Category Archives: Art and Culture

The Value of Increasing Darkness

Samhain                                         Waxing Thanksgiving Moon

The daylight is gone, twilight has fallen and night is on its way.  Now that we have entered the season of Samhain, the leaves have vanished from the trees and the clouds, like tonight, often hang gray in the sky.  Samhain means the end of summer and in the old Celtic calendar was the half of the year when the fields went fallow while the temperature turned cool, then cold, hope returning around the first of February, Imbolc, when the ewes would freshen and milk would once again be part of the diet as new life promised spring.

In between Imbolc and Samhain lies the Winter Solstice.  The early darkness presages the long twilight; it lasts from now until late December as we move into the increasing night until daylight becomes only a third of the day.  This has been, for many years, my favorite time of year.  I like the brave festivals when lights show up on homes and music whirs up, making us all hope we can dance away our fear.

The Yamatanka mandala at the Minnesota Institute of Art gives a meditator in the Tantric disciplines of Tibetan Buddhism a cosmic map, brightly displaying the way to Yamatanka’s palace grounds.  In the middle of the palace grounds, represented here by a blue field with a vajra (sacred thunderbolt) Yamantaka awaits our presence.

In the Great Wheel as I have come to know it, we visit Yamantaka on the night of the Winter Solstice, that extended darkness that gives us a foretaste of death.  Our death.  On that night we can sit with ourselves, calm and quiet, imagining our body laid out on a bed, eyes closed, mouth quiet, a peaceful expression on our lifeless face.

We can do that, not in suicidal fantasy, but in recognition of our mortality, our finite time upon the wheel of life, awaiting our turn as the wheel turns under the heavens carrying us away from this veil of samsara.  If we can do that, we can then open ourselves to the thin sliver of light that becomes more and more, as the solstice marks the turning back of the darkness and brings us once again to life.

When we can visit Yamantaka’s palace, sup with him in this throne room and see death as he, the conqueror of death sees it, we are finally free.

Cooking on A Snowy Day

Samhain                                                                 Waxing Thanksgiving Moon

A nap, then, making more chicken pot pies.  I have the various skills down now, so I make it up.  This one has a leek, onion, garlic bottom with a layer of chicken topped with corn and peas, all drenched in thickened chicken stock made from Kate’s boiling the chickens.  40 minutes or so in the oven and we have  future lunches, dinners ready to freeze and one ready to eat.  A lot of standing, the only part about it I don’t like.  Otherwise the cooking is a creative act for me, one I enjoy.

I haven’t been outside today since I will neither shovel nor plow these thick snows, heart attack snow.  It’s just too clumsy and heavy.  Besides, the snow will melt before it is anything more than a nuisance.  Glad we live in the burbs where we have no sidewalk on days like this.

Looked over my plan for my Thaw tour and I plan to keep it the same.  I’m not sure what happened last Thursday.  Might have been first time through jitters or somehow the chemistry between me and the group didn’t click.  Something.  If it happens again, I’ll assume it’s something to do with the tour. Then I’ll look at change.  Of course, I’ll still be in the equation.  Wherever you go, there you are.

A friend is in this photograph in front of the Swedish Institute.  He’s on the left in the blue vest.  This is the Minnesota Santas group at their pre-season social event.  What would a five year old think?

Canadian Immigration circa 1968

Samhain                                                   Waxing Thanksgiving Moon

If you haven’t read the satirical piece about Canadian immigration posted below, it’s worth a look.  I want to tell you here about a true story concerning Canadian immigration, but it comes from an earlier time.

One cold day in 1968 David McCain and I set out from Muncie, Indiana Toronto bound.  Being the 1960’s we were in a drafty Volkswagen Beetle, cranky in the cold and not much help on snow covered road.  Our destination was the Toronto Anti-Draft League which distributed pamphlets outlining how to achieve landed immigrancy status in Canada.  When sent through the mail, these pamphlets were routinely seized, so David and I decided to go after them ourselves.

