Winter Stent Moon
10 degrees on Shadow Mountain. A couple of inches of fluffy powder fell over night, a minor storm compared to what had been predicted earlier. The lodgepoles have white flocking. Black Mountain hides behind a gray blue cloud. The neighbor’s Christmas lights, now past their expiry date, still glitter.
Frustrated here by realpolitik. Can’t say more about it.
Kate’s Sjogren’s flare has subsided. She’s still fatigued, both from all the insults her body has received since September 28th and Sjogren’s. There may be an anemia component in there, too. Fatigue, when it’s constant, carries with it its own malaise. Sleep, get up for a bit, sleep some more day and night. Her face does not, however, have the stress lines brought on by repeated bouts of nausea and cramping, bouts that followed every meal until last Friday. That’s a marker on the road leading out of this mess.
I’m working in a slightly larger format now, 8×10 canvases, trying to think more about design. The Western icons idea will require more gathering of props. I turned to items I had close to hand. My favorite tools. Those of you who know me well know I’m not a shop guy, not a handy guy, but I do have some tools I love.
The learning curve in both astrology and oil painting slopes almost straight up for me. My mind gets short of breath at times. I remember this from Latin. Slog. Slog. Slog. Oh! “Confusion,” I read, “is the sweat of the intellect.”
Back in 1966 I was a very young student of symbolic logic. My second semester at Wabash. German had already defeated me and I was feeling the shock of intellectual challenges that seemed beyond me. Larry Hackstaffe, the professor who wandered around on off days with a six-pack of Bud hanging by one of its plastic rings from his belt loop, was a good teacher. After the D on a German test, a D!, my sense of myself was in trouble. Study. Study. In the library, in a carrel. My safe place.
The mid-term. When I sat down, my palms were sweaty and my socks uncomfortably moist. My neck hurt from slumping over in the study carrel. Larry passed out the blue books and the exam. And away I went, developing proofs, using the symbols like I’d had them from birth. That exam was a revelation to me. With hard work I could master something difficult, really difficult. I didn’t need the grade after that, though it was an A and I was glad. I had taught myself a life lesson, not in logic, but in persistence.
At almost 72 I’m no longer naive enough to think I can master anything, but I’ve proved to myself over and over that with patience (difficult for me at times) and either a good teacher or a lot of autodidactic effort, I can learn new things. Even new things that might seem unusual for me. Organic gardening. Beekeeping. Raising perennial flowers. Writing novels. Teaching Jewish religious school. Living at altitude. Cooking. The downside of this valedictory life, that’s a thing, is that I’ve not become Tolstoy or a commercial beekeeper or Top Chef, certainly no Latin scholar. But I have had the chance to peek behind the curtain of numerous activities I might have once thought, like German, beyond me.
A lot of blather to introduce you to some paintings by me. As you can tell, I’m still breathing hard, looking for handholds on the ancientrail of creating beauty, of making pigments tell their story, but I’m having a hell of lot of fun. As I am with astrology.
These are in the order in which I painted them.
Here they are:





Folks learned in astrology will say, my sun is Aquarius in the 11th house, my moon in Sagittarius in the 8th house, and my ascendant is in Aries. Not, hi, I’m an Aquarian. What’s your sign? Those happen to be my particulars, btw. The complexity of astrology begins right here.

