Category Archives: Faith and Spirituality

The Raw and The Cooked

Samain                                                                           Bare Aspen Moon

The Raw and The Cooked, French Edition
The Raw and The Cooked, French Edition

After a very busy week, a good busy with friends and Hebrew, kabbalah and time with Kate, yesterday was a rest day. Wrote, did my workout (which takes a while), napped, had a wonderful lamb supper cooked by Kate, who’s a wizard with meat. Watched some more of the Punisher on Netflix. On seeing that on the TV as she went to bed Kate said, “I don’t like your choice of programs.” “I know,” I said. Eating red meat and watching TV are hangovers from my Indiana acculturation, neither of which would I recommend to my children or grandchildren, but which I also thoroughly enjoy. No excuses.

Admitting to liking television in the crowds in which I tend to run is like admitting you enjoy belching or farting in public. Declassé. And it is, I suppose. My rationale (or, perhaps, as is often the case with rationales, my rationalization) is relaxation, in particular relaxation from a day usually spent in intellectual and physical activity. I love stories and TV, especially right now, is full of good storytellers who use visuals to enhance their storytelling. I’m sure there’s a sophisticated psychology explanation for this habit, but TV serves a purpose in my life. So there.

Thanksgiving this week. I’ve got a Martha Stewart recipe for capon with pancetta and fig stuffing. Which, of course, requires finding a capon, a mystery meat, as I said yesterday, to Colorado butchers. Tony’s Market. I ordered one and I’m going to call them today just to make sure it’s really coming. I did try to find a capon on which to experiment, but the only one I could find was $63.00. Ouch. Thanksgiving will be the experiment.

capon2I really like cooking, used to do a lot more. It requires mindfulness and produces a meal for others to enjoy. Just popping up from my days of anthropology: The Raw and the Cooked, by Claude Leví-Strauss. In this book the French anthropologist talks about the binary of raw food to cooked, prepared food, seeing the development of cooking as fundamental for the human species, a key movement leading toward civilization. (I’m not going to go into it here, too complex, but if you’re interested in dialectical thinking, the raw-cooked distinction is an example of binary opposition, a distinctively French version of dialectical thought which underlies Leví-Strauss’s idea of structuralism, a short introduction to it is here.)

My point in this last paragraph is that cooking is central to being human; so, engaging in it, at any level, links us directly to the story of human evolution. In that way we can look at Thanksgiving, or any big holiday meal, as linking a key step in our change from merely animal to animal with culture, to another key step, the abstraction of particular days, the elevation of particular moments in time, into holidays. The other night I realized that for dogs all days are the same no Tuesdays or passovers or superbowls, no Guy Fawkes or Mexican independence days, rather sequences of day and night, with food and friends, human contact.

EmersonWe’re not like dogs in that fundamental sense. As Emerson observed, “The days are gods.” Another binary opposition is the sacred and the profane, like the holy and the secular, ordinary time and sacred time. We imbue, out of our speculative capacity, the passing of time with certain significance. The day we were born. The yahrzeit notion in Judaism, celebrating the anniversary of a death. A day to celebrate the birth of a god, or to remember a long ago war against colonial masters. We identify certain days, a vast and vastly different number of them, as new year’s day, the beginning of another cycle marked by the return of our planet to a remembered spot on its journey.

20161229_161617_001When we merge our speculative fantasies with the chemistry of changing raw food into a beautiful cooked meal, we can have extraordinary times. The natural poetics of wonder join the very earthy act of feeding ourselves to create special memories. Very often on those days we gather with our family, a unit that itself memorializes the most basic human purpose of all, procreation of the species. We don’t tend to think of these most elemental components, but they are there and are sine qua non’s of holidays.

So, cook, pray, celebrate. Laugh. With those you love. If you care to, take a moment to consider these amazing things, too. That we know how to transform a neutered rooster into something delicious, something that will undergo the true transubstantiation, the changing of soil chemicals, the bodies of animals and plants into a human body. That we have the idea of Thanksgiving, or the idea of Hanukkah, or the idea of Labor Day and mark out a chunk of the earth’s orbit as special for those ideas. That we choose to gather on them with our small unit of humanity’s long, long ancientrail of development and critical change and doing so honor all of these elementals.

 

 

 

Well. OK.

Fall                                                                             Harvest Moon

shame-quote-2Shame. It’s a quiet burning just under the skin, a turning of the inner face away from the self, embarrassed. What have I done? I suppose its power comes in the possibility that the person who acted like this could be the “real” me. And, it doesn’t have to be an egregious act to call it up.

