men.” Oh, my. Turns out the curriculum focuses on bar/bat mitzvah preparation. I’m honored that they trust me. This rite of passage is important, though not universally observed. Wednesday night is the MVP, mussar vaad practice group, Thursday has mussar and qabbalah.

 

 

One meeting, one moment

Beltane                                                                                    Sumi-e Moon

ichigo-ichie_6

enso-zen-circleMy presentation on time falls under the sumi-e moon and I plan to use sumi-e. I’m taking my brushes, ink, ink stones, red ink pad, Kraft paper, and rice paper. As well as my hourglasses. I will do Shakespeare’s soliloquy from Macbeth as a counter point. Each person will first practice an enso on the Kraft paper, then do one on rice paper.

icho.go.ichi.e3What is an enso? The word means circle in Japanese. In Zen it has a much more expansive meaning.* Zen is, of course, Chan Buddhism, a curious blend of Taoism and Buddhism created in China. Monks from Japan went to China to learn about Chan and brought it back to Japan. They also brought back the practice of drinking tea, which initially was a stimulant to help with long meditation sessions. It later transmogrified into the Japanese tea ceremony with its beautiful idea of ichi go ichi e, or once in a lifetime.

*”In the sixth century a text named the Shinhinmei refers to the way of Zen as a circle of vast space, lacking nothing and holding nothing in excess. At first glance the ancient ensō symbol appears to be nothing more than a miss-shaped circle but its symbolism refers to the beginning and end of all things, the circle of life and the connectedness of existence. It can symbolize emptiness or fullness, presence or absence. All things might be contained within, or, conversely, excluded by its boundaries. It can symbolize infinity, the “no-thing”, the perfect meditative state, and Satori or enlightenment.  It can even symbolize the moon, which is itself a symbol of enlightenment—as in the Zen saying, “Do not mistake the finger pointing at the moon for the moon itself.” In other words, do not mistake doctrines, teachings or explanations, which are intended to guide one toward enlightenment, for enlightenment itself. Ensō can also represent the moon’s reflection on water, thereby symbolizing the futility of searching for enlightenment outside oneself.”  Modern Zen

On Time

Beltane                                                                      Sumi-e Moon

out-out-brief-candle“Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.”  Macbeth, Act 5, scene 5

 

And, then, time. Last qabbalah class on time yesterday evening. Next week presentations. I have to come up with something and I got nothin’. Might go with an hourglass. It’s a nice physical symbol since in it time seems to run out, then be restored with an easy flip. Hourglasses, on their sides, are also shaped like the infinity image. So, there’s measured time, yet measured time that can be reversed, and eternal time, running on past the end of earthly time. Might go with Shakespeare.

time-managementWe’ve been pulling at the strands of various ideas about time, from measured time to eternal time to shabbat moments and the radical obvious, time is only ever the present. The past and the future have no reality, no agency, save in the present.

Rabbi Jamie asked an interesting question last night. Why do any of this? What’s the point? He leans toward the practical, unwilling to dwell only in the abstract. Learning has to count. As readers of this blog know by now, I’m more on the dwelling in the abstract end of the pool, so I appreciate his pulling me back into this life with questions like this.

Look insideThe answer he gave to his own question, with which I agree, was this. I’m not quoting. We do it to hold our notion of self more lightly, to give the ego a rest from its orientation to survival, to making it in the world. At the soul level, the most basic level of our human existence, we all connect. Think the collective unconscious, the divine spark, in the image of the sacred. In effect qabbalah posits an Oversoul, or better, an under or inner soul, the quality of which is the same for all humans.

I mentioned the irony that we spend our time developing a firm sense of self, striving for authenticity and compassion, only, at the end of life to give it up. Yes, we all agreed, that’s a good reason for holding the self lightly. We have to let it go. The soul, if there is such a thing, and I’m not ready to say there isn’t, that links us all to all, does not need the self.

The image, from Rabbi Rami Shapiro, that makes this clearest for me was that of waves on the ocean. Our life is a wave on the ocean. It rises out of the ocean, exists and moves on its own, and at its end, sinks back into the ocean. Never was it anything other than ocean.

A Revelation. Say what?

Beltane                                                                                       Sumi-e Moon

AbrahamSacrificesIsaacIcon_smBeen thinking about revelation. In a way I’m not sure is new, but I don’t recall seeing it anywhere. So, we have all these sacred scriptures. What makes them sacred? The claim is their autographic nature, written in some mysterious way by the hand of a god or gods. I’m going to bracket the claim of divine authorship and ask not about the content of the tales, at least not the content usually involved in exegesis and hermeneutics, but about the way revelation shows up in them.