We drove the distance from Muncie to Detroit in one go and headed for the Bluewater Bridge, the entry point at Sarnia, Ontario.  We both had long hair and, in our orange Beetle, no doubt looked like exactly what we were.  The Canadians turned us away.  Regroup.  We went into a shopping mall, bought white shirts and winter caps, put them on, stuffing our hair up under the caps and tried again in a different lane.  Success!

After some hours we made Toronto, found the Anti-Draft League and picked up the pamphlets.  While there we noticed a store selling Asian presents, so we bought some Hell Notes and some other cheap touristy kind of things.

We had a night in Toronto and somehow found our way to the a performance called Succession*, or Three Games of Chess.  This unusual event featured Marchel Duchamp and John Cage playing three games of chess on stage, the chess board wired for sound.  In addition one of those ducks that dips its beak in a water glass, then comes up, goes down and dips again, stood on a card table nearby similarly wired.  The other performer was a man sitting on a metal folding chair reading the the classified ads from that days New York Time.  Out loud.  Into a microphone.  The audience was free to come up on stage and watch these two giants of early twentieth century avante garde art.

We were among a small audience and we stayed well into the early morning, leaving before the three games ended.  It was only much later in life that I learned this was a signal moment in Cage’s career, an event for the ages.  I was just there accidentally.

Both Dave and I had developed colds on the way up and stopped in a Canadian pharmacy for cold medicine before we began our drive back to the States.

At the border we were stopped, marched into the station and given a strip search.  Free.  No charge.  When we put our clothes back on, we found items from the car on the counter in front of the customs office.  We had these items:  125 pamphlets on landed immigrancy in Canada, several items made in Red China (the gifts) and 2-2-2’s, the Canadian cold medicine which we did not know was 40% codeine.  No wonder we felt so confident crossing the border.  This all added up to a damning conclusion.

The Customs folks confiscated everything.

Fortunately, we had no drugs in the car.  The hood and engine compartments were open, with stuff strewn on the ground and the hubcaps were off.    The reasons for our trip were gone, never to come back.  Except our memories.

*Actually, Cage hadn’t lost every single match with Duchamp. There was one that he definitely won, after a fashion. It happened in Toronto, in 1968. Cage had invited Duchamp and Teeny to be with him on the stage. All they had to do was play chess as usual, but the chessboard was wired and each move activated or cut off the sound coming live from several musicians (David Tudor was one of them). They played until the room emptied. Without a word said, Cage had managed to turn the chess game (Duchamp’s ostensive refusal to work) into a working performance. And the performance was a musical piece. In pataphysical terms, Cage had provided an imaginary solution to a nonexistent problem: whether life was superior to art. Playing chess that night extended life into art – or vice versa. All it took was plugging in their brains to a set of instruments, converting nerve signals into sounds. Eyes became ears, moves music. Reunion was the name of the piece. It happened to be their endgame.

A Tour Knocked Together

Samhain                                       Waxing  Thanksgiving Moon

Finished initial work for my tour of the Thaw exhibition.  Some new information will come on Thursday during the Friends lecture focusing on Blackhawk and his ledger book, Elizabeth Hickox and her finely crafted miniature baskets and Maria Martinez, the renowned potter of San Ildefonso Pueblo.  I’ll meld that into the work I’ve just done.

I’m starting on Thursday in the Plains gallery with Judith Fogarty’s martingale and medicine bag for which she won the 1988 best of show at the Santa Fe Indian Art Festival, a prize of distinction in native american arts.  From there we’ll look at the honor shirts and Blackhawk’s ledger book, still in the Plains collection.  The Woodlands gallery, our home region, contains a wonderful bag, probably part of the kit of an Anishinabe shaman of the Midewiwin Society.  In the Arctic and Sub-Arctic I’ll take the group to the Yupik masks.  In the Northwest Coast region we’ll look at the frontlet of Raven-who-owns-the-sun and the bulging sided bent-wood bowl for serving fatty fish.  We’ll end up with a Maria Martinez pot and an Elizabeth Hickox basket.