Example. Mussar says, pay attention to how much space you take up. Do not dominate your environment, for example. Leave plenty of room for the other, for their response, their reaction, their choices. On the other hand, do not shrink into the background.  Leave room for yourself, your reaction, your choices. There is no sphere of life where this idea does not apply. Work. Family. Synagogue. Church. Recreation. Community affairs. Politics. All spheres of human interaction.

In mussar each character trait exists in a polarity, say patience-anger or humility-pride. Neither pole is always best, the dynamic of mussar suggests that in certain situations either pole may be appropriate, though the sweet spot is in the balance between them. Patience, for example, should not be allowed to subvert the need to take action. Anger should not be allowed to control or force a response. The key is to know when to be patient, when to allow anger to show. So we try to remain in the middle space, ready to use which trait will produce the most human, most needed act.

Shame-Test-940x690Getting to the point here. I’m a student, probably since my first conscious thought. How the world works fascinates me. History, too. Literature. Art. Religion. Philosophy. Politics. Last night for example, before I went to sleep, I focused on my breath as I often do. I began to wonder, “OK. I know about inspiration, the lungs take in air, blood in the lungs binds the oxygen to the hemoglobin. But what about expiration? How does that work? Where do the exhaust gases, the carbon dioxide, come from? How do they get expelled? Why don’t the two processes interfere with each other?” Still don’t know the answer, btw, but I’m going to ask Kate at breakfast.

As a student, I’ve always been rewarded for speaking up in class. Classroom participation, remember that one? At age seventy it’s a long ago embedded part of my behavior. I’m aware I can dominate a class, so I try to be circumspect, not to follow every rabbit down every hole, though the desire to do so is always there. Where do the exhaust gases come from? Why does god put the angel with the flaming sword at the gates of Eden? It’s the way my mind works.

Yesterday in mussar Rabbi Jamie asked us to be aware of those who don’t speak or speak less often. To be sensitive to what they might be wondering, sensing, have to offer. Oh. Oops. He means me, doesn’t he? Well, probably, but also the others who tend to speak up frequently. Still, even the possibility, the likelihood, that part of his comment was aimed at me, made me go pink around the ears.

cone-of-shame-dog-funny-pictures-lolI shrank back in my chair, at least metaphorically, vowing, again, to keep my hand down. To keep that curiosity publically in check. To filter my thoughts, about whether they need to be expressed.  Hard for me. I’m eager when it comes to learning and part of learning is bouncing ideas off each other. But there’s that balance idea, the sweet spot between curiosity and taking up too much space, the need to honor the contributions and questions of others, to not privilege my own at other’s expense.

Letting shame dominate my response, however, is not helpful. Shame can lead to exclusion, to fear of being in a certain situation, in a certain group of people. And, paradoxically, it can also lead to an inflated idea of a particular moment’s meaning. Oh, I’m so bad that I can’t show my face here again. No. Learn the lesson. Keep it available as a guide, as a lesson, not as a definer of the Self. We are all more than even our worst mistakes and shame alerts us, usually, to the slighter mistakes, not the worst ones.

I’m talking to myself here. Writing does that for me. Gets me down to the root of an experience. So, here’s what I’m saying. Yes,Charles, modulate participation, but don’t go quiet. Yes, accept the observation as relevant, but not as a diminishment.

 

 

 

 

Metaphor? Of course.

Fall                                                                               Harvest Moon

kabbalah8The tree of life, the tree of immortality guarded by the angel with the flaming sword; the tree itself still growing in paradise, concealed by language, by our senses, by the everydayness of our lives; the path back to the garden often forgotten, the exile from paradise a separation so profound that we no longer know the location of the trail head and even harder, we no longer have a desire to search for it.

Metaphor? Of course. But in these three words lie a trap for the unwary, a trap in which I allowed myself to get caught and held, a mindhold trap. My life seems like a sine wave of grasping, then losing the significance of metaphors.

When young, I felt the mystery behind the communion wafers and the grape juice at Alexandria First Methodist. At the tenebrae service, when we extinguished the little candles with their paper drip guards and the sanctuary went dark, I thrilled to the change from ordinary experience, sensed the power rolling over us as the memory of crucifixion and death came hurtling through the centuries to land in our small Indiana town, in the very spot where I sat.