I came to this idea at a mussar class last week when we were discussing Abraham (Avram) as an example of emunah, or grace/faith. Emerson came to mind, his words about having a revelation to us and not the dry bones of theirs. We were discussing Abraham as a model of emunah. What we’re trying to do, I said, is learn from Abraham’s story why he trusted God. We’re trying to learn through the veil of thousands of years and through the words written about Avram. Words, for most of us, in translation. Words we know passed through many different redactors. We want to know how Avram experienced revelation otherwise why would we find the stories sacred?

Abraham_Serving_the_Three_Angels Rembrandt_
Abraham_Serving_the_Three_Angels Rembrandt_

God appears to Abram. God comes to him in a vision. God speaks to him. God comes to Abram in sleep, in darkness and dread: “As the sun was going down, a deep sleep fell on Abram; and lo, a dread and great darkness fell upon him. 13 Then the Lord said to Abram…”  Gen. 15:12-13a, RSV Abram asks God how he will know that what he says is true.

It came to me then that the fundamental question of Biblical, Vedic, or Koranic texts is an epistemological one, not first a metaphysical one or a hermeneutical one. That is, how does revelation show up? How do we know it when we see it? How might we realize Emerson’s plea for a revelation to us, not the dry bones of theirs? What is the nature of revelation? How can we experience it now, not rely on an ancient game of telephone?

Well, one way might be to use the sacred texts not as either mythology or divine communication through their content, but as clues to the nature of revelation itself. How, in other words, did the sacred texts represent the experience of revelation? What was it like? How did it become confirmed as revelation? At least to those reported to have experienced it directly?

Please note that I’m not making an assumption here about the source of revelation or its truth claims as evidence of divine communication. I’m asking the question, what has revelation looked like? How has the experience of revelation been identified? What are its marks? Can we seek it? Might we find it if we did?

Abraham's Counsel to Sarai (watercolor c. 1896–1902 by James Tissot)
Abraham’s Counsel to Sarai (watercolor c. 1896–1902 by James Tissot)

Going back to Abram. Let’s use him not as an example of faith or of covenant or of divine nation-building, but as an example of one who experiences direct revelation. What is it like? How does he know (the epistemological question) that he has experienced revelation? The writers of the story, or the editors of the oral tradition when it was written down, or the embellishers and editors of the story as it passed both through oral transmission and different textual editions, use particular verbs: Avram heard, saw (a vision, an appearance), dreamed, felt (darkness and dread), was delivered (defeat of enemies).

Following Avram’s story we might say that revelation comes through language, through emotions, through dreams, through particular actions to him. Not very distinctive in its medium, then, at least not distinctive from usual human experience. So what is it about a communication or an interpretation of an action that identifies it as special, different, sacred?

rev.4-blankMy first suspicion is that it is much like the nativity story, and perhaps the crucifixion and resurrection narratives, too, ex post facto events created to explain the origins and influence of remarkable individuals. Who would receive communications from beyond this reality? Individuals who’ve already been established as significant, powerful, influential. Like that guy Abraham, warlord, father of many children, father of our nation. How did he get where he is? He heard the still small voice. He understood things others of us missed. He was in touch with, what? Something many of us ignored, perhaps.

But, let’s say for the sake of this investigation that it’s not only this reading backwards into an important person’s life, well after the fact; but, that revelation is just that. Revelatory. Forget of what for now. Why are some dreams revelatory? Why are some appearances revelatory? Why are some inner voices revelatory?

Full title: The Agony in the Garden Artist: Andrea Mantegna Date made: about 1458-60 Source: http://www.nationalgalleryimages.co.uk/ Contact: picture.library@nationalgallery.co.uk Copyright © The National Gallery, London
Full title: The Agony in the Garden
Artist: Andrea Mantegna
Date made: about 1458-60
Source: http://www.nationalgalleryimages.co.uk/
Contact: picture.library@nationalgallery.co.uk
Copyright © The National Gallery, London

I’m not sure we can penetrate this. We have the after story. After the garden. After the promise to Avram. After Sarah’s miraculous births. After the Garden of Gethsemane. After the journey by night to the Temple Mount. After the birth of Krishna. Yet how can we know the inner experience of personages from thousands of years in the past? We barely understand our own inner experience. And if we can’t answer the epistemological question, how did Avram know what he claimed to know about God, then we can’t decide the value of his claims. Aside from their value as myth and legend.

Perhaps then Emerson’s quest for a religion of revelation to us rather than the dry bones of theirs is fruitless. Perhaps. I would say and will stop here for now, that the only way we can understand the nature of revelation is to search for its marks in our own lives. We will not find answers in ancient texts because the layers, the barriers to knowing the mind of another becomes insurmountable in them. What has been revealed to you? What was its source? How do you know?

 

Beezzy

Beltane                                                                            Sumi-e Moon

Snowtires off and away. Oil changed. A/C an issue that took all day yesterday with no joy on finding a leak. Frustrating. Rear brakes had to be replaced, too. That’s fine. Tires and brakes in good operating order are a must for mountain driving. The A/C is also a must with my Nordic Goddess always eager to have the temperature regime of her genetic homeland. Hopefully all will be finished by noon or so today.

