Lughnasa Harvest Moon
Today is Yom Kippur, the day of atonement, the day when God seals the book of life for another year. May you be inscribed in the book of life (for the coming year) is a greeting we will hear today. It completes the ten days of awe that began back on September 9th, Rosh Hashanah, New Year’s day and by rabbinic logic the 6th day of creation, the New Year for humans.
The whole sweep of the days of awe reach deep into the soul; the month of Elul prepared us for the chesbon ha-nefesh, accounting of the soul, that culminates today on the metaphorical turning of a page in the book of our life, closing off the last year and opening a blank one, ready for a renewed person, returned (teshuvah) to the original, unique, best we are.
Of course there is no need for the ten days of awe to do what the Jesuits would call examen and I’m sure there is no book on a divine table that determines whether I will live or die in the upcoming year. I am equally sure that schmuz gathers on the soul like creosote gathers on a fireplace chimney or plaque in an artery. From long life experience I know there is no holy chimney sweep I can hire to clean me out, no heart bypass operation for the soul. The examined life requires an inner examiner. The high holidays are a communal reminder to do serious inner work and to give that work outer expression through worship and apology. I’m grateful for the prompt, aware of its necessity not because I believe I’m a deeply damaged person in need of unconditional forgiveness, but because I know I’m an ordinary human with the tendency to shift away from my best person.
Kate and I had a sweet moment, a grace filled moment, when I sat down with her and asked her forgiveness for the times I’ve wounded her in the last year, for the times I’d been short, thoughtless. Sure, we could do this at any time, but these holidays encourage it. We rested our heads together, aware of the reality that we’re just two folks traveling our journey, doing the best we can. “I’ve not always been at my best.” “Neither have I.”
Lughnasa and the Harvest Moon. We are in the season of reaping what has been sown. From the first of August or so until Samain on October 31st gathering in is the main theme on the Great Wheel. The fall equinox, Mabon, is near. September 22nd. It comes with the Harvest Moon, that fluke of planetary dynamics that has lit up farm fields at just the right moment for as long humans have been farming.
The Great Wheel turns, but its turning is the original local expressing a universal. Here the golden aspen in the Midwest the great harvest machines lumbering through fields. In the Midwest stunning colors here a dichromatic palette. How the harvest season manifests depends on weather and here in the Rockies altitude. Pikes Peak and Mt. Rosalie near Bailey, for instance, have already had their first snow, passing out of the harvest season.
Got that old debil feeling in this mix. You know. What I have done with my life? Here I am 71 years old, with much less time. Much less time to do whatever it is that floats like a dark cloud out of reach. Too little discipline. Too much fear. Too little desire. Too much distraction. Oh, look, a new book! A movie. TV. Yet this has been my life. Always. Work hard, rest, work hard again, rest.
Authenticity. The honest and fearless expression of the life within. A life lived without guile and pretense, one focused on the difficult challenge of finding out who we really are, then living from that knowledge. This is the examined life that is worth living. It counters cultural expectations, pushes aside parental and family pressure, demands knowing yourself.
Last night as I was going to sleep an odd conflation occurred to me. The multiverse is a standard hypothesis of string theory. It is not fantasy, it is also not proven. What we do know is that we live our lives inside our own skin, a barrier between ourselves and the rest of the world. The deep web of our own thoughts, experiences, physiological tics, the vast bulk of our life experience hides within us and dies when we do.
Here’s the conflation. What if each of us, in our truest and fullest sense, is the pressed into this particular universe unique representative of another multiverse? Our unrepeatable uniqueness really a reaching out, a cosmic attempt to connect all those sundered, also totally unique realms. In this admittedly wild and unlikely situation, our genetic code could write us into existence with the hand of another reality tweaking the GATCs.
Just before getting up this morning a strange, but somehow obvious thought occurred to me. While on the backstage tour we visited the dresser, an energetic guy who made or altered 490 costumes for the women in this performance. !. We saw the multiple props, a day bed, a drinks trolley, several doors with wheels, a set of steps for musical numbers, a kitchen table, a dressing table. Downstairs we saw the storage areas for costumes and prop making materials. We spoke with the dresser, the stage manager, the director, the actors, several of them, the lighting and sound people. All, to a person, warm and friendly.
Here’s the thought. Going backstage, seeing all the accoutrements for staging a play, especially going into the basement area, made me think of id, ego and superego. Of the masks and personas we wear. Of our brain as backstage, where we store props, costume changes, makeup, where we put together the elements of the show that is our lives. The show itself, and its superego, the director, is the life others see, the one we present as we strut and fret our hour upon the stage, then are heard no more.
As the moon’s change, so does the Jewish calendar. We’re now in the month of Tishrei, its first day, Rosh Hashanah, the new year of the world. All over the world, throughout the diaspora and in Israel, Jews will be celebrating the new year, shana tovah. This is short for l’shana tova tikateyvu, “May you be written [in the Book of Life*] for a good year.”