The sunrise services held on Easter morning lit up my whole inside. The power of the tenebrae had been defeated and life did go on forever, death only a mistake, an illusion, misunderstood as a cruelty when in fact it was a gateway. I suppose on those days, repeated over many years, I had a glimpse of the path back to the garden.

My mother’s death, I think, shattered this instinctive faith. Those feelings occasioned by grape juice soaked squares of bread, darkness and the rising of the sun, were a true path and one I lost when the brutal reality of grief smeared the way.

But the memory of that way remained. So I moved up from the instinctive triad of netzach-hod-yesod, forced by fear and loss to skip the next triad chesed-gevurah-tiferet and go to the one easiest for me to access, hochmah-binah-daat. I know these hebrew words may mean nothing at all to you, I’m still at the base of a steep learning curve with them myself, but they do appear on the illustration above so you can see where they are on the tree of life.

In simple, but not simplistic terms, the triads are netzach-hod-yesod, the realm of instinctual behavior, chesed-gevurah-tiferet, the realm of emotions and hochmah-binah-daat, the realm of the intellect. Movement in the tree of life goes from the keter to malchut and back from malchut up to keter, so there is no real top or bottom, only different spots in an ongoing process of creation.

kabbalahBut here’s the trap. Metaphor, of course! I studied philosophy, religion, anthropology in college. Then, after a few years stuck in unenlightened instinctual behavior-the storied sex, drugs and rock and roll of the sixties and seventies-I moved to seminary. The trap tightened. I learned about the church, scripture old and new, ethics, church history. It was exhilarating, all this knowledge. I soaked it up. I remained though stuck in the intellectual triad, pushing back and forth between the polarity of intuitive wisdom, hochmah, and analytical thought, binah, often not going on to daat, or understanding. I learned, but did not integrate into my soul.

There was a time, after seminary, after ordination, as I groped my way around in the work of ministry, that I found the path again. It was in mystical traditions like the Jesus Prayer, or the use of lectio divina, contemplative prayer. I had spiritual directors who guided my prayer life and I meditated often, daily for years, went on private retreats for days at a time. In those years I found my way back to the netzach-hod-yesod triad, traveling again on the instinctual path formed so long ago.

The trap sprung another time, though, as I got better at my ministry, more able to apply organizational development paradigms to congregational life, more able to pull the levers of political power for the good of various purposes: affordable housing, unemployment policy, economic development for poor neighborhoods, fighting off corporate takeovers of those same poor neighborhoods, more able to navigate the internal politics of Presbytery life. I became stuck in malchut, the material world which we experience everyday. So stuck that eventually I could see nothing else and the path disappeared again.

interior_dante_divinecomedy_inf_01_002My heart knew I had gotten lost, in exile once again. In Dante’s words in Canto 1 of the Divine Comedy:

In the middle of the journey of our life, I came to myself, in a dark wood, where the direct way was lost.

It is a hard thing to speak of, how wild, harsh and impenetrable that wood was, so that thinking of it recreates the fear. It is scarcely less bitter than death…

I cannot rightly say how I entered it. I was so full of sleep, at that point where I abandoned the true way.”

This time I knew I had to extricate myself from the subtle trap, get out of the thought world that had me lost in the dark wood, the direct way lost. It was a wild, harsh, seemingly impenetrable forest.

It was clear that for me the Christian faith had gotten muddled up with ambition, immersion in the world of power. And, most problematic of all, it had become part of the metaphor trap. The metaphor had gone stale, had become a barrier instead of a koan. Not the fault of the faith itself, but of my journey within it.

IMAG0650croppedAt the time of its crumbling another path had begun to open for me. Fiction writing emerged when, ironically, I began writing my Doctor of Ministry thesis. Instead of working on it I ended up with 30,000 plus words of what would become my first novel, Even The Gods Must Die. Irony in the title, too, I suppose.

In the train of that shift came a decision to look into my Celtic heritage as a source for my fiction. While researching Celtic religion for the fantasy novels I wanted to write, I discovered the Great Wheel.

It grounded me. So to speak. My spiritual life became tactile, bound up in soil amendments, bulbs, corms, seeds, spades and hoes, fruit trees, raspberries and bees. And, of course, dogs. Always dogs.

Meeting Kate enabled me to move gracefully out of the ministry and into a pagan worldview. I was back in the netzach-hod-yesod triad, but now firmly attached to malchut, the queendom of this world.