I’m continuing my experiments with oil painting, getting more experience, wondering about all the tricks and tools of the trade. Making it up as I go along right now. Playing. Yes, I’m playing with two shiny new disciplines right now, oil painting and astrology. When I use that word, playing, and it is accurate, what always comes to mind is
The oil painting. So far I’m imitating, at least in a way, Rothko. Although. I did see some cloud formations that I tried to recreate, or at least evoke. Not in my power yet. Though what I produced I liked for what it was.
Astrology is a thicket of wild claims, unjustified certainty, and intriguing utility. Sorta like religion. In my reading so far I’ve found sensible, modest intellectuals who lean on the utility, using this ancient discipline (Mesopotamian in origin.) to promote self-knowledge. I’ve also found, as you might expect, a number of at least charlatanesque figures who are only one step away from the traveling potion wagons of the early frontier. OK, maybe not one step away.
In the later days of my interest in psychometrics there was a similar change from seeing certain personality characteristics as bad or good, especially those characterized as abnormal. Two instances from my own testing. I spiked both the 4 and 5 scales* of the MMPI when tested in the mid-1970’s in seminary. In the original uses of the MMPI these two scales supposedly determined whether you were a psychopath, 4, or a homosexual, 5. The new (then) understanding became: 4 spike = non-conforming, rebellious, angry, creative, family problems, impulsive and 5 spike = lacks traditional masculine interests. This testing was also done while I was still drinking and some of those 4 scale attributes reinforced my addiction. Though I may have lacked masculine interests (not quite sure what that means), I did have one clear masculine interest. Women.
You might say, oh, the power of suggestion. Could be a bit, I suppose. But recalling dreams when I haven’t been is big for me. Years of Jungian analysis, you know. Running toward something like astrology is a definite change in mindset. And, oil painting? I mean, come on.
Holiseason underlies and inflects all of this, creating moments of reflection and quiet, reinforcing attention to the Great Wheel. Feeling as positive about life as I have in a long, long time.
I’ve not been idle. Using some small, 5×7, canvases I’ve begun to use oil paints. My first effort is here. Doesn’t pop like I hoped it would. I have three more of these small canvases painted with an undercoat. One yellow, one sap green, and one violet. Trying color field painting. Mark Rothko is my favorite abstract painter, so I thought I’d see what I could make using him as my inspiration.
After 12 years as a guide and docent at the Minneapolis Institute of Arts, art became an integral part of my life; yet, I’ve struggled to keep art in my life since moving to Colorado. The museums here are not compelling and driving down the hill takes time. Reading about art, looking at it online or in books has not given me the satisfaction I’ve searched for. Painting myself, which necessitates a look into art materials, theory, and careful looking at artists whose work I’d like to use as inspiration, may. I’m not there yet, but I’m having a hell of a lot of fun.
We put out our best aluminum tins from Tony’s. Mashed potatoes, sweet potatoes, sage stuffing, green beans almondine. I plunged the plastic bag of turkey gravy in boiling water. The turkey breast went in a shallow pan with a 1/2 cup of water. We have two ovens and the top one, the smaller of the two, did its job well for the potatoes and the stuffing.
On the table sat our finest paper plates, a big turkey printed on them saying gobble, gobble, gobble. The napkins had pumpkins and vines and stuff. The meal was very good and aside from the now suspect ovens (I won’t mention that the other one went wonky, too.) exceeded my hopes.
Kate’s two months from hell. A modest amount of this excellent meal sent her straight to bed. Not sure where we go from here. Smoothies and Korean food, maybe.
Woke up this morning and did my gratitude practice. At night I consider all the gifts I got during that day, all the gifts I gave, and any trouble I caused. In the morning I start out with what I’m grateful for right now. Both practices seem to soothe me, put me in a place to receive and accept blessings. Life’s a hell of a lot better when I’m in that sorta space.
There is also a more general, vaguer issue for me. As Kate’s life continues to revolve around pain and nausea, weight loss, it restricts her movements. She’s in the house, often in bed or in her chair or on the bench upstairs at the table. This has a centrifugal force for me, too, pulling me in, keeping me here. No, I do not resent it, that’s not my point. I’m speaking now of a more subtle influence, a coloring of the spirit, a darkening of it. I find myself tired, sleepy, more than makes sense to me unless I factor this in.


retrograde, 9th House.
Like the study of kabbalah with Rabbi Jamie it’s easy to get overwhelmed with all the new information since astrology and kabbalah are centuries, millennia old. Both have multiple competing schools and a good deal of learning necessary to fairly evaluate them. That is, they both require a certain suspension of disbelief in order to get traction. Kabbalah has enriched my understanding of Judaism in many ways, none more important than its insistence that all the Torah is metaphor, but it took me a good ways in to the study to learn this. By undermining a literal interpretation of the Torah, kabbalah gave me a way to appreciate and use the biblical material without having to contort my own thinking. In my world that reopened those old stories that we know so well, made them available for my own growth.
To give you a taste of the possibilities here are a few lines from an analysis of mercury retrograding into my 9th house: “Re-examine what you believe as Mercury backs up into the 9th house. Your beliefs create what you experience. It’s time to consider the future. What you do now effects the outcome. What’s your overall philosophy of life? Are your really living it?…During this transit you may be called upon to re-assess what the truth really means.”