This is a wonderful opportunity to see the very best of native art covering broad geographic regions.  A rare chance.  Hope you’ll be able to come.

Haulin’ Art

Samhain                                       Waxing Thanksgiving Moon

A U-Haul 10 foot truck and I went into Minneapolis around 9:30 this morning bound for the MIA.  The MIA’s loading dock anyhow.  The Midwest Center for Art Conservation finished work on Jerry’s painting, Fall Band.  It’s a big painting, fitting into the truck with about 1/2″ to spare.  Jon and I put cardboard boxes underneath it for stability and shoved it, gently, against the back wall.  I promised to drive carefully, with no sudden stops.  Just like the first time carrying a baby.

(a drawing of Jerry’s from his website)

That was AM.  Now I’m up from my nap and ready to construct my first tour for the Thaw exhibition which I give on Thursday for the Rochester Friends of the MIA.

Gadget Obsessed? Moi?

Samhain                                                          New (Thanksgiving) Moon

To call me gadget obsessed might take reality a tad too far, but not much.  I saved up some money and bought a TIVO.  It took me this afternoon to get it set up and working, putting the cables in the right places, getting the codes right, creating a few channels on Pandora, wondering at the limited Netflix options when the full menu is available on my new Play Station 3, (OK, maybe it’s not quite far enough.) and deciding whether or not to ditch the cable tv subscription from Comcast, my least favorite company of the week.

In spite of myself it looks like keeping the cable subscription is still the best way to get the most out of the TV.  I’m gonna keep checking though since new ways to watch movies and broadcast shows keep popping up.  Most of what’s on tv is low culture, but often compelling anyhow and even the stuff I like that’s not compelling entertains me. With streaming movies the content available at home on demand has increased a hundred fold.

As a general rule, I don’t watch tv to get educated and I’m rarely disappointed.

Even with the increased quality and options though, nothing on the tube–that phrase dates me like saying icebox–compares to the live music, open studios and visiting with friends at Art Attack last night.  Remember Alvin Toffler?  The futurist from a long time ago.  He talked about high tech, high touch and I’ve found him right on that score.  I use the internet, the facility of cable tv combined with the internet and software like WordPress and Microsoft Word to make me much more productive in the work I choose to do, but going in to the MIA and seeing my docent friends or over to Paul’s house for a Woolly meeting, a Sierra Club meeting on Franklin Avenue are equally important to me.  Without them I would be a hermit.

A lot in the hermit’s solitude appeals to me, so I’m happy Kate and I have created a place here where we can be alone and creative, just the two of us, but I need face to face time with others, too.

Good Pharma

Samhain                                             New (Thanksgiving) Moon

When I walked into the Northrup King building last night, I had to pause a moment to let another time in my life, also spent there, sink in, too.

The period was not unlike the current one with high unemployment and plant closings dominating the news.  This was the mid 1970’s, the era when the contraction of the American automobile industry began in earnest and my hometown went from Smalltown, USA to Shutteredtown, USA.  No longer at home, I had lived in Minnesota for five years at the time, involved in anti-war work and organizing for labor unions and local neighborhoods.

In 1975 ripples went out through the activist community in Minneapolis that Sandoz, the pharmaceutical giant, had plans to purchase the Northrup-King seed plant and close it down.  Many of us rallied to the workers there and began a campaign to stop the plant closing and save the jobs.  As our research proceeded, we learned an important and, to me at least, sobering truth: pharmaceutical companies were buying up seed companies; Northrup-King was far from the only one.  Why?  Because the pharmaceutical companies had the perspective and vision to see the imminent emergence of biotechnology.