Writing fiction found me exploring the chesed-gevurah-tiferet triad, having to reach into my heart for believable characters, story lines. Over the course of those years, the years since leaving the Christian ministry and now, I began to gradually integrate the triads, at least the three: intellectual, emotional and instinctual. The combination of family life, the Andover years, writing, and working as a docent at the MIA began to slowly weave them into my soul.

2010 01 19_3454Even so, I sat behind the barrier, the flaming sword, the metaphor trap. Beth Evergreen and Rabbi Jamie Arnold have started me on a journey back to where I began, immersed in the dark. Seeking for the light, yes, but happy now in the  darkness, too. The Winter Solstice long ago became my favorite holiday of the year.

When I left Christianity and took up my earth-bound spirit, I shut off access to the fourth triad, the one subsumed under keter: faith-joy/pleasure-will, and its source of energy, the ein sof, the infinite One, perhaps god in small letters. Today, as I write this, I’m more pagan than I’ve ever been, more embracing of the body, the mountains, the stars, the elk and the mountain lion, than any words from any source.

2011 03 06_3396But. At Beth Evergreen I have begun to feel my way back into the fourth triad, the mystery I first encountered on the hard wooden pews in Alexandria, the one pulsing behind the metaphors of tenebrae, of crucifixion, of resurrection,  and now of Torah, of language, of a “religious” life. I knew it once, in the depth of my naive young boy’s soul. Now, I may find it again, rooted in the old man he’s become.

Behind the Texts

Fall                                                                            Harvest Moon

20-the-map-is-not-the-territoryThree nights in a row at Beth Evergreen. Challenging for this early to bed, early to rise guy. Though. Kabbalah fascinated me. I’m beginning to feel my way into the occult, again. The hidden wonders. This time around I may be able to actually hold at arm’s length the cultural vehicles and not resist the message because of the messengers. That is, kabbalah, in particular, has a poetic, evocative, confounding approach that speaks to my sense of absurdity. And, my in but not of relationship to Judaism also allows me a critical distance that I find very helpful.

At the mussar vaad practice group last night we had a discussion about the character trait kavod: honor, respect, dignity. It focuses on realizing the worth of each individual, of self and other, the god-in-me bows to the god-in-you.

There is a distinctively Jewish way of taking up this idea. For instance, a story in the Talmud has rabbi’s discussing whether a man on his way to hear the megillah, scripture written on a scroll (megile) but not part of the Torah, the story of Esther read at Purim being the usual example, must stop to bury a corpse he finds on the road. Yes, the rabbi’s conclude, he must bury the body rather than go hear the reading of the miracle of Esther. Why? Because of the honor due to any person, even their corpse. That transmits the message about kavod in way that’s hard to ignore. Teaching stories are a significant part of Jewish civilization.

BlakeThis story works for me. The imagery is something I can relate to because I’m human. Honor is so important and so often gotten wrong. Think, for example, about the instance of DJT honoring America First; just as Kim Jong Un honors himself and North Korea first. Or the gang member who feels dissed, disrespected, dishonored. A sense of kavod would have prevented the shooting in Las Vegas, the holocaust. It would prevent child abuse and domestic violence. Harming another whose dignity and respect is as worthy as your own is just not possible.

How we honor ourselves and, in turn, honor others is, therefore, a critical issue for our daily lives, our communal lives, our global lives. The kabbalistic conversation about Paradise hidden behind the wilderness of language allowed me, in a way I can’t explain, to peel away words and constructs and feel my way into the place where all pulses and throbs and lives and knows neither time nor space. The words for god, gods, goddesses point to this place, but like Hotei pointing at the moon, they are just fingers, not the moon itself.

Long ago, during the height of the sixties, many of my friends and compatriots were turning to Buddhism, to Hinduism, think Hare Krishnas and Zen. You might think, with my Asian bent, that they appealed to me immediately. No. I wanted, I said to myself, to go where they were going, but with Western cues, ones that were already woven into the fabric of my cultural inheritance. I was studying anthropology at the time and keenly aware of the way culture subtlety shapes our reality-the wilderness of language being no small part of it.

Abraham
Abraham

That’s how I ended up in Seminary. Eventually. And there were moments during sem, moments later during my time in the Christian ministry, when certain Christian traditions pulled me in in a manner similar to kabbalah: the Jesus prayer, lectio divina, contemplative prayer, retreats. The mystical side. As kabbalah is an important mystical tradition in Judaism. I got sidetracked, and yes I believe it was a side track, though, by my political commitments, by my nurture the institution commitments, by my always soft, but extant, commitment to the textual underpinnings of Christianity.