I thought about two boys of a man I know. I pictured them both, slovenly and overweight, and thought, what went wrong with them? I had added to those two judgments an assumption that they were lazy, had not fulfilled whatever potential their father, a successful and kind man, hoped for. Since I don’t know either of them, it’s obvious this reaction said more about me than about them.
The strange things that come to me before I drop off to sleep. Thinking about Lycaon, the anti-hero protagonist of Superior Wolf. He sacrifices his own son, Nyctimus, at a once every four year festival, the Lykaia, to Zeus Lycaeus (Wolf Zeus). Stray thought then. Sounds like Abraham and Isaac. Oh. Wait. Abraham was a polytheist before his covenant with G-d.
Modern technology is so wonderful. Over the last few days I watched all five of the much maligned Twilight movies. You might ask why, at 71, I would subject myself to all those teen hormones, questionable dialogue, and odd acting. First answer, I’m easily entertained. Second answer, I’m revising Superior Wolf right now. Werewolves from their source. Also, a project I work on from time to time is Rocky Mountain Vampire. So, the Twilight saga is in the same genre as my own work, though aimed more at a young adult, tween to teen audience. Which is, I might add, a very lucrative market. Maybe, it just occurred to me, some of them will be interested in my work as a result of their exposure to the Twilight books and movies.
The supernatural is a dominant theme in my life, from religion to magic to ancient myths and legends to fairy tales and folklore. My world has enchantment around every bend, every mountain stream, every cloud covered mountain peak. No, I don’t know if there are faeries and elves and Shivas and Lokis and witches who eat children. I don’t know if anyone ever set out on a quest for the golden fleece or angels got thrown out of heaven. Don’t need to. We wonder about what happens after death, a common horror experience often and always. If we’re thoughtful, we wonder about what happened before life. Where were we before?
Our senses limit us to a particular spectrum of light, a particular range of sounds, a particular grouping of smells and tastes, yet we know about the infrared, low and high frequency sounds, the more nuanced world of smells available to dogs. We’re locked inside our bodies, yet we know that there are multiverses in every person we meet, just like in us. We know we were thrown into a particular moment, yet know very little of the moments the other billions of us got thrown into. My point is that our understanding of the natural is very, very limited, in spite of all the sophisticated scientific and humanistic and technological tools we can bring to bear. Most of what exists is outside our usual understanding of natural, certainly outside our sensory experience.
Spent most of yesterday on submissions. I revised School Spirit, taking 2.0 down to 2,700 words from 4,800, and submitted the revision to Mysterion. I developed a table in Word to track my submissions. It has these columns: submission, work, publisher, response, rejection, acceptance, contract, published. Later on today I’m going to begin revision of Superior Wolf, which I want to get out as soon as I can get it where I want it.
So, I’m facing my fear, not only that, I’m leaning into it, grabbing it by the scruff of the neck and saying, “Come on, now. Message received. Stop already.” This is partly mussar driven, the practice I wrote about on 
Publishers and editors and agents, even critics and readers, are not lions or hyenas on the veldt. The fear I’ve allowed to rule me for the past three decades however has believed them so. The shame then is a complicated emotion which recognizes the self-deception and self-protection. It knows I’ve chosen the critique of intimates, why hasn’t Charlie ever published, to the critique of possible readers. That’s embarrassing, but it’s where I’ve been for a long, long time.
I know that fear vitiates trust. If we’re afraid of another person’s motives, we’ll never get to know them well. If we’re afraid of public speaking, no one will hear us. If we’re afraid of our own motives, we’ll take few risks. In these cases, if we face the fear, listen to it, talk it down, choose to act differently, then we may find love, may discover that people want to know what we have to say, may open ourselves to the world’s rich opportunities.
Ouch. I got this note back:
Then, I paused. Wait. This is the moment I wanted. Lean into the shame and embarrassment, see what it means. Why do I feel that way? So many reasons. Personal competence. A big risk taken with no results. Kate’s been so supportive of my writing. Most of all though it’s my work, being rejected. And it feels bad.
Not sure here all of a sudden. It was shame that I felt when I read this note. Didn’t realize it, name it until I began writing this. Why though? Why shame? Perhaps it’s from that old, underlying conundrum, am I living up to my potential? Who’s to say? Perhaps it’s wanting to be seen as a creative person, a writer of books, yet secretly suspecting that I’m not worthy of those identifiers. Perhaps it’s as simple as failing and being ashamed of failing?
What I do know, for sure, is that this shame, a hot desire to hide, to cover myself, to flee works against me, is not for me, in any way. And I could identify that paradox in another, in Kate or one of the Woollys, or a friend at Beth Evergreen. I would have compassion for it, yet also have a tough love move against it. It’s not who you are, it’s an attack on yourself from within. Perhaps we could call it Shaitan, the Devil because it is evil to push yourself down or to push another person down. Why? Because living is all we have and shame makes us shrink from life.