Beltane Rushing Waters Moon
(found this draft and just published it. It’s from a month or so ago.)
Irv Saltzman invited us to a performance by his singing group, the Renaissance Singers. It was held in a wooden Episcopal Church, St. Laurence’s, which is near our home. Directed by a Chinese national, Hannah Woo, who is finishing her Ph.D. in musicology, they were 8, four men and four women. As a group, they matched each other well. April, a soprano, had a lovely clear voice and a large range. Irv, formerly a tenor, has now transitioned into a bass/baritone role. Their performance was wonderful. At a meal afterwards we discovered April is our neighbor.
Renaissance choral music and instrumental renaissance music has always captivated me. It’s easy to see courtiers in colorful costumes listening to this music in a palace, brown robed and cowled monks hearing it in a morning prayer service, or small groups performing at home for their own amusement. It’s also the music most often heard at Renaissance festivals. Sorta makes sense, eh?
The sanctuary had a vaulted ceiling with exposed beams and two large, clear windows that looked out to the east, toward Shadow, Evergreen and Bear mountains. It rained while we were there and the mountains were in mist, the windows covered with raindrops slowly moving from top to bottom. There were individual chairs, padded with kneelers, arranged in a three sided configuration, making the sanctuary a sort of thrust proscenium stage, an ideal arrangement for a small group of singers.
A church artist had painted the stations of the cross and they were around the sanctuary, set off by bent sheet metal frames. A copper baptistry, large, sat over a cinerarium where the congregation deposits cremation remains and memorializes the dead with small plaques.
Between the two windows hung a large crucifix, a cross made of bare, light wood and a bronze Jesus hung by two nails. I had an odd sensation while listening to this music I’ve often heard in monastic settings on retreat, being carried back into the spiritual space of an ascetic Christianity that often comforted me. This time though I came into the space as a peri-Jew, identifying more with Marilyn and Irv and Kate, with the still new to me spiritual space of Beth Evergreen, than the theological world represented by this spare, but beautiful sanctuary.
The crucifix stimulated the strongest, strangest and most unexpected feeling. I saw, instead of the Jesus of Christianity, a hung Jew, a member of the tribe. More than that, I felt the vast apparatus and historical punch created by his followers, followers of a man who shared much of the new faith world in which I now find myself. It was an odd feeling, as if this whole religion was an offshoot, a historical by-blow that somehow got way out of hand.
These feelings signaled to me how far I’d moved into the cultural world of reconstructionist Judaism. I see now with eyes and a heart shaped by the Torah and mussar and interaction with a rabbi and the congregants of Beth Evergreen.
This was an afternoon filled with the metaphysical whiplash I’ve experienced often over the last year, a clashing of deep thought currents, spiritual longings. This process is a challenge to my more recent flat-earth humanism, a pagan faith grounded not in the next world, but in this one. Literally grounded.
What’s pushing me now is not a desire to change religious traditions, but to again look toward the unseen, the powerful forces just outside of the electromagnetic spectrum and incorporate them again into my ancientrail of faith. This makes me feel odd, as if I’m abandoning convictions hard won, but I don’t think that’s actually what’s going on. There is now an opening to press further into my paganism, to probe further into the mystery of life, of our place in the unfoldingness of the universe, to feel and know what lies beyond reason and the senses.
Jon’s house deal in Aurora finalized. He takes possession on September 7th. That will put him much closer to his school, within a long bike ride. The ride to school is how he got his exercise before moving up here so he’s looking forward to that. It also means that the custody arrangement will revert to 50/50, which will be a dramatic change for all involved.
If you’re an alcoholic like I am, you learn early in treatment that the geographical escape won’t work. Wherever you go, there you are is the saying. It’s true that the addictive part of my personality follows me from place to place as well as through time. Even so, this move to Colorado has awakened me to an unexpected benefit of leaving a place, especially ones invested with a lot of meaning.
While it’s true, in the wherever you go there you are sense, that these memories and social roles, the feeling of a continuous self that lived outside Nevis, in Irvine Park, worked at the God Box on Franklin Avenue remain, they are no longer a thick web in which I move and live and have my being, they no longer reinforce themselves on a daily, minute by minute basis. And so their impact fades.
This is obvious, yes, but its effect is not. This unexperienced territory leaves open the possibility of new aspects of the self emerging triggered by new relationships, new roles, new physical anchors for memories. Evergreen, for example, now plays a central part in our weekly life. We go over there for Beth Evergreen. We go there to eat. Jon and the grandkids are going there to play in the lake this morning.
This evening is the last of the introductory kabbalah classes. We’ll be discussing miracles again and hearing student presentations. Making it personal still seems like the right path for mine, how kabbalah has affected a decades long journey, a pilgrimage toward the world into which I’ve been thrown.
Here’s a nice paragraph: “While the hermeneutic strategies to “open up the text” that Ricoeur presents are not simple or childlike, they’re only the first step in engaging with the ideas. If you understand “the meek shall inherit the earth” as a radical idea, what do you do with that? How do you apply it? How do you let it change you? Following 
The biggest change will be in how I sense the world around me. I will no longer be so reductive, imagining that even if there is an unseen world, that’s all it is, unseen. Perhaps this is how the reenchantment process works, seeing the living, intricately woven cosmos as manifest everywhere, visibly and invisibly. My pagan sensibility remains. I’m not sure that adding God language to the mix adds anything important.
Organ recital: Kate does not have throat cancer. Didn’t know that was what Dr. James Chain, an ENT, was thinking until he eliminated the idea yesterday. Nothing quite like dodging the metaphorical bullet you didn’t even hear fired. Her sense of smell, adumbrated, and her sense of taste, flattened, however, may not return. Tough for weight loss. If food doesn’t taste-bad or good, it’s not appealing. We’re working right now to figure out what she can taste so we can emphasize them in our menu choices and cooking.
We’re going to need a sign: A Scandinavian and former Minnesotans live here. It will hang below the window air conditioner we purchased yesterday in Evergreen. Nobody has air conditioning up here. At least not visible from the road. We moved here for the cooler average temperatures and Shadow Mountain has obliged, so that’s not surprising. But. In the summer, for a few weeks, it does get hot up here and the house heats up. So does the loft.
When we went into Home Depot (our choices for purchasing a unit were two: Walmart or Home Depot. Community busters or a CEO who loves and supports the Donald. Sigh.), I had to go up to Customer Service and say, “I want to buy an air conditioner, but I can’t lift it.” The woman behind the desk said, “All right. Where is it?” Then she came with me. I looked at her. If she can lift the damned thing, I should be able to. But, no. She had a trick. She tilted the box back while I moved the flat-bed cart underneath it, then she worked it onto the low orange bed.