The quasi-Scholastic nature of the religions of the book, and most religions are, in one way or another, religions of the book: buddhist sutras, the tao te ching, the vedas, the koran, the bible, the tanakh, however, pushed me away, as it did Emerson. I want a religion, like him, of a revelation to us, not the dry bones of theirs. So I chose to read the book of nature, to step outside the textual traditions and the wilderness of their dogma, their stories. I’m still out there.

But. With the help of Beth Evergreen and the spirit of reconstructionist thought I’m once again able to be fed by those same texts without immersing myself in their interpretive world, at least not in a, I’d better get this or I’m lost (in the sense of geographically lost, not the metaphysical idea of salvation) sense. This is freeing for me, and Beth Evergreen has made it possible. I can take those cues from our Judaeo-Christian cultural inheritance and hear their powerful messages without becoming entangled in them, enmeshed.

As Leonard Cohen might say, Hallelujah.

Behind the Wilderness is Paradise

Fall                                                                           Harvest Moon

east of edenBehind the wilderness. Everett Fox is a Jewish scholar who did a translation of the Torah into English while preserving the Hebrew syntax. He  made some startling word choices, too, such as in this verse: Exodus 3:2 “He (Moshe) led the flock behind the wilderness–and he came to the mountain of God, to Horev.” Behind is such an interesting choice.

As our discussion went on last night in the first night of the second Kabbalah class taught by Rabbi Jamie, he referenced the expulsion of Adam and Eve from the garden. When they were gone, having eaten from the tree of good and evil (language in this interpretation), God installed an angel with a flaming sword to protect the entrance to Eden and the tree of life. The very language which allowed Adam and Eve to discern good and evil, or, to create it (!), now guards the pathway back into Paradise.

Here’s a leap, and one I made last night. Behind the wilderness is Paradise. The wilderness itself is language, is the angel with the flaming sword, protecting the entrance to Paradise. How do we get behind the wilderness? Behind language? Language, in an uneasy marriage to our senses, conceals and reveals. It reveals our sensations, our thoughts, and functions as a river flowing from prehistory to today, carrying in its waters the sum of written human culture. But. That same uneasy marriage also conceals what lies behind the wilderness, what Kant called the dinge an sich, the thing-in-itself.

eden-garden-of-god_1920x1080Behind the wilderness is the God who is, as Fox translates later in this passage: I-will-be-there howsoever I-will-be-there. It is this God whose messenger Moshe saw in the bush that burned without being consumed. This God’s name, a verbal noun composed of a mashup of past-present-future tenses for the verb to be, does not reveal. It conceals. It means, it does not describe. The messenger in the bush speaks for the vast whorling reality in which past, present and future are one, all experienced in the present and as part of which we are each integral, necessary and non-interchangeable.

Kavod

Fall                                                                            Harvest Moon

We’ve had snow. Again yesterday. Modest accumulation since the ground is still too warm. These are the days when snow mixes with the golden aspen leaves, throwing white into the green and gold colors of Mountain High. Go, Shadows.

Yesterday I finished my work on kavod. Here’s the end of it:

Text #3   “Kavod is translated as honour/respect. Kavod is way beyond good manners and saying please and thank you. It’s seeing the spiritual value of a human being and yourself. The greater sense of my own value, the more I don’t need to search for the approval of others and the more I am able to honour other people and see a sense of their value. If I give genuine kavod to another person than they in turn will value and respect me. We say “kodosh, kodosh, kodosh, the entire world is filled with the Kavod/honour of Hashem”.  http://www.shortvort.com/mussar/10450-kavod>

Rabbi Eliezer said: “Let the honor of your friend be as dear to you as your own.” Morinis, Everyday Holiness, p. 114

Before this text I added an image of Claude Monet’s:

Claude_Monet_-_Claude Monet, Haystacks, (sunset), 1890–1891, Museum of Fine Arts, Boston
Haystacks, (sunset), 1890–1891, Museum of Fine Arts, Boston

Monet, of course, was part of the Impressionist movement, committed to painting the colors as they were at particular moment in a particular place. They let the colors build the image rather than using color as a tool to build the image in a way that pleased their aesthetic.

This is similar, I think, to the notion of kavod. With kavod we look into the essence of ourselves and others, see that essence and let it build our image of ourselves and the other, rather than using our biases, our assumptions, our judgments. Just as the impressionists did, though, we have to know that our perceptions of that essence change from moment even though the essence, the imago dei, may remain the same. (I have some disagreement with the notion of soul, or essence, as a sort of Platonic archetype, constant and unchanging.)

