Category Archives: Original Relation

Multitudes

Winter                                                                      Cold Moon

walt-whitman-i-contain-multitudes

In the Nix (see post below) the author Nathan Hill takes a side excursion into the difficult, thorny problem of the self. The idea he presents helped me, gave me a middle ground beyond the no-self notions of the Buddha and several contemporary psychologists and philosophers and the Western view of one true self.

The dialectic between no-self and one true self has always found me much closer to the one true self pole. It’s the one that I accept intuitively. In fact, it was the unquestioned truth until mid-college, so unquestioned that any other idea seemed literally absurd.

“Oh, that’s her true self.” We might say this when we see someone angry, apparently peeling back the onion, layers of false selves, to reveal the enduring self located, well, somewhere; or, when some other extreme behavior allows us, or so we think, to peer into the interior of another. This is the radical western reductionist view of the self, perhaps linked to the notion of soul, the essence of a person.

The Buddhist notion, which I don’t pretend to understand well, posits no I, no we, only a consciousness that responds to whatever shows up in the present moment, our self a narrative, a story we tell ourselves, but having no “real” existence.

In Hill’s notion there is a third, perhaps a middle way, between these two poles. A character says, oh, her true self has been hidden by false selves. No, Hill’s other character says, not by a false self but by another of her true selves. Ah. Not split personality or multiple personality, not that idea, rather the idea that we each have more than one “true” self.

This makes so much sense to me. The self that writes this blog is the writing me, the self that wants somehow to turn my inside out so others can see in. I have a husband self who acts in relation to Kate and to the history of relationships I’ve had. There is a grandparent self brought into existence by Ruth and Gabe. A Woolly self. A friend self, perhaps as many friend selves as I have friends. There is an art lover self, a physical self focused on the body, a reading self, too, who willingly opens all these selves to influence by another. Each of these true selves, and many others, have their own history, their own agenda. You might call these selves the specific wanderer on each of my several ancientrails.

Given the quote above from Whitman, I’ll call this the Whitman theory of self. It is, for now, the one to which I adhere.

 

Yamantaka for the New Year

Winter                                                              Cold Moon

Existentialism is a philosophy for the third phase. No matter what other metaphysical overlays you may have the tick-tocking grows louder as you pass 65. When this clock finally strikes, it will take you out of the day to day. Forever. Strangely, I find this invigorating.

In case you don’t get it the occasional medical bomb will go off to make sure you pay attention. Last year, prostate cancer. This year, that arthritic left knee. Kate goes in for an endoscopy on January 3rd. She’s waiting approval for a biologic drug to help her rheumatoid arthritis. All these are true signs of the pending end times, but they are not the end itself. These medical footnotes to our lives press us to consider that last medical event.

I’ve followed, off and on, the Buddhist suggestion about contemplating your own corpse. I imagine myself in a coffin, or on a table somewhere prior to cremation. This is the work of Yamantaka, the destroyer of death, in Tibetan Buddhism. I’m not a Buddhist, nor do I play one on TV, but I became enamored of Yamantaka while learning about the art of Tibet and Nepal at the Minneapolis Institute of Art.

yamantaka-mandala
yamantaka-mandala

This mandala is a profound work of art on view in the South Asia gallery (G212). Adepts of Tibetan Buddhism use this mandala as a meditation aid to make the journey from samsara, the outer ring representing the snares that keep us bound to this world, and the innermost blue and orange rectangle where the meditator meets the god himself. The impact this work and the portrait of Yamantaka that hangs near it have had on me is as intimate and important as works of art can evoke.

Death is more usual, more understandable, more definitive than life. Life is an anomaly, a gathering of stardust into a moving, recreating entity. Death returns us to stardust. Yamantaka encourages us to embrace our death, to view it  not as something to fear but as a friend, a punctuation point in what may be a longer journey, perhaps the most ancientrail of all. Whatever death is, aside from the removal of us from the daily pulse, is a mystery. A mystery that has served as muse to artists, musicians, religions and poets.

Yamantaka has helped me accept the vibration between this life and its end. That vibration can be either a strong motivating force for meaningful living (existentialism) or a depressive chord that drains life of its joy. I choose joy, meaningful living. Perhaps you do, too.

 

Springtime of the Soul (& the Equinox)

Fall                                                                                       Harvest Moon

“Just as we can experience the Death and Resurrection of the God in the Easter season in spring, so can we experience in the autumn the death and resurrection of the human soul, i.e. we experience resurrection during our life on earth…”  Festivals and Their Meaning, Rudolf Steiner

The Archangel Michael (left), Gabriel (right) and Raphael accompany Tobias. Francesco Botticini, 1470; Galleria degli Uffizi, Florence. Source: Joachim Schäfer
The Archangel Michael (left), Gabriel (right) and Raphael accompany Tobias.
Francesco Botticini, 1470; Galleria degli Uffizi, Florence.