They realized that future profit streams could require as many patents as possible on genetic material; germplasm would be the new precious metals, the oil fields of tomorrow.  And they wanted to control as much of it as they could.  Seed companies like Northrup-King already had patents on many of the cultivars of wheat, corn and soybeans, foodstuffs necessary to humanity’s most basic survival needs, add to them patents on specific chemical combinations and plant-based medicines already held by Big Pharma and the potential for mischief, if not downright evil seemed self-evident.  This was before the big push to patent parts of the human genome, now well underway.

We fought hard, working regulatory, legislative and union channels, organizing street protests and trying to raise the visibility of these issues, but we lost.  As did most plant closing campaigns.

After this sifted through my memory banks and into present experience, I walked up the iron steps onto a former loading dock, walking into a studio filled with brightly painted flowers and novel re-uses of older technology.  Art Attack! was a good anti-dote, good pharma.

Art Attack!

Samhain                                         New (Thanksgiving) Moon

Just back from Art Attack and the VIP event I helped organize with Debbie Woodward, the manager of the Northrup-King Building.  What an evening!  So many artists studios, most of them open, running along the corridors that used to hold the work of the Northrup-King seed company.  Three floors of long corridors, then an L turn and more corridor in a connected building, also with multiple floors.  Way bigger than I imagined.

Debbie put together the event itself, hired a caterer, engaged a jazz band, secured a performance artist and set up tables and chairs in a very large room with old wooden flooring, grain ducts cut off at the ceiling, huge concrete pillars and a wonderful shabby ambiance.  I would estimate a 150 guides or so total, coming from the MIA, the Weisman and the Walker.  The energy in the room was wonderful, a fun up beat, hip feel.

Glad it worked.

An Unwelcome Thought

Samhain                                               New (Thanksgiving) Moon

Spent two hours in the Southeast Asian galleries talking to docs who came through during the Fairview Southdale corporate event.  A group of four wanted information about Cambodia.  One guy had lived in Thailand for a year and a half, “a long time ago.”  Another man, maybe Pakistani, and I talked about the Buddha.  “A peaceful religion.  Right?”  “Yes, in principle.  But look at the Thai.  They’re Buddhists and they’re killing each other.”  “Yes,”  he shook his head, “I’m a Muslim and we’re doing the same.”  It was a weary observation.

On the way home I stopped at the Holy Land restaurant for a to-go order of gyro.  While in there, I experienced a fleeting moment of “OMG.  What if these people are here to kill us.”  I squelched it both as an unwelcome and an unworthy thought, but it was there anyhow.  The other side of me, the side that delights in difference, wandered looking at hookahs, mounted recreations of Quran pages, elaborate mounted photos of the the dome of the rock.  All the middle eastern foodstuffs, female staff in headscarves.   There were, too, a Chinese couple, a Caucasian couple and African couple eating at tables alongside several middle-easterners.

Now, even here in Minnesota where the skin color is almost the same as winter, diversity has begun to seep in.  Thank god.  No matter what I thought earlier.  Thanks god.

Declining With Pleasure

Samhain                                            New (Thanksgiving) Moon

Did pretty well in the sight reading and translating today.  Felt good.  My english to latin was pretty good, too.  I still have trouble with a few tenses; well, ok, a lot of tenses, but they’re becoming clearer.  I’m gradually conceding that I will have to go not only word by word, but possible declension by possible declension, withholding judgment until I’ve worked out the one that makes the most sense.  This means any given sentence can have polyvalent meanings.   Not to come to translation too quickly is important, holding things in suspension until many options have been tried holds out the best hope for a satisfying translation.

Working on Latin trains the mind, has an equivalence to gymnastics.  As I move further into the language and into the text of Ovid, it becomes more intriguing, like the study of art.  That’s a good sign for me since I’m dedicated to this work until I get through Ovid or until I can’t do it anymore.

Corporate event tonight for Fairview Southdale, A Taste of Asia.  I have the Tibetan and Southeast Asian galleries.  6-8 pm.  Earning money as a docent.  Nice.