Anyhow, I’m looking forward to this gathering of the MVP. I’ve done my awe work for the last month and am ready to get started on kavod.

On the Road with the Fellow Traveler

Fall                                                                            Harvest Moon

Arthur Szyk (1894-1951). The holiday Series, Rosh Hashanah (1948), New Canaan,CT
Arthur Szyk (1894-1951). The holiday Series, Rosh Hashanah (1948), New Canaan, CT

This year I attended the first Rosh Hashanah service and both Yom Kippur services. More of the Hebrew has become familiar, at least the transliterations. More of the melodies and songs, too. There are still times when I feel awkward, out of place. At certain points, in certain prayers, for example, the congregation turns to face the east, takes a slight dip at the knee and bows. Not sure exactly what’s going on there. Not all men wear kippahs, a smattering of women do. Same with prayer shawls. Not wearing either one does not make me uncomfortable as it first did, but I’m still aware of it.

Especially at the High Holiday services there were many I did not know, since some Jews attend the High Holidays in a fashion like the Christmas and Easter alumi in Christian churches. 70% of Jews in the U.S. do not attend synagogues, but many come for certain liturgical high points, including Pesach and Purim.

Painted by Beth Evergreen religious school
Tree of Life. Painted by Beth Evergreen religious school

Even so, there are now more people whom I know and in turn know me or Kate. That makes going to the synagogue a place to be seen, seen in the same way the Woolly Mammoths saw each other. We’re still new to most of the relationships, a year plus for the people we’ve come to know best like Marilyn and Irv, Tara, Rabbi Jamie, Leah, Elizabeth, Sally, Fran, Lisa, Anshel, Rich, Allan, Ron, Jamie and Steve, but they’re developing. I’ve learned to be patient with the evolution of friendships and close acquaintances, letting them grow in a natural way.

In the mussar vaad practice group, MVP, Marilyn asked me to present on kavod, or the midot (character or soul trait) of honor, dignity and respect. This is even more intimidating than presenting to the Thursday mussar group because this group includes Tara, Marilyn, Rabbi Jamie and Ron, a former script writer in Hollywood, very bright, but, at the same time, more fun because it’s a challenge. I’ve found an important component of staying vigorous emotionally, intellectually and physically at 70 is taking on challenges, much like a decision some years ago to test my self-perception as a bad language learner with Latin.

Showing up to the MVP, the Thursday mussar group, taking kabbalah and Hebrew, going to some services, attending holiday events, and working on the adult education committee are all moments when relationships can grow and I really enjoy working with these folks. Beth Evergreen was a great find for us.

 

Who is God’s Rothko?

Fall                                                                     Harvest Moon

Chauvet
Chauvet

Been thinking about a new analogy for reimagining/reconstructing faith: the transition from representational to abstract art. I like the analogy because it reaches deep into prehistory to the cave art of Lascaux and Chauvet of 40,000 years ago. This tradition developed so powerfully that its underlying assumptions were simply not questioned.  What would art be about but the reproduction of the human world in two-dimensions? Then, in 3, but still a man, or a god, or an animal. The introduction of perspective reinforced the representational, but did, I imagine, to the sensitive eye, give an inkling of the manipulation of space and color that really underlay art making.

No. 118 1961 by Mark Rothko
No. 118 1961 by Mark Rothko

So called modern art was a radical break with this tradition. It happened as artists in many places looked at painting and sculpture with fresh eyes. They asked about the purpose of art, the purpose of paint on canvas, the purpose of reshaping wood and stone. What are the primary elements of the work? Color. Paint. Form. Space. Negative space. And perspective, did it have to be mathematical? Was there a perspective that developed simply through the use of color? (Cezanne) Did perspective have to be singular? (Picasso) Could a painting be nothing but color? (Morris Louis, Rothko, Kandinsky) What about painting or sculpting things that could not exist? (Man Ray, Dali, DuChamp)

mao trach dong
mao trach dong

As artists began to consider the fundamentals, the unexamined assumptions of making art that had shaped its global expression since humans began making marks, though, that other tradition, the old representational one, did not die out. There were still portraits, still landscapes, still still lifes, sculpted men and women and animals and mythical beings of all sorts. This reimagining, reconstructing of art itself seemed to displace the older way, but only because museums became so dominant. There were modern art museums like the Walker and the Guggenheim and the Modern and the Tate which seemed to position the older, encyclopedic museums like the MIA, the Metropolitan, the Kunsthistorisches, the Louvre as showplaces of what used to be. Even the development of ateliers, who imagine themselves as the heirs to the older tradition, seemed to be an admission that the reimaginers had swept the field.

danceSo what I’m proposing is not another religion with a different origin story, a different set of scriptures, different roots from, say, Hinduism, Zoroastrianism, Christianity, Islam. And what I’m definitely not proposing is a reductionistic attempt to find out what all religions have in common, nor am I proposing a sort of tolerance for all faiths, an attempt to learn from each of them (though this is a good thing to do) and out of that shape a new faith.