Today is Michaelmas, the feastday of Michael the Archangel. British universities start their terms today, the Michaelmas term. Following Steiner, I have, for some years, seen Michaelmas as the beginning of a long period for soul cultivation. It is not, I think, an accident that the Jewish New Year, Rosh Hashanah, falls in the same period.

These are, too, harvest festivals, falling near the autumnal equinox. It makes sense to me to begin the New Year as the growing season ends.  Samain, Summer’s End, in the Celtic calendar, marks the finish of the harvest festivals and the beginning of the fallow time. It is also the Celtic New Year.

Last night at Congregation Beth Evergreen I waited for Kate while she took Hebrew. Where I chose to sit filled up with religious school kids, bouncing with tweeny energy. Rabbi Jamie Arnold came down to talk to them about the shofar and the upcoming New Year. He talked about Rosh Hashanah and described it as a moment when the creation can begin anew. It is possible, he said, for each of us to start life anew on Rosh Hashanah. I like this idea and the question it poses: Who do you want to be in the New Year?

Marc Chagall, Shofar
Marc Chagall, Shofar

I’m going to consider this question over the next few days before Kate, Jon and I attend the Rosh Hashanah service on October 2nd at Beth Evergreen.

Another way to pose this question is, how do I want to nourish my soul in this, its springtime? What practices can I use? Kate and I have begun to seriously wrestle with the Jewish spiritual practice of Mussar, as I’ve mentioned here before. It will be one lens through which I approach the possibility of a new being, a new me.

Yet. That new me will have a strong relation to the man who harvested years of friendships over the last week in Minnesota. He will have a strong relation to the man who hears, Grandpop!, from Ruth and Gabe. He will have a strong relation to the man who loves Lynne Olson, and Kate, too. He will have a strong relation to the man who is several dogs’ companion. He will have a strong relationship to the man who writes novels. He may be a new man, yet still the old one, too.

Summer Solstice 2016

Summer                                                                     Moon of the Summer Solstice

redagainstwhite cropped
Fairplay, South Park

Light to dark. A continuum and a dialectic. Our inner lives fall, always, somewhere along this line. Our life might be bright, cheery, goals and actions easy to see, our days bouncy and their weight upon us like a feather. Or, our lives might be dark, intense, solemn, our next moves difficult to imagine, our days heavy, weighing upon us like a great rock.

But the Great Wheel shows us a yet deeper truth. Light to dark and dark back to light is the way of life on this earth. In the temperate latitudes this truth is at its most nuanced and its most fruitful. Quite literally. In temperate latitudes, as the Solstices mark out, we go from the Summer victory of light to the Winter victory of darkness.

Though darkness seems to be the dialectical opposite of light-winter the antithesis of summer-in fact darkness gives plant life a time to rest, rejuvenate, prepare for the rigors of another growing season. The light, when it begins to bear down upon the fields and forests, encourages and feeds them, preparing them for the harvest. In the places where the seasons are more extreme, like the tropics where daylight remains equal to night all year round and at the poles where night and day extend for months exuberant plant life can overtake whole regions. Or, at the poles ice can become so thick and vast that it covers hundreds, thousands, of square miles.

The Summer Solstice and the Winter Solstice then are not opposed to each other. The transitions from light to dark and dark to light for which they are the zenith are necessary engines for the well-being of all of us who call this planet home.

Thus we might consider the transitions from light to dark in our psyche, in our soul, as variations necessary for a full and rich life. Of course we need the sunshine of children, of love, of hope, of success. The times in our lives when those can dominate are like the summer, the growing season. Yet, grief and failure are part of our soul’s turning, part of our reaction to and integration of life’s darkness. Also, those practices which can take us deep into our inner life are like the fallow times of fall and winter providing rest and rejuvenation to us.

Today we celebrate the solar equivalent of our live’s growing season. Mark out those matters in your life that flourish, that bring joy and love, that encourage your fulfillment. But, know as well that even events like divorce, like the death of a loved one, like the failure of a dream can enrich the soil of your life, must enrich the soil of your life or else we pretend that the Great Wheel does not turn, but rather stops and becomes one season, to the eventual death of all we know.

The Summer Solstice begins the gradual victory of dark over light, the one we celebrate at the Winter Solstice. Light and dark are not opposite, but parts of a whole, parts of your soul and its ancientrail toward death.