20180522_174843
Ruth and Kate made this. Kate’s from yesterday looks as good.

Kate continues to gain stamina and increase range of motion for her right shoulder. She made challah yesterday, and challah rolls. With some tweaking thanks to a high altitude info sheet from King Arthur Flour she’s really got it going on. This is beautiful challah and rolls. She gave one to Tara yesterday and we’ll give the rolls to Sally today when we visit her in Golden.

Yesterday late afternoon we went over Tara and Arjan’s home for a session with their bees. Like Rabbi Jamie and Dan, they’re first year beekeepers. They’ve got the derigeur, for the Front Range, electric fence. Bear strength. Bears really like honey. And we’ve got bears.It was fun seeing their enthusiasm and a healthy hive.

Tara, Arjan and bees
Tara, Arjan and bees

Their Italians are much more docile than my Minnesota Hygienics. The four built out frames I gave them were filling up with pollen, honey and brood. They’re queen right and the colony is growing. They moved slowly, did a hive check looking at each frame while I stood off to the side and examined them, too.

Their home is on Kilimanjaro Drive. You’ll get the naming convention when you know we passed Jungfrau, Annapurna and Zugspitz drives as well. Kilimanjaro is long and winds way back into the mountains east of Evergreen. The views are wonderful with the continental divide just visible to the northeast. Still snowpacked. It was a clement mountain evening with blue sky, lots of rock and pine trees. And friends.

 

Way Back in the Promised Land

Beltane                                                                               Sumi-e Moon

Into Denver yesterday, saw Jerusalem, the I-MAX 3-D show. (see below)

Qumran, Cave 4 By Effi Schweizer - Own work, Public Domain, https commons.wikimedia.org w index.php curid 3089552
Qumran, Cave 4 By Effi Schweizer – Own work,

When it finished, I left Kate on the museum’s third floor at the entrance to the Dead Sea Scrolls show and went down to find the other members of Beth Evergreen, 25 in all, who had signed up for this adult education event. Russ Arnold, Rabbi Jamie’s brother, came along and answered questions, offered commentary as we toured the exhibit.

The exhibit has actual physical artifacts from a tw0-thousand year span of time that includes Romans, very early Israelites, Christians and several other civilizations like Assyria, Persia, Tyre. In addition to scroll fragments and painstakingly reconstructed earthenware jars, among them actual jars in which scrolls were found, there were Roman mosaic floors, Tyreian silver coins, glass vessels, oil lamps, an altar fragment from an early Israeli home altar, and ossuary caskets like the one found a few years ago with the name Jesus written on it.

scroll exhibit case
scroll exhibit case

It was, unfortunately, a Sunday afternoon and the exhibit overflowed with visitors, making staying with any one object or group of objects a challenge. A very large circular case, maybe thirty feet across. housed the main attraction, the fragments themselves. All of these fragments were from Cave 4. They were tiny, some only a few square inches, and the Hebrew was also tiny. They must have used very small writing implements and had very good eye sight.

The fragmentary nature of these scrolls are the result, Russ said, of the lending library, circulating library purpose of Cave 4. The speculation is that these scrolls were on wooden shelving, there are brackets in the wall though the wood is long gone. When the wood decayed, the scrolls fell to the floor where they were covered in bat guano and layers of dust. Though this did serve to preserve them, it also meant they suffered from more decay and deterioration than the scrolls found in the earthenware jars.

Dead_Sea_Scrolls_013-1Some of the more complete scrolls may have been the equivalent of library reserve. They could also have been retired scrolls which, like Buddha statues in Southeast Asia, are never destroyed. This visit left me wanting to know more, to return to the show before it leaves during the week for a quieter and lengthier visit.

While we were there, Kate got a phone call from Hal Stein wondering if one or both of us would like to be put up for election as board members for upcoming terms. Since I’ve already agreed to develop a curriculum for the religious school, sixth and seventh graders, I told Kate I wasn’t interested, but I hoped she would be. “You’re smart, have management skills. You’d be perfect.” She called Hal later and told him to put her name in.

Afterward we picked up Ruth from her mother’s. She’s out of school now, two weeks ahead of Gabe and a week ahead of her mom and dad. On Wednesday she heads up to Estes Park for a YMCA camp.

A long but satisfying day.

 

Next Year

Beltane                                                                      Sumi-e Moon

Kate and I went in early to the Denver Museum of Nature and Science so we could see the IMAX 3-D show, Jerusalem. This is an astonishing piece of film-making, packing in lots of history, contemporary scenes and with an emotional charge gained by using three young women, a Jew, a Christian, and a Muslim as narrators for much of the film. If it’s near you, I recommend it highly. Here’s the trailer.

Official Trailer – Jerusalem: Filmed for IMAX® and Giant Screen Theaters from JerusalemTheMovie on Vimeo.