No, I want to play with the fundamentals of religion, those things that underlay the tradition of religious thought and practice. I say play advisedly because I think it was the playful aspect of the artists who questioned their tradition that made their work bearable. And, in making it bearable, made it accessible enough to thrive.

Criteria by Bruce LeeSo, what are some of those fundamentals? Prayer, worship, gods, ritual, art, revelation, congregations, sacred space, the notion of sacred, divinity, after life, morality and ethics. How might a radical approach take the long history of prayer, for example, and reshape it, reconfigure it, reuse it for the person who chooses to stand outside particular traditions, but still wants to paint? Or, what about gods? How does the notion of powerful, unseen entities with various agendas fit into the life of persons no longer monotheists, no longer willing or able to see many gods?

I don’t even want to do what Emerson proposed. That is, have a religion of revelation to us rather than the dry bones of theirs. I want to examine revelation itself. What is revealed? Why is hiddenness so important to religion? What is revelation in a quantum mechanical world? Where is revelation? How are things revealed? How have things been revealed all along, but we didn’t notice? And why do we care about a world beyond the one we experience effortlessly?

 

 

Third Phase Thoughts. Again.

Fall                                                              Harvest Moon

birthday dinner at 65
birthday dinner at 65

We had a soaking, all day rain yesterday. Very humid east, not so much arid west. Temperatures were cool during the day and down to 35 degrees last night. After a busy week, having Saturday as a quiet day was good.

The now not as new work schedule has taken hold, at least the before lunch part: Ancientrails, Jennie’s Dead, breakfast, news and e-mails, workout, lunch, nap. The after nap portion, which was to be Latin and reading until 5:00 or so, has still not solidified.

Any schedule has its rhythm broken by errands, medical appointments, maintenance matters like oil changes for the Rav4, scheduling folks to handle things like boiler inspections, circuit breaker fixes, but over time I’ve learned that simply returning to the pattern usually keeps me moving me forward.

caterpillarThat’s especially important for workouts, which are easy to forego. On Mondays, Wednesdays and Fridays, I do 20 minutes of cardio, then resistance work, then 20 more minutes of cardio. On Tuesdays, Thursdays and Saturdays, I do the high intensity cardio plus 50 minutes or so slower cardio. If I miss a Monday, I go on to the high intensity, slow cardio day. If I miss a Monday and a Tuesday, I still go to the 40 minutes of cardio, resistance work day. For me, keeping the same workouts on the same days of the week keeps me from feeling guilty (I’ve missed so many workouts, it doesn’t make sense to even try and get back to my schedule.)  and guilt stops the process altogether.

Of course, there is the question of why keep at it? At 70 it would be possible to argue that the pace of life should slow down. Why keep pushing, especially if self-esteem doesn’t demand it. And mine doesn’t.

retirementThe third phase is new. It used to be that 65 or so meant the end of a working life, retirement happened, then death, often before 70. Those that made it into their seventies were often burdened with serious medical problems that drained energy and created obstacles to doing much else.

In 1960, when I was 13, U.S. life expectancy was 69.7 years. In 2015 it was 79 years. Our perception of age is not shaped so much by our experience of age itself, but by our attitude towards age created when we were not aware they were forming. In the working class community where I grew up until age 17 65 was retirement and death, at least for men, who were the primary workers then, followed 18 months or so later.

In other words, when I learned what being old meant, it was basically work, stop work, die, and the ages around which those latter punctuations occurred were before seventy. Life after seventy had no shape, no coherence, except frailty, nursing homes, dotage. (for, as Kim Jong Un says, dotards.) Though is no longer true, and has not been for some time, by 1990 the average life expectancy had risen to 75 years, my inner image of aging was shaped in the 1960’s world of Alexandria, Indiana.