 

Becoming Native

Beltane                                                                               Running Creeks Moon

“…I am at home in the West. The hills of the coastal ranges look “right” to me, the particular flat expanse of the Central Valley comforts my eye. The place names have the ring of real places to me. I can pronounce the names of the rivers, and recognize the common trees and snakes. I am easy here in a way that I am not easy in other places.”  Joan Didion, California Notes, NYRB, 5/26/2016

Front, May 6th
Front, May 6th

Becoming native to a place implies the opposite of what Joan Didion recalls in this fine article taken from notes she made in 1976 while attending the Patty Hearst trial for Rolling Stone. The becoming process implies not being easy where you are, not knowing the place names as real, not knowing the common trees and snakes.

The Black Canyon of the Gunnison is not a real place to me. Neither is Four Corners nor Durango nor the summit of Mt. Evans, only 14 miles away. The owls that hoot at night, the small mammals that live here on Shadow Mountain. No. The oak savannah and the Great Anoka Sand Plain. Familiar. Easy. The Big Woods. Yes. Lake Superior. Yes. The sycamores of the Wabash. Yes. Fields defined by mile square gravel roads. Pork tenderloin sandwiches. Long, flat stretches of land. Lots of small towns and the memories of speed traps. Yes.

A local photographed yesterday near here
A local photographed yesterday near here. from pinecam.com by serendipity888

With the fire mitigation this property here on Shadow Mountain is becoming known. It has three, maybe four very fine lodgepole pines, tall and thick. A slight downward slope toward the north. Snow, lots of snow.*  Rocky ground, ground cover and scrubby grass.

Denver. Slowly coming into focus. The front range, at least its portion pierced by Highway 285, too. The west is still blurry, its aridity, mountains, deep scars in the earth, sparse population. The midwest clear, will always be clear.

Becoming native to a place is the ur spiritual work of a reimagined faith. First, we must be here. Where we are.

*”Snowfall for the season on Conifer Mountain now stands at 224 inches (132% of average).” weathergeek, pinecam.com

Too Much Salt?

Spring                                                  Wedding Moon

Ruthandgabeuppermax300The snow has been less than predicted, a good thing. Still, it’s the wet, heavy, slushy stuff that makes snowblowers clog up.

Jon, Ruth and Gabe are coming up tonight. Jon and Ruth will go skiing tomorrow and Gabe will stay with us. Ruth and I plan to take in a Fiske Planetarium (Boulder) show on black holes this evening. Kate’s making Mississippi Pot Roast. This is the sort of thing that, no matter how much we might have wanted to do it, was impossible when we lived in Minnesota.

Got rid of 4 bookcases bought long ago at Dayton’s warehouse in Minneapolis. They’d seen me through the house on Edgcumbe and in Andover. Most of these got sold off in Minnesota, but the remaining four held some books while the built-ins were under construction. That opens up space in the garage. It’s a priority as soon as the weather warms up. Would’ve been last year if it hadn’t been cancer season over the summer.

saltOK. I have a confession to make. I’ve been putting too much salt on my food for years. Big surprise, I’m sure, to all of you who have witnessed it. In fact, I was following an approach suggested by my internist, Charlie Petersen. His opinion was that once you passed a point where a problem, blood pressure in this instance, required treatment, you didn’t need to modify your behavior if the treatment worked. And it did. For many years. But, not now.

Over the course of the trip to Asia I stopped adding salt to my food. My blood pressure, which had been labile before the trip, suddenly fell into line. Damn it. Empiricism is such a bitch. And, not so small side benefit. It’s easier to sleep through the night since my fluid retention has significantly decreased.

Yamantaka 13 Deitykat1

There is no doubt that I have a self-destructive homunculus in residence. Smoking and drinking took me several unpleasant years to put into the past. Just why this little guy is so interested in my demise, I don’t know. Maybe he’s the death wish that Freud believed we all have. He doesn’t give up. If I start one of these activities again, I quickly go back to the maximum use. I learned this while quitting smoking, several times.

It’s tough getting him to just sit still. You would think that, having visited Yamantaka (the slayer of death) many times over the years, he would calm down. Yamantaka is the Tibetan God of death itself. To worship him one thing you can do is look your own death straight in the face, imagine yourself dead, meditate on your own corpse. In this way Yamantaka helps us to accept death for what it is, a natural and not to be feared part of human existence.

Seems like that would get this homunculus to quiet down. Oh, it’s going to happen anyway and it’s ok, so why do I have to speed things up? But, no. Doesn’t appear to work that way.

something’s happening here

Imbolc                                                                           Maiden Moon

Diana Bass has written a book, Grounded, about what she believes is a revolution in religious thought. God’s no longer in the Holy Elevator business, press 2 for heaven, B for hell. No, God’s moved out of the three story universe and climbed into the world around you. Immanence, not transcendence. Bass finds God at the sea shore, in the clouds (no, not up there, the real clouds), in movements for social justice, in human relationships.