We try to adjust to changes like these, but the patterns of our childhood often shape our beliefs about what’s possible. If work stops at 65, what comes after that? No work? No ability to work? Or, relief that work is over, so the 1950’s model of an ideal retirement, gold or canasta or bingo or photography. Life after 65 meant hobbies, doing things you’d put off doing, then dying. But in fact life after 65 was so short for most people that getting traction for some new phase of life, a phase with no work and the responsibilities of in-home child rearing completed, didn’t seem to make much sense.

growing-whole-molly-young-brown-219pxw-330pxh70 is not the new sixty. It’s the new 70. What 70 is the new sixty really means is that for those raised in the 50’s, 70 now appears like age 60 did when we were kids. Big difference though…we’re in that sixties range of health, but we’re 70 and work has fallen away, the kids are gone. What do we do?

So far my response has been to do what keeps me physically, intellectually, emotionally and spiritually engaged. Why? Because the alternative is the Barcalounger, favorite tv programs, the occasional extended family meal, then the funeral home. The old model of retirement, what our financial consultant Ruth Hayden called the finish line model of retirement, was sort of like forever recess, a surcease from the demands of the boss and the day-to-day demanded non-work like activity, otherwise what was the point of retirement?

Now, though, retirement really means (for those of us financially secure anyhow) a change in who determines how we spend our time during the day. We do, not the workplace. If we take on that responsibility with the image of the 1960’s in mind, we take a breath and try to imagine what we always wanted to do when weren’t working. The more pertinent question, it seems to me, is really who do I want to be?

retirementYes, retirement and the life following it, the third phase as I call it, is just that, a new and different time of life, one in which the question of how do I live can have a radically different answer than in the first two phases. Who are you? Who do you want to be? If you want to be a person whose constant focus is recreation, who gets up in the morning for another day of adult recess, you can. If you want to be a dress designer after years as a forensic engineer, you can. Or, as in my case, the work before retirement age was satisfying, self-directed, so there’s little reason to change just because some age-related cultural turning point has been reached.

What this means for me is that as long as I am able, I’ll continue to write, to read, to research, to stay engaged in current happenings. I’ll keep at my spiritual growth, stay connected to friends and family. I’ll work out and do what I can around the house. When I can no longer do these things, if that time comes, I’ll reassess. Death is always ready to greet us, we don’t have to accelerate the process.

Intimations

Fall                                                                      Harvest Moon

Vanitas by Jan Sanders van Hemessen
Vanitas by Jan Sanders van Hemessen

A couple of weeks ago I went in for cataract and glaucoma exams. Then, Wednesday, my hearing aid stopped working. I’ve also been a little short of breath, not unusual up here at 8,800 feet and my oxygen saturation is ok. The good news is that neither my cataracts nor my glaucoma have worsened and my hearing aid got unblocked by the folks at Hearing Rehab. And the shortness of breath does seem to be a response to altitude and not a failing heart.

These are what I call mortality signals. None of them, in themselves, are fatal; but, like my sudden hearing loss at 38 in my left ear, they are blinking yellow lights, caution, fatal error ahead. Birth is a mortality signal, too, of course.

Instead of pushing these signals into the background of my mind I like to embrace them, take the hint of life’s progress towards its entropic end. Nope, not gloomy or depressive, in fact, the opposite. Energizing, gratitude producing. I’m still here and functioning. Happy to have awakened this morning, happy to have a day ahead with Kate and the dogs, happy to have my loft, happy to be in the mountains. Joyful, even.

There’s a message about prayer here though I’m not clear yet on what it is. In response to Rabbi Jamie’s focus on prayer for the High Holy Days, I’m trying to reimagine prayer from a spot outside the Jewish tradition, reconstruct the concept of prayer without the Talmud, the Torah, the long history of Jewish prayer books.

Hermann-Hesse-Quote-Art-is-the-contemplation-of-the-world-in-a

Here’s where I am so far. Prayer is, at its most basic, communication. Important communication, significant to the prayer on the most critical matters in the life of the spirit. Prayer is also, at its most basic, the creation and sustaining of a relationship.

There are many sorts of prayer: supplication, petition, praise, anguished, thankful, angry, loving, contemplative, meditative, even constant. There are also communal and intercessory prayers, prayers of commitment and prayers of repentance.

So the question is prayer from whom to whom? Or, from whom to what? What is the relationship that prayer nurtures, why do I want to sustain it? Why is that relationship important? How is prayer different from other forms of communication, of other ways of creating and sustaining relationships? Or, is it different?

A work in progress.