She seems very excited about all this, certain that a major inflection in Christian history has begun to unfold on her watch.

Here’s the problem I have with it. What does adding the word God to an experience of natural sublimity add? If God is found in human relationships, as Henry Nelson Wieman famously thought, again, what does adding the word GOD to a human relationship contribute?

I agree with Bass about the direction of what she and others call religious thought and practice. But I don’t believe an immanent God makes more sense, probably less in some ways, than the old boy with the beard in the sky where you go when you die. If you’re lucky.

Instead of moving the entirety of Christian history out of the heavenly and into the soil and peoples of this very mundane earth, why not imagine that a reenchantment of the world is well under way. That giant sucking sound you heard for the last 2,000 years or so was the Christian faith draining the spirit from nature, from human interactions and locating it in a transcendent realm. Sort of vampiric, taking the life force from the earth and its living beings and storing it far away in the care of one despotic ruler.

Well, it’s time to give it back. That’s what’s going on right now and the movement is not aided by reinterpreting the very theological systems that created the problem in the first place.

The Gate of Chan

Yule                                                                            New (Stock Show) Moon

THE GATE OF CHAN

As a result of unwavering diligence you arrive at the gate of Chan. Before the gate stands a gatekeeper who says, “First you must put down your weapons.” Being determined to pass through the gate, you give it no second thought, so you drop all your defenses. After that the guard says, “Next you must take off all your clothes.” You think for a moment, and then you drop all your remaining attachments. Then the guard says, “Now you have to put aside your body.” You have been working hard for a long time so you decide that enlightenment is even worth dying for, so away goes the body. Finally, the guard says, “You still have your mind; that too must go. There can be nothing left of you when you enter.” Because you are determined to succeed, you agree to this final demand. The instant that you let go of your mind, the gate disappears. There was in fact no gate to pass through and nothing to enter.

–Song of Mind by Sheng Yen, pages 69–70
http://www.shambhala.com/song-of-mind.html

The Now and the Not Yet

Lughnasa                                                                    Labor Day Moon

A curious bifurcation. Friends comment on how well my life’s going. I’m not feeling it. Kate says look at the big picture. That’s what they’re seeing. Time with grandkids. Settling into the mountains. Healthy dogs. Cancer season mostly over. Loft getting put together.

When Kate suggested I look at the big picture, I replied, “It’s not in my nature.” My comment surprised me. What did that mean? “It’s not in my nature.”

In the moment I meant the larger trajectory of my life always gets swamped by the quotidian. The generator, damn thing. Rigel’s cast. Aimlessness. Sleep. That’s what gets my attention, my focus. It’s the way of generalized anxiety. Yes, I can back off from the day-to-day, know that these things are transient and the bigger things more lasting, but I get dragged right back in. Gotta change our home insurance before October 31st. Like that.

But more to my question, what is my nature? What does that mean? I mentioned a while back I’m reading a book called How Forests Think. In it Eduardo Kohn makes a strong, a remarkable case for animism, identifying animism with the Selfhood of living things. Self, if I understand Kohn right, is the gathered experience of not only an individual tree, dog, human, but of the evolutionary and genetic inheritance each individual bears. In this sense my Self is the culmination of human adaptation over millions of years, specific adaptation in the instance of my particular genetic family and the moments since my birth that have shaped who I have become in dynamic interaction with those genetics.

I’ve always had a strong view of Self, that emergent being/becoming we each are. (BTW: we, in Kohn’s vocabulary, includes all living things) Thanks to many years of Jungian analysis I have tended to articulate Self in relation to Jungian thought as an entity rooted in the collective unconscious, born of the struggle between persona and our genetic tendencies, or, said another way, between our adaptative responses to the world and our animal inheritance.

It is in this sense that I meant it is not in my nature. Over time, thanks to events subtle and gross, I have learned to focus on the thing not finished, the matter with something left to do. That moves attention away from the completed, the resolved. Things like settling into the mountains, presumptively cancer free, time with the grandkids recede, get placed in the room marked o.k. for now.

So my nature is the sum of me, the skin-bound memories (another Kohn term) and the adaptative ancestry from which I descend. Here’s an interesting point about genetics and adaptation that Kohn makes, they are future oriented. That is, the adaptations that stick are, in essence, bets on a future that will require them. So, though they come from the past and manifest in the present, each adaptation represents a subtle reorientation of the species to a time imagined, in the most physical of senses, to have similarity